Reviewing an Iron Bonehead release feels like cheating since this label is legendary for being consistent with their output. Not only does this label find and support great acts, but their status only grows with each release. This is why a split from two up and coming artists isn’t much of a find but rather a sure bet in the gambling parlor of the underworld.
I think I have made mention of my aversion to doom. My hesitance for the genre doesn’t come from my disdain of the sound rather the glut of bands who play in the formula of the style. This isn’t an anomaly in metal as I gravitate towards anything black or death which plays in the genre. Doom and sludge do not interest me as much and aside from this personal preference, there are a few which break through my prejudice. If a band sounds like it was birthed in the bathroom of a shitty dive bar, I am there with outstretched hands.
I mentioned before, somewhere on this blog about my love for splits and ultimately the reason why I cover so few. Even though splits are a fantastic way to experience multiple bands and cover a wade expanse of underground, splits are unwieldy when it comes to titling. Multiple bands combined with multiple titles and artwork lead to a cataloging nightmare when it comes to organization. The Defecrator / Ritual Genocide split is no different as it has two titles and is going to be difficult to neatly pack away. Perhaps this is how it is meant to be as it is beyond human with its sound and does not really belong, safe, anywhere.
Holy shit. Alright so reviewing splits is sometimes difficult as the titles are long, the bands are from different places, and sometimes the styles presented are too many to discuss in a short period of time. This split is different for many reason. First of all, every band is from this 7″ split is from Greece which makes it easier, second and probably most importantly all of this music fucking rips.
Death! Death! Death! Papa Necrose is not on Metal Archives as of yet so finding any relevant information is difficult save for their Facebook page. This is odd since the sound and style of this Brazilian death metal band is 10/10 across the board in terms of crushing entertainment.
In previous reviews I made mention that splits are a wonderful way to experience new acts, labels, and scenes that may be centered around a location. Last year, I came across a wonderfully horrid act מזמור (or Mizmor) on a split with fellow Oregon project Hell. Though מזמור means “psalm” in Hebrew, the meditation from this one man project is hinged on terror, dissonance, and the almighty worship of chaos. מזמור is the work of one member, A.L.N, who also plays in Urzeit with members of Ash Borer, and coincidentally provides live drums for Hell. Walking into מזמור is like hitting your head on a branch that is just one part of a larger tree of horrible black noise and doom. מזמור seems to have kept its music under a big blanket of obscurity for these past couple of years and is now teaming up with Dross, an Arizona based black metal group with only two rare cassette demos to their name. I adore these types of things.
If the album cover and even title for the Fhoi Myore / Wyrms split, this experience is going to be intense. As said previous times, splits are a great way to experience new bands and even new experiences. Les Limbes Pourpres / Mehxôhorr – Les IV Dimensions Cosmogoniques sees two French underground black metal bands joining forces to present some of the most emotionally bare and rotting black metal in recent times. If the cover is any indication it will consist of ghoulish nude orcs and horrid looking bats.
I have stated before that one of the best ways to look for new bands is through splits. Usually splits will showcase two or even three bands you may or may not be aware of. Sometimes, splits will showcase a couple of bands as well as a new label. Mysterious Stranger lives up to its name as a new label that has one release to their name, which is this one. What Mysterious Stranger lacks in experience they make up for in potential. If future releases are as interesting as the Mariposa split, then I would be more than willing to start collecting libraries of their cassettes.
One of the more interesting records labels I discovered this year has been Baltimore based Grimoire Records. Already, this label has put out an impressive selection of unconventional black and doom metal. I have previously reviewed the Cavern EP, a wonderful album from Torrid Husk, and an EP from Dweller in the Valley, which is already making rounds on other blogs. Once again, Grimoire Records has impressed me, as Crawling Mountain Apogee, a split between Torrid Husk and Myopic, continues to fortify the foundation of a non traditional metal empire.
South American black and death metal is ferocious to the point of being scary. The continent had developments of black and death metal much like the same from the Europe and America but did it with a raw sensibility with less concern about genre distinction. Even this split between two Chilean black metal artists sounds like a cross between black, death, and some sort of exploding swine monster. There is no wispy atmosphere from here on out, only bowels of the underworld where flesh is consumed nightly.