Transylvanian Tapes | 4-20-18
There is a point where I consider a rerelease of an obscure demo to be apart of the current year. Things released late in December of the past year or even things that went generally without any sort of attention usually gets grouped into the current year since no one is really going to care. Of Martyrdom and Polluted Faith is different for many reasons with the largest one being this digital demo was released in August of 2017 and got minor attention on its initial release. This is why Of Martyrdom and Polluted Faith will be a 2017 demo which is seeing its first physical run in 2018.
If you were the majority of people which missed this when it first released, Dearth is the combination of two members making black metal much like a swirling kaleidoscope of horror and rot. Situated on the US west coast and with members from bands like Xenotaph and Torture Chamber, this demo is more than enough to put you in a foul mood if foul mood is what you desire. For only being a three track demo, Dearth manages to make its 20 minute running time feel like a near eternity spent in some hellish chasm of fear and confrontation.
Solar Asceticists Productions | 1-22-18
Well, that is it. Janaury is offficially over with perhaps the coolest looking release of the month. Add to this the forcoming coverage by No Clean Singing and the fact this band has no Metal Archives page, and yhou have the [potential for a hype explosion that will be celebrated by a small group of people on the internet. Whatever the future holds for the oddly named Abyssal Vacuum, it will be marked by an explosive demo that again has the coolest looking cover in recent memory.
Very much like their name, the sound for Abyssal Vacuum is cavernous and akin to falling backwards through chasms that never seem to end the suffering. Even though the cavernous death style has been mined excessively over the past few years, Abyssal Vacuum is not apart of that sound rather chooses deep arcane sorcery performed in a lightless void. The addition of the subtraction of information adds to the band’s mystic allowing a single track to act as a beacon for anyone seeking this type of aesthetic. Abyssal Vacuum knows its audience and delivers well.
Solar Asceticists Productions, by hook or by crook, has managed to release two demos with great success in a style that is only popular with a select group of people. The Cendres demo, released lat month, is swirling hypnotic black metal which again is super cool but also super niche. I have no idea who is hyping this label so early but the end result is decent demo releases with above average tape covers. I will not complain rather relish in the glow of arcane sorcery.
Self Released | 12-19-17
Sorgspell is an ambitious demo from a band that seems to have everything checked and ready to go. This is not uncommon though some bands choose to enter causally with a debut demo. For a debut demo released in the twilight of 2017, Cultum Interitum is ready to go when everyone else is going to sleep.
Sorgspell is a decent display of mid-fi black metal that has great vocals and sobering melodies which are draped over its body like funeral shrouds. Songs like “Agony” show a band that is playing above a ate December demo with music that is fitting for a full length. I am not complaining about the demo quality as I love hearing a variety of sounds at the starting level. Aside from the placeholder Dore album art and the placeholder old english font and the placeholder placement of the name and album title, Cultum Interitum seems like the first one up and ready to start on 2018.
Self Released | 10-14-17
If one hasn’t noticed by now, the last few reviews for this year are things that I initially missed. These things are still under the radar for the greater scope of heavy metal but still fit into the strange idea of Tape Wyrm material. Cavurn is an unsigned/independent death doom band from Washington whose demo/rehearsal is one of the top tier releases of the year and for that they need revisiting.
Death / Doom is a strange genre since each time it is employed, it is unique among the practitioner. Some bands lean more on the side of doom with harsh vocals while other played a rotted form of death. Cavurn is in the middle as they employ both aspects of the genre and seem to glean the most interesting aspects of both. From the monolithic atmosphere of doom married with the classic riffs of death, this demo shows a band that already has everything figured out and is ready for the next challenge.
There is little way, anyone can kep up with everything released in the year. Other well known releases like Witch Vomit, Vanum, and Cult of Eibon are still excellent just out of the range for what I hoped for this blog. Cavurn seems to fit well inside the other releases with a demo that is worth anyones attention despite their attraction to lesser known metal.
Self Released | 11-3-17
This demo was released in November of 2017. I am reviewing this in addition to the Barbarian single which was released in December of 2017. All four songs consist a body of work that is around 16 minutes. I know all of you war metal fans need to keep your dates and facts straight which music that is the equivalent of steel wool on the psyche.
Before we go any furthur, I want to say this type of music is exciting and entertaining despite the fact that it may not sound that way. War / Bestial black metal rides an aesthetic which, like noise, maybe challenging to hold. If the orcish figure on the front was not any indication, this demo is going to be a plunge into some of the harsher music in the heavy metal. If you made it this far take a moment to look up at how far you have fallen. For anyone keeping track, Attrition is the work of the creator behind Atomic Grave which also released a demo this year. Attrition seems to be the continuation of a similar sounding project or at least a second front in the spiritual war. If you are here, you came on your own accord and Attrition delivers everything that is expected.
Amor Fati Productions | 10-30-17
Holy shit, how in the world did I miss this. Not only is the album cover fantastic and everything I dreamed of but the sound is swirling black metal madness. Add to this the fact I am completely in the dark to what the name and album title means which means this is my new favorite record. It takes a special album to meet the aesthetic requirements of intriguing and an even greater one to slip by detection.
Mûspellzheimr is not new, rather this is the second full length along with a handful of demos. The lack of band members is to be expected as well as their absence on social media. Nidhöggr (the dragon/serpent who gnaws at a root of the world tree, Yggdrasil) follows the similar under the radar release Hyldest til trolddommens flamme in 2015. Nidhöggr is very apparent in its presentation that the madness which is flung at the listener at the beginning is going to be a theme throughout the record. From wailing to music that feels like it is about to fall apart, Mûspellzheimr redefines the idea of mental erosion with a record that is frayed sanity and composure. Nidhöggr is for a select audience. There really isn’t a single or unique track which would encompass the thesis of this record. Mûspellzheimr , despite a lack of information regarding themes and even the erasure of album tracks for roman numerals, one can surmise the summary of the band’s intent. Through some easy guesswork, Mûspellzheimr ‘s intentions are nothing less than malefic as well as hellbent on being ghastly.
Self Released | 12-29-17
This is perhaps my sixth review today trying to not only get up to a certain number but review all of the material that is being released at the end of the year. While most of the lists have been published and writers have gone home to celebrate another year of releases, the backwaters of the internet are still alive with festering releases. One of these is Tomb of a Thousand Sorrows, the very late introduction to Another Dead One.
I am not entirely sure about the band’s name nor the album title. For a year spent with the rotten warehouse death, Another Dead one seems to be on a separate plane with aesthetic. This is furthered by the fact their guitar solos and dynamic presentation is not only unorthodox but it is fun as hell. when was the last time you heard guitar squeals into double bass riffing? For that matter when was the last time you heard a chainsaw in a song with people screaming? For as much as I am uncertain about the name, Another Dead One has gone above and beyond the call for entertainment with an EP that would be fun for drinking embalming fluid with.
Self Released | 12-30-17
Genre: Sludge/Doom Metal. Lyrical themes: Drug addiction, Nihilism, Depression, Death, Misanthropy. You already know what you are getting into just by the summary of this release. Even looking at the band photos, one can assume most things about this sound. I have been more than honest about my stance on sludge and doom as a whole and while I have an aversion to most of the genre, hearing well done sludge doom about Drug addiction, Nihilism, Depression, Death, and Misanthropy is more than welcome.
Self Released | 12-21-17
Blackened death is a strange genre to play and even to seek out. While it sounds similar to the black/death style, there is a maddening difference between the two to the point that when seeking one out will lead to dissatisfaction with the other. This is what I find so interesting when bands like Karcist knowingly employ the less popular of the styles and ultimately succeed with the sound.
Inner Sanctum Immolation is the debut EP from a Los Angles based act that is not interested in the tomb of low fidelity. Though Karcist does not have the top tier of production on their debut, Inner Sanctum Immolation could work with high fidelity as much as medium. The fact that the band succeeds at a medium range and manages to make their sound interesting is a testament to a band that has their shit together. Though I think their black/red muddy aesthetic works well visually, the fact Karcist manages to travel outside what is expected for underground metal and still make entertaining music is a near surprise.
Ill be interested to see where this band goes and if they align with any popular trends. Songs like “Incursion of Christ” sounds like it is from a high profile metal band with different art and probably not on Bandcamp. the fact that this sound can be achieved by an unsigned act is exciting to hear if the sound will be explored in the future. Whatever the case, I am sure Karcist will land on their feet somewhere as it seems this band has competent members aboard their horrid ship.