Self Released | 1-20-20
From the cold gloomy lands of Canada comes a slightly atmospheric black metal release with…you guessed it….a black and white tree on the cover. Outside of this very obvious joke, Ukcheansalawit (ûkcheânsâlâwit) debut demo has everything going right to be a memorable exploration of black metal themed after indigenous cultures. While most of these summations could be wrong, the majority of Tekipuk is centered around words of the Mi’kmaq tribe which was one of the largest Native people centered around Canada’s Maritime Provinces (Nova Scotia, New Brunswick, and Prince Edward Island). Outside of some vague references to Canadian native people and the use of the language, most of the work of Ukcheansalawit remains a mystery aside from a 17 minute demo of synth heavy lo – fi black metal. Perhaps 2020 will see more releases but for now, this release is enough to spark interest in a relatively unexplored area of pan American culture.
Self Released | 1-14-20
Good morning, it is time to wake up and run straight into that opposing wall. Wormreign comes to us from Canada and with an album cover that is to be expected but most certainly welcome. What is surprising about this debut EP is the tenacious nature of the music and also the energy in which the band uses to, perhaps literally, throw themselves at the listeners. “Ad Vermiis” is nearly bursting at its seams and feels like it is bouncing against the door in order to get out. This ads to the frantic chaos of this EP and promises to make participants anxious if not brimming with feverish mania.
Self Released | 5-3-19
I feel that the tag Raw Black is less a genre and more of a sign post for interested parties. Rituals Under the Red Moon is black metal just fed through a filter of noise and chaos. One can still hear the riffs and structure just now with rough edges which bleed like static. I do not know much about this band other than their desire to play into a genre. From their cover to names, Witches Hex embraces the thematic elements of underground black metal. What is interesting about the band however is their ability to make those thing still seem sinister and raw perhaps with the help of shredding noise.
Self Released | 1-13-19
This is not usually the type of music featured on this site. I do not think this type of music is really featured anywhere. I do not know what this is. It is weird and I love it. Father Moon is a Canadian act which seems to take its cues from Nightfall era Candlemass but the drug fueled days of Sabbath. The result is something that more difficult to explain but easy to enjoy. Additionally the near DIY production and presentation is something which makes this EP feel like a flea market discovery of the year since it is difficult to understand what is exactly happening. Come confused, leave delighted.
Self Released | 12-31-18
In 2019, I want to amass a collection of gross sounding death metal. Thank you 2019 for giving me my first of this year’s collection. If you ever want to hear what blood stained concrete sounds and tastes like, allow Grave Infestation to overtake your beating heart. Wild guitar solos, ridiculous soundclips, and a band photo which looks like it has been run through a copier 100 times, this Canadian act is here to be antisocial and make jokes at funerals. I am just joking, they wouldn’t be invited anyway but are here to tip the casket. This is everything I love and am so glad I keep finding this stuff.
Self Released | 05-14-18
At the moment, this Blood Sacrifice hasn’t been added to the Metal Archives which makes finding information sort of difficult. I am sure they will be added later but for now the sound of bestial torment which comes in the shape of a tornado is still but a mystery. According to the tape label which has produced the 133 copies of their debut, this project features members of Spectral Wound, Profane Order, Hashed Out, Taggarik, and Mad Parish. I know some of those words.
For as much mystery surrounding the actual release, The Horned Goddess is not complicated to comprehend. When one reduces the desires and wishes of heavy metal to a black ore, it would probably sound like The Horned Goddess. Violent, fast, and with a penchant for evil things, Blood Sacrifice is the sound of black metal which has just run out into the street, naked, and swinging weapons. Perhaps my vision for this album is influenced by the bizarre cover but in any case, this album is surely making itself unforgettable.
Self Released | 2-1-18
The fact I can’t listen to more than one song from this EP is hilarious as it is infuriating. The mail order distro which is attached to this band, Blud Auk also has its samples on Soundcloud. It seems to be my fate finding really awesome music that sails international waters in terms of formats and presentation. What is important however is that I have found some clues and leads to a cavern of death and rot whose location is only known by those already infected with spiritual sickness.
Despite Goring Christ only having one song, listening to the Final Laceration demo shows a band ready to smash windows and use the pieces to inflict harm on whoever is closest. This is the trenches of black / death / punk / war / bestial and whatever other avatar of horrid music that comes from the lose of goodness. It is fast, gross, and undeniably fun. Goring Christ and the greater Blood Auk label has found an aesthetic and a distribution method that seems to work for fanatics of slime and grime. I will make any addendum to this review if the rest of the EP turns out to be any different than what is present on the previous demo or preview track. If the band suddenly changes to symphonic progressive, Ill be sure to post a follow up. For now and until that point sit back and die a thousand times over.
Self Released | 11-3-17
This demo was released in November of 2017. I am reviewing this in addition to the Barbarian single which was released in December of 2017. All four songs consist a body of work that is around 16 minutes. I know all of you war metal fans need to keep your dates and facts straight which music that is the equivalent of steel wool on the psyche.
Before we go any furthur, I want to say this type of music is exciting and entertaining despite the fact that it may not sound that way. War / Bestial black metal rides an aesthetic which, like noise, maybe challenging to hold. If the orcish figure on the front was not any indication, this demo is going to be a plunge into some of the harsher music in the heavy metal. If you made it this far take a moment to look up at how far you have fallen. For anyone keeping track, Attrition is the work of the creator behind Atomic Grave which also released a demo this year. Attrition seems to be the continuation of a similar sounding project or at least a second front in the spiritual war. If you are here, you came on your own accord and Attrition delivers everything that is expected.
Iron Bonehead | 06 – 09 – 17
Reviewing an Iron Bonehead release feels like cheating since this label is legendary for being consistent with their output. Not only does this label find and support great acts, but their status only grows with each release. This is why a split from two up and coming artists isn’t much of a find but rather a sure bet in the gambling parlor of the underworld. Continue reading
Self Released | 2-3-17
I feel I am going to have a good handle on some of the darker works in various languages. From what I can surmise, Mort aux Gueux means “Death to the Beggers (?)” and the album title starts out with “Music of the Devil” and then gets really patchy from there. It could have something to do with misery or mother Earth. Whether or not I would actually do well in France or the French Canadian territories is one thing, the tone and theme of Mort aux Gueux is quite another.