Self Released | 6-18-18
Check. Check. Check. This band has everything I look for in a potential match including a badass name, grimy looking album art, and a tone which carries clout in the tomb stalking world of death metal. At this point in my existence the presence of bands like Disgusted Geist immediately draws my attention since they travel to place where I would like to rot in eternity. Shrouded in atmosphere and with the weight of stone sarcophagi, Reign of Enthrallment is a genre piece which provides the soundtrack to subjugation by an evil necromancer.
With all of the aesthetics aside, Disgusted Geist does a fantastic job at combining Vastum style riffs with the frenzy of complete annihilation. Though I believe the band has room to grow in this underground tomb, the premiere of their morbid world is enough for attention and possible courtship int he afterlife. Come for death, worship eternity resurrected as a thrall.
Self Released | 6-5-18
I think I can count the number of doom albums on this site with relative ease as I could probably use two hands. Doom is not a genre I travel into or at least have patience to surround myself with. This does not mean there are not good records being made and great bands making them. For me there has to be something else outside of the doom to snare my attention. Lightpath, a very new Italian act, seems to have doom coming with their death metal friends and they all have rusty knives. This is the type of party I enjoy.
Children of the Void is listed as a promo which could very much fall under the classification of demo. It is a three song showcase which lays out the tenets and intentions of the band which all are malicious and ugly. The female(?) vocals come snarling and add a rotting edge to music that is already adversarial. Outside of this sort of unique presentation is music that is well constructed and consistently remains intriguing. If Lightpath was intended to get attention with this promo/demo they have done so with music that is more fitting of a broken leg than anything resembling fun. It is nasty, harmful, without morals, and completely entertaining.
Self Released | 06-09-18
Sure, the entire album could be terrible. It is a possibility. Döda Drömmar actually releases in a few days and all we are hearing from this debut full length is one horrid sounding track. While it is entirely possible that the rest of the album could be boring and uninspired the raw filth which exudes from the preview track is enough to cover a couple of album’s worth of releases. If I were going to put my money on anything it would be on the music that has mucus hacking and throat choking as ambience.
” ‘Mylingar’ is the plural of ‘myling’. In Scandinavian folklore the word “myling” indicates a wandering ghost of an unbaptized child.” This is the factoid on the band’s Metal Archives page and it is mildly humorous in how far it goes into its own aesthetic. Little is known from this band outside of a 2016 EP so the band’s first full length, being self released, does not come with much attention of hype. Perhaps this is what underscores the raw sound which makes up the first track. From a style which sounds like OSDM drug through sewage to the raspy witch like vocals which actually make up the song, the release of Döda Drömmar is going to be interesting even if only to figure out just what the hell is going on inside of this world. Sure, this entire album could be terrible but I am a good judge of character and right now I am scared for my safety.
Self Released | 5-23-18
A quick note before we begin. This album was released in 2015 by the Italian label Nightbreaker Productions at about 1000 copies. While re-releasing albums is not a new phenomenon, the fact this album is being re-released independently is odd. Perhaps the band was unhappy with the initial run or 2018 ft more into their idea of cosmic devour. Whatever the case, Nex Carnis is giving their debut another spin, on their own merits, and with the year of 2018. With punishing sounds of old school death, who am I or anyone else to argue?
One of the more relaxing things about Nex Carnis is the fact they are from a place not known for its metal scene but also exceptional in their field. Researching global metal can bring one to bands that are from exotic places yet with mediocre sounds. The embrace of the location rather than the sound can be troublesome when documenting heavy metal from non western countries as one can fall in love with an idea rather than reality. Nex Carnis does everyone a favor with greeting everyone with pulverizing death metal that could be at home in any warehouse, dive bar, or putrid cemetery. While death metal is currently experiencing a surge in hipness, Obscure Visions of Dark has both the cooleness of the current sound combined with unique variations to make them stand out of a ghastly crowd. With song titles ripped from the 90’s and artwork that could fit perfectly on a tape, Obscure Visions of Dark not only stands as model for current death but also makes the whole thing fun as hell to listen to. Open coffins and welcome welcome the swarm of darkness.
Unspeakable Axe Records | 09 – 31 -18
Holy shit, this thing is not going to be released until late August. Why am I so excited for this record despite the fact there is only one song for preview. What is it about death metal riffs which makes me wait on the front steps until the doors open? I usually balk at the idea of albums no being available to me whenever I want. I am also wary about the prospect of preview tracks for albums that are months away from release. This all goes out the window when it is death metal, being released on Unspeakable Axe Records, and really fucking good.
Act of Impalement is from North Carolina and has been seen up and down the East Coast putting in work around local venues. Perdition Cult is to be the bands debut and by the sound of the first “single” Pax Romana, it is going to be a hellish hootenanny which will end with at least a few injuries. Fans of old school and grimy concrete floor death will appreciate the tone and structure of a song which waves the standards of music meant to immerse and suffocate. I still can not believe I have to wait here until August but I am sure once the leaves begin to die, it will be time for the world to rot.
Self Released | 4-30-18
All hail Bulldozer Death! This is my personal tag for music that sounds like an unmanageable amount of gravesoil pushed onto a listener at once which slowly becomes their demise. This is what Cryptworm sounds like and it is as fun as it is intimidating. Following their well received 2017 demo, released on Goatpryaer, Cryptworm sets out by themselves to deliver ten tons of gravesoil on hapless victims.
From the beginning of this 11 minute EP to the very end, Cryptworm rarely takes time to rest. No intros, no ambiance, no space to breathe, Verminosis could be the definition of “straight and to the fucking point.” While this EP lacks the atmosphere of other rotting death bands of recent years, Cryptworm makes up for it with some wild and ascertaining riffs combined with the smack to the face with a tombstone attitude. Also the pick slide on “Cadaveric Flesh Engorgement” was one of the most fun experiences I had all day. All hail the sundering of life.
Self Released | 3-15-18
Aww yeah here it is. Demo name – Check. Release type – check. Tone – Check. Band name – triple check. I have to admit that I am reviewing this based on the preview track as the actual demo comes out in 6 days from writting this article. There is a possibility that the rest of Altar of Gore’s demo could be lackluster and boring. From the sounds of the preview track “Foul Dwellers in the Sacrificial Pit,” this demo is going to be nothing less that the drowning of the world in ripped flesh and fouled blood.
Though I would be perfectly happy with this songs beginning tone which is grindy and has the vocals of a cave demon but it is really the downshifting of pace around the 1:50 mark where the riffs drape over the song and the full extent of atmosphere is revealed. This demo makes the sound seem so effortless and from at least this preview, seems like Altar of Gore are winning without even trying.
Self Released | 2-27-18
Alright this is what I am fucking talking about. Death metal which has the sentiments of a caveman hunting on the unforgiving landscape where death and life are locked in an inseparable embrace. All of the information regarding Burial Stone indicate this is death metal from New Jersey without any serious mention of the doom aspect. Perhaps we have moved past the point where we are considering doom a genre and this is just death metal played out in agonizing slow motion.
the three tracks which make up the Lost History EP are of exceptional quality with the raw nature of the cover, production, and instrumentation only adding to the mystic surrounding this band. With song titles like “ATLANTEAN ASCENSION,” Burial Stone summons primordial sprits to help them weave their tale. When doing so however the world becomes turgid with the haze of sorcery. Lost History is the work of death magic and I am so pleased to be in its wake.
Self Released | 2-8-18
I usually enjoy finding Bandcamp pages with little to no discussion so I can be one of the first to write a review. This is my bizarre sense of accomplishment. While seeing the massive amount of discussion on still unsigned debut from Golgothan Remains was sort of a let down, the fact we have a strong contender for one of the best albums of the year being released in February sort of makes up for it.
Comparing the band’s debut to the demo shows leaps and bounds in terms of production. While the songwriting is still present, the immersion of sound is one of the strongest aspects of a record which desires to ensnare ones attention. With a few steps above the cavernous sound but a few feet down within grave, Perverse Offerings To The Void succeeds by all merits in being a full sounding death metal record which is near cinematic in its running time.
I find it wonderful when the aesthetics of a band coalesces into a successful record. The closing quote on this Bandcamp page declares “…we live in dust of these remains…” which is colorful and fun in the revel in darkness sort of way. People who enjoy realms of dust and decay will be in for a wonderful surprise come the passing of a thousand years.
Self Released | 1-9-18
there are sometimes inklings of things one is going to enjoy. Seeing the color used in Superstition’s logo and artwork wasn’t the reason for enjoying this demo rather an inkling that t was going to be intriguing. Perhaps it is because that warm sickly grey was a gateway into a certain aesthetic. Perhaps I am drawn to certain shades of off white. Whatever it is, Surging Throng of Evil’s Might is a triumph and offers sanctuary in the creepiest, most dilapidated cathedral this side of the afterlife.
Did I mention, I adore spooky organ music? If not, I would like that noted on the record. One of Superstition’s greatest assets it the sense of atmosphere which compliments their mastery on the music. Songs like “Outer Mutation” comes out of a gothic style organ interlude and have enough flair and flounce to make it a towering monstrosity in rotting velvet. This is weird fiction death metal and with songs like “Grave Portal,” it is a place which I want to stay forever.