Self Released | 11-7-18
Got it. No Metal Archives page as of yet. Debut demo with two songs and a running time of 17 ish minutes. Nothing else I can find except for the initials of the band members. They are from Germany and that is about it. Its a good thing VerdensAske plays decent mid range black metal which is engaging to the listener otherwise I would have nothing to go on. If you enjoy the third gear pace of bands like Mgla, then you will enjoy the dismal atmosphere offered by VerdensAske. Somewhere between catharsis and a desire for self immolation, like these two tracks which are filled with emotional turmoil and a possibility for spiritual conflagration. Not much information is needed when one’s soul is on fire.
Naturmacht Productions | 09-15-18
Alright we have to talk about it. Lyrical themes: Historical mining. In all of my years spent in heavy meta, this is perhaps the first mining centered metal band I have come across. In fact, looking through the Metal Archives for other bands which share the aesthetic, Dauþuz is one of five and the second German band to explore this topic. Germany’s Die Knappen did a similar dive into the traditions of mining in 2010 and Spain’s Astigarraga Thrower delved into mining and extractive metallurgy with their 2015 release Aiako Harria. With something so specific and off the beaten path for heavy metal, it is almost arresting in its use since most listeners are wondering what mining has to do with anything.
Des Zwerges Fluch is the band’s third release following a short string of full releases that no one really paid attention to. This is surprising as the preview track from Des Zwerges Fluch is chilling black metal probably played at the bottom of a cave. While the cave jokes could write themselves, the combination of crips black metal combined with an odd lyrical approach makes for engaging listening which urges listeners to revalature the aesthetic traditions of lower class occupations. Dauþuz seems more connected with the primal qualities or unrefined earth with music that feels arcane and chaotic in its slumber. Since the lyrics are in German, I will never know the true answer but there is sometimes a feeling which transcends languages.
Self Released | 4-15-18
I do not think I am completely on board with the artist name for this German project or even the song titles which make up a large part of the aesthetic. From something that looks like it could be dungeon synth to an aesthetic which looks moody in its disposition. Night of Sacrifice, the debut from Fortress of the Olden Days seems like a release which has a lot of problems. Perhaps the thing which makes it okay is the uncompromising howl of misery.
Night of Sacrifice spreads itself over three lengthy tracks with two interludes acting as segment. Similar to the texture of things like Paysage D’hiver, Fortress of the Olden Days takes the mystic qualities of atmospheric black and rubs soil into open wounds giving it a distinct primal quality which feels like the onset of hypothermia. The production and direction of this demo (?) excels due to the creators command over both the music and oddly enough the aesthetic.
Fortress Of The Olden Days is one of the multiple projects piloted by the creator known as Stulpert. While no projects such as Zalmoxis, Ås, or Fortress Of The Olden Days have reach critical attention, the work and aesthetic , as a collective, seems to be working towards something grand. If anything you can rest assured known there is vile dissonance being made in Germany and it is as terrifying as you think.
11-13-17 | Narbentage Produktionen | The Hidden Art
Krÿs is from Germany and I do not think the band’s name has any easy translation into English. The name Hexen is already known enough not to be mysterious and most of the song titles do not hold any deep level of esoteric meaning. For the most part this demo is a pretty transparent package of black metal without many gimmicks or talking points. I feel for this reason, it succeeds beyond similar releases of this year.
11-24-17 | Ván Records
If the swirling and cacophonous introduction of “Indoctrination of Deaths Command” is not enough to get you in the mood for complete obliteration, then I do not know what to tell you. Miasmal Coronation is a split with two new and relatively unknown black / death outfits from Germany. with an embrace of war themes and a sneering disdain for most things living, this split is a ferocious explosion of anti-human sentiments.
Self Released | 9-23-17
I do not review a lot of war / bestial black for a few reasons. Firstly the pummeling sounds of Blasphemy worship can become overwhelming when not ready for the sound. Given that even high profile acts like Teitanblood and Revenge can become endless cascades of torment, bestial black or war metal is directed at a very niche audience. For this reason, it is a style of music that isn’t practiced much and when it is, the earth seems to open up and consume everyone around.
Cirsium Kollektivet | 6-25-17
By any means necessary. The German outfit known as Amino Aeger may not be a household name but it only takes a few minutes into their work for it to make an impression. Sure this all falls under the realm of black metal but by the first minute of the Ab-Fakt EP, the listener realizes that this is not really a release but the ravings of a wild animal and all of the doors are now locked. Continue reading
Northern Silence Productions | 3-3-17
Hopefully you are ready to run becasue whatever is chasing you is getting closer. From the not so ice bitten lands of Germany comes a band that is less innovative as they are aged in experience. With a decent sized EP to follow their 2015 demo, Nornír steps onto the stage to offer entertaining black metal with the jaws of hades.
Self Released | 2-1-17
I believe that it is in the interest of most metal to capture a theme or feeling. whether simple or complex abstract or concrete, most heavy metal intends to fill the listener with a focus. The second album from German black / doom outfit Imperceptum does an admirable job at wrapping in the various emotions of existential obliteration. While this sounds like a very niche focus, the sound of stars collapsing and ceasing to be apart of the material world seems to be a destination for this particular band.
Self Released | 10-02-16
All Hail the sound of tombs cracking from a force wishing to resurrect. Mortal’s Path is from Germany and this group of newcomers does its very best to slide right into the death metal party. From their jagged logo to the black and white cover, Mortals Path tries its very hardest to just be a standard death metal demo without many bells and whistles. Because of this, Mortals Path presents a very humble offering of death metal which sounds like a cemetery rupturing.