Caligari Records | 4-8-16
Look. At. That. Fucking. Cover. There is a certain feeling one gets when they find a style that clicks with their personality. Into a Pyramid of Doom has everything from occultic obsessions to comic book styled horror. I do not know exactly what it is about Lovecratian monsters looming over Ancient Egypt, but I know Into Coffin knows exactly how I feel.
Nihilistische KlangKunst | 1-1-16
Cruda Sorte is a German band with an Italian name. “Cruel Destiny is the moniker for this black metal band which seems to have come out of nowhere expect for the fact they have already had one full length and demos reaching back into 2006. Maybe out of nowhere but when the opening sounds of “Necrologia” begin playing, it is difficult not to excited or at least spams uncontrollably.
Self Released | 8-4-15
Horns of Domination is a three piece combo from Germany who seems to have bucked that silly trend of having a bassist in their band. With two guitarists and a drummer, the band has appeared as an unsigned entity now with one self titled demo to their name. I have seen this before. Additionally, with a name like Horns of Domination, I was expecting something I have heard before. It was certainly not this. Sometimes the short format of a demo works in the band’s favor if the music can be so violent that the listener is left with a feeling of horror and surprise.
Imperium Productions | 4-3-13
Holy Gods in the void beyond space, look at that cover. Few times does artwork move me to tears as Sulphur Aeon’s cover for Gateway to the Antisphere. Ola Larsson, who did the band’s previous records as well as Disma’s Towards the Megalith and Death Fortress’ Among the Ranks of the Unconquerable, provides Sulphur Aeon with a unique view into the otherworldly which just by history, should fit the band’s music perfectly.
Self Released | 4-13-14
I feel with a looser definitions on what constitutes “new music,” one can find a wider array of material. Example being a well crafted black/melodic death full length from Germany’s Morgon. It was easy to miss this full length since it was self released in 2014 and has only been lightly reissued by small distributors most recently by Obscure Abhorrence Records. While Morgon’s story is not unlike dozens if not hundreds of metal bands, sometimes decent music goes unheard. This is a really good example.
Yehonala Tapes | 11-8-14
Whenever a release starts out with a clenched fist feeling, one knows it is going to be a good release. Ekranoplan supposedly has members of the funeral doom metal band Ahab in it but I can not find any relevant information regarding this project. All evidence of Ekranoplan is in the form of a 5 song demo which is aptly titled Demo. I do not think I need any further introduction.
Deivlforst Records | 9-6-14
While comparing black metal to Dungeons and Dragons seems like an easy thing to do, there are times when I find it most fitting. In the early days of published adventures, things like The Tomb of Horrors and Temple of Elemental Evil were less about dynamic roleplay and more grinding dungeon crawls. This is what I feel like when listening to Ungedul, the second record from German outfit Arath — a merciless crawl across hewn stone floors with little chance of success or survival.
Iron Bonehead | 8-12-14
If one thing I am thankful for with Heptaedrone, it is the minute long introduction which precedes the actual music. Not only does the introduction set the mood with atmosphere and sound effects but it also gives a brief pause before the world comes collapsing in on itself. Take whatever you can get because there will be no room to breathe for the next 43 minutes.
Debemur Morti Productions | 4-25-14
I must say — out of most Bandcamp pages, Debemur Morti Productions’ design is exquisite with subtle greys and hints of sepia. I would also say the same about the design for The Reflecting Void which is the fourth full length for German act Infestus. I mention the design because, from what I can tell, one man is responsible for everything that is heard in The Reflecting Void. I have already made mention for my penchant for one man metal acts as the emotional catharsis and isolated scope can lend itself to brilliant records. Infestus is no different as The Reflecting Void is full of terror which never ceases to be entertaining to experience.
MetalPunxRex | 1-25-14
I try to only review releases from 2014 which gets difficult when the secondary cassette market reprints albums from years prior. Finding first run cassette releases is sometimes difficult. According the liner notes for Satan’s Throne by German act Schafott, the demo was recorded 2 years prior with no explanation what happened in those 2 years and now. I am asking no questions as it seems that the band’s demeanor is slightly drunk and looking for a fight.