Imperium Productions | 4-3-13
Holy Gods in the void beyond space, look at that cover. Few times does artwork move me to tears as Sulphur Aeon’s cover for Gateway to the Antisphere. Ola Larsson, who did the band’s previous records as well as Disma’s Towards the Megalith and Death Fortress’ Among the Ranks of the Unconquerable, provides Sulphur Aeon with a unique view into the otherworldly which just by history, should fit the band’s music perfectly.
Self Released | 4-13-14
I feel with a looser definitions on what constitutes “new music,” one can find a wider array of material. Example being a well crafted black/melodic death full length from Germany’s Morgon. It was easy to miss this full length since it was self released in 2014 and has only been lightly reissued by small distributors most recently by Obscure Abhorrence Records. While Morgon’s story is not unlike dozens if not hundreds of metal bands, sometimes decent music goes unheard. This is a really good example.
Yehonala Tapes | 11-8-14
Whenever a release starts out with a clenched fist feeling, one knows it is going to be a good release. Ekranoplan supposedly has members of the funeral doom metal band Ahab in it but I can not find any relevant information regarding this project. All evidence of Ekranoplan is in the form of a 5 song demo which is aptly titled Demo. I do not think I need any further introduction.
Deivlforst Records | 9-6-14
While comparing black metal to Dungeons and Dragons seems like an easy thing to do, there are times when I find it most fitting. In the early days of published adventures, things like The Tomb of Horrors and Temple of Elemental Evil were less about dynamic roleplay and more grinding dungeon crawls. This is what I feel like when listening to Ungedul, the second record from German outfit Arath — a merciless crawl across hewn stone floors with little chance of success or survival.
Iron Bonehead | 8-12-14
If one thing I am thankful for with Heptaedrone, it is the minute long introduction which precedes the actual music. Not only does the introduction set the mood with atmosphere and sound effects but it also gives a brief pause before the world comes collapsing in on itself. Take whatever you can get because there will be no room to breathe for the next 43 minutes.
Debemur Morti Productions | 4-25-14
I must say — out of most Bandcamp pages, Debemur Morti Productions’ design is exquisite with subtle greys and hints of sepia. I would also say the same about the design for The Reflecting Void which is the fourth full length for German act Infestus. I mention the design because, from what I can tell, one man is responsible for everything that is heard in The Reflecting Void. I have already made mention for my penchant for one man metal acts as the emotional catharsis and isolated scope can lend itself to brilliant records. Infestus is no different as The Reflecting Void is full of terror which never ceases to be entertaining to experience.
MetalPunxRex | 1-25-14
I try to only review releases from 2014 which gets difficult when the secondary cassette market reprints albums from years prior. Finding first run cassette releases is sometimes difficult. According the liner notes for Satan’s Throne by German act Schafott, the demo was recorded 2 years prior with no explanation what happened in those 2 years and now. I am asking no questions as it seems that the band’s demeanor is slightly drunk and looking for a fight.
View From The Coffin | 2-28-14
This right here is the reason that randomly searching the internet for music is one of the better hobbies outside shipbuilding. Sun Worship is an unsigned German black metal band with a release on what seems to be the a start up distribution called View from the Coffin. The surprise with Sun Worship and their debut Elder Giants is the level of craft present in the recording contrasted with the band’s almost non existent exposure. Make no mistake, this is one of the better releases this year and I would have missed if if not for accidentally falling into its cold withered arms.