Myotis Occultus – Of Weeping Spells & Wounded Shrines [US, Raw Black] (2017)

Standard

Self Released | 1-27-17

In the world of underground and lesser known heavy metal, newness is a relative term. To some the Arizona based one man act Myotis Occultus could be new with the weight of raw black metal making its first introductions. To others, the songs on the Of Weeping Spells & Wounded Shrines demo are just a recollection of past works that have been spread out on singles and demos released in 2016. If it sounds like I am complaining, I am not as Myotis Occultus was a mystery to me until today. Perhaps every once in awhile one needs new introductions as there will be more people coming in at various times.

Continue reading

Noctis – Gamaliel [US. Black / Noise] (2017)

Standard

Self Released | 01-26-17

One song releases are difficult to assess in terms of potential. For the most part single and 1 track demos are made by the dozen but hardly ever covered due to their insubstantial nature. there just isn’t that much one can do with 1 track that is even less than 5 minutes. what one can do is look at past works and compare the single track to surmise where the music could potentially travel. If one was doing that for Noctis, the answer would be the depths of chaos.

Continue reading

Burial Ground – End of the World [Russia, Black / Speed] (2016)

Standard
Self Released | 11-13-15

Self Released | 11-13-15

So even though this particular demo only runs three tracks, I would like to talk about Burial Ground’s body of work as we start to wind down in 2016. Burial Ground is interesting for the sheer volume of work that is put out. Looking at all of the demos which are available for 2016, an entire full length of black / speed could be available for people. Right now it is just spread out across multiple releases each with their own grim artwork.

Continue reading

Vreemdeling – Demo [Netherlands, Black] (2016)

Standard
The Throat | 9-15-16

The Throat | 9-15-16

Image is important in metal. while it is not a paramount aspect in music, it certainly helps an act stand out among the thousands of peers which all resides on the same Bandcamp page. There are sometimes when a lack of accessibility and information can be that edge which gets an act noticed. Take Vreemdeling whose lack of information and song titles and clear production has coalesced into a demo which is so repellent it makes me what to stay here longer.

Continue reading

Iskandr – Heilig Land [Netherlands, Black] (2016)

Standard
Haeresis Noviomagi |6-5-16

Haeresis Noviomagi |6-5-16

I love it when band names are autocorrected in search engines so finding them is even more of an adventure. No worries as I think myself and Iskandr have already met, or atleast have been introduced between friends. Iskandr is a tortured soul from the Netherlands who also does duties in Lubbert Das and Turia both excellent bands with excellent releases in 2015. Where Both previous bands were multiple in nature, the man known as “O” breaks out for a hellish ride through grief and suffering.

Continue reading

Sanctuaire – Le Sang sur l’Acier [Canada, Black / Ambient] (2016)

Standard
Les Productions Hérétiques | 5-28-16

Les Productions Hérétiques | 5-28-16

I feel that putting Ambient and Atmospheric on top of an album as a description can be akin to pushing it in certain direction that may not be appropriate. Le Sang sur l’Acier is not ambient in the same way as lets say Darkspace but it is not atmospheric in the same way as the thousands of other bands that share that style. There is a small knoll of earth reserved for bands that not only love atmosphere but also rotting vocals, organs, and perhaps some woodsy chants. For all of that, this space of earth is perfect for Sanctuaire.

Continue reading

Eichenwald – Eichenwald [US, Black / Ambient] (2016)

Standard
Self Released | 3 - 27- 16

Self Released | 3 – 27- 16

I have made jokes in the past about black metal’s obsession with nature sounds and landscape arrangements. This sort of joke never gets old as long as bands keep putting in field music into their records. Case in point, Eichenwald’s debut demo/album opens with an honest to goodness, all hands on deck, wind/rainscape that extends into a 12 minute meditation. I feel the desire to lampoon things like this would be so much greater if the artist was more well known as well as if things like Eichenwald’s debut were anything less than exquisite and interesting.

Continue reading