Self Released | 1-29-18
there are a lot of things I enjoy about Wojtek. I love the fact they lay music in a way that is feverish and maniacal. I love the fact their aesthetic clings to a crossover between occult black and anarchopunk. I love the fact all of the song titles and album cover could be slight parody if not backed up by blistering chaos. I love the fact their band is named after a WWII bear adopted by the Polish military. With everything to love, listening to Slaved In Eternal Obeisance To Gravelords Of Old is similar to reaching for a hug but only getting arms full of razorwire in return.
similar to the tag of black/doom, black/punk is varied in its final mixture and can be different for each practitioner. While some blackened punk retains the musical structure of punk with shrieking vocals and others black metal with predilections for chaos, Wojtek is right in the middle with a record that could honestly be a black sheep in each of its parent genres. With nothing to call home, Slaved In Eternal Obeisance To Gravelords Of Old turns into a molotov cocktail of alchemist fire and hammers in the aesthetic of a city devoured in the flames of sorcery.
I do not know if I would like this better with a more orthodox album cover. I have been staring at the cheap Xerox quality drawing wondering if it would be better just with a black and white sigil of some sorts. After deep meditations, I feel the cover for Slaved In Eternal Obeisance To Gravelords Of Old is fitting as it showcases all of the wants and needs of this record and really acts an overture for the album. Prepare for nothing you are preprepared for.
Self Released | 10-14-17
I think it was the cover art for Den ed du har svoret which initially drew my eye with its runic and esoteric markings. It was most certainly the combination of depressive black metal and raw punk rock that kept me locked in the world of misery and strife. Vaabnet is one of of a few Danish black bands found in recent memory with the other being Fanebærer, Lesion, Gabestok, and Blot & Bod. In fact, all of these bands recently played a show together which is how I found the connection. Whatever the hell is happening over there is scary and wonderful.
Caligari Records 1-12-15
For anyone not familiar, Alucarda is the name of a Mexican horror film which sees two Catholic orphans which unwittingly summon Satan by way of roving gypsies. The two girls become possessed who then wreak demonic havoc on the convent. The reason why this is important is because the cultish legacy of the film inspired the Dutch doom punk to mimic the general atmosphere of a convent overrun by the Satanically possessed. Alucarda comes by the way of Caligari Records who has already shown themselves as lovers and archivists of both underground heavy music as well as bands who adore horror imagery. Though Alucarda lies on the outside of conventional heavy metal covered on Tape Wyrm, the band’s dedication to the dark arts as well as wild imagery is more than enough to make their debut, Raw Howls, a drug induced motorcycle ride into the depths of psychedelic madnes
Self Released | 10-6-14
There will be no fucks given from this point on. In fact, I may even cut this review short so I can dropkick my computer monitor. If Nekrofilth had a banner waving of them, it would undoubtedly have some sort of vulgar phrase and maybe a crudely drawn penis. Maybe it would be on fire and flinging shit all over you and your date. Maybe it will set your car on fire. Who gives a fuck? Stop crying.