Self Released | 9-10-14
Oh Holy, God, listen to that tone. That is the sound of the world unraveling internally. Sludge doom is an already effective style which capitalizes on the fact listeners are seeking the heaviest style of music. Add to that a menacing album cover and some unique vocals and one is ready for a harrowing good time in the shell of a burnt out planet. That is right, heavy metal can become cosmically impossible in metaphor.
Vendetta Records | 7-22-14
We need to get this done as Fórn’s debut is nearing a month old. While many bands slip past notice, The Departure of Consciousness is so heavy, it is near impossible not to notice its presence. Sludge doom can take many directions whether it be stoner, hardcore, or just downright anguish. There are other times sludge doom’s low end can be emphasized with a record which bears weight of the world on the shoulders of transcendental misery.
Relapse Records | 7-8-14
Relapse Records was one of the first large record labels that got me into many bands. I think many other people can claim this as well, as the label has been operating since the early 90’s. Though Relapse releases a variety of different material, for the past couple of years there has been a focus on sludge / doom / crust and some vault surfing, with extensive reissues of older albums. To be quite honest, Relapse is larger than any other label covered on Tape Wyrm. If it were not for the complete enjoyment with Cursed to See the Future I do not think Mortals would make it here. Thank the gods for violent rock and roll.
Zugzwang Productions | 4-14-14
Yes. Yes. Yes. This is what I like to hear. Fange is a three piece French act who plays impossibly loud sludge to the point of becoming a noisy act of violence. Sludge has always been very confrontational by design though Fange has decided take the angst and misanthropy which nurtured the style and make it monstrous. What is contained within Poisse are looming spires of hate and misery which rain down on listeners like crumbling hell rain. That is right — hell rain.
Self Released | 4-20-14
When I saw the release date and the genre I thought I had this record figured. This will be a stroll down the stoner sludge trail with fleeting references to wizards or space dragons. However, whatever I just listened to is something different. From band name to album art to music style, Catapult the Dead is odd. This US atmospheric sludge act sits in a strange spot which skirts easy understanding. This is not groovy sludge with lax views on recreational drugs. I thought 4/20 was a day to you know … do something else besides sitting in limbo tortured by the pains of being.
Self Released | 1-13-14
Yikes! From Oregon comes a split which is sure to rip the head off of whatever stands in your way. Hell and Mizmor are two sludge doom acts who has chosen to combine effort in order to finally extinguish the sun for all eternity. The self titled split for the two is split evenly between 15 minute tracks which for doom based genres is almost expected. through 30 minutes the listener is given treat of doom, gloom, and merciless forlorn in a land now shrouded in eternal darkness.
Tartarus | 4-4-14
Yep, Here is a time when I do not know whether to be more confused by the album title or the band name. I can take solace in the fact since there is literally zero information about this Dutch sludge doom band, I will never know how to pronounce this band name. Confusion is apart of the charm for Ggu:ll as the band has proven, to a very small audience, they are capable musicians with a near unsearchable band name.
Self Released | 1-14-14
I am going to have to make a special note on which albums are being self released in 2014. The reason for this interest is that the divide between label representation and independent status could be in name only. While certain labels possess resources not available to every band, the possibility of reaching people is very real. I had no idea who Grey Widow was until their music came in by accident and smashed all of my front windows.
Grimoire Records | 2-10-14
Swamphog has made their Bandcamp distinct from other possible iterations of the same name by being the first attach “666” to the address. Make no mistake, this Swamphog is here for evil and the possibility of Satan. This will be my third review for a Grimoire release in 2014. Though I just found this label a month ago, the level of dedication to craft and the openness to other genres is fantastic. Before was black metal, now we troll the bogs of the underworld.
Grimorie Records | 3-4-14
Alright, there are a couple of reasons how I ran across this. First of all Grimorie Records is a Baltimore based metal label which specializes in, well, a lot of things. The second reason is that this brightly colored illustration depicts a crying nun and, well, that is eye catching to say the least. I am already writing about a black metal band from Grimorie but Cavern’s Tales of Ruin
was just too disaffecting to pass up. I am also a sucker for sludge.