Self Released | 1-19-20
It should be noted that all proceeds for this cassette release will be going to the Wildlife Information Rescue and Education Service (WIRES) Bushfire Emergency Fund. Despite the monetary contributions from this new death metal act, I can appreciate the sentiment, especially given the band being from Australia. This cover is everything I love about finding tapes on the internet. Ripped from an old RPG manual and photocopied 10 times, the aesthetic of thick death over thin pages is something that has always drawn me. Miserable Creature has something here and I am excited to see this band progress over the next year in a crowding genre of lo-fi death. If anything this band possesses a party spirit which is sure to shake coffins and wake the dead.
Self Released | 11-16-18
YES. YES. YES. Few times does a sound make me want to whip a bottle across a crowded bar as a mating call for violence. Dødknell makes me forget about my inhibitions and also my threshold for pain as with these riffs I feel I can take on the world and everyone who has a fucking problem. Located somehwere between Australia and hell, Dødknell channels the aggression and styles of first wave black metal and mixes it with riffs, punk aesthetics, and kerosene and sets everything ablaze. In under 20 minutes, Dødknell makes and introduction and then makes sure that 5 things are broken before they leave. Rude and completely out of line, this is music for the drunk and disorderly and it is utterly fantastic.
Self Released | 2-8-18
I usually enjoy finding Bandcamp pages with little to no discussion so I can be one of the first to write a review. This is my bizarre sense of accomplishment. While seeing the massive amount of discussion on still unsigned debut from Golgothan Remains was sort of a let down, the fact we have a strong contender for one of the best albums of the year being released in February sort of makes up for it.
Comparing the band’s debut to the demo shows leaps and bounds in terms of production. While the songwriting is still present, the immersion of sound is one of the strongest aspects of a record which desires to ensnare ones attention. With a few steps above the cavernous sound but a few feet down within grave, Perverse Offerings To The Void succeeds by all merits in being a full sounding death metal record which is near cinematic in its running time.
I find it wonderful when the aesthetics of a band coalesces into a successful record. The closing quote on this Bandcamp page declares “…we live in dust of these remains…” which is colorful and fun in the revel in darkness sort of way. People who enjoy realms of dust and decay will be in for a wonderful surprise come the passing of a thousand years.
Coming across a band like Svangur Kvöl happens completely by chance. A debut album by a what could be a one person black metal self released project can be hard to keep track of. I think it was the cover and the fact that this album has been made into atleast 6 tapes, which drew my attention. Now that I have it, I am mesmerized by the call of the weird frontier.
Self Released | 11-26-15
Convulsing was a surprise this year for many reasons. First of all it came out of nowhere and second of all, this is the first release from an otherwise unknown solo artist from Australia. With a lot of things working against Convulsing, the artists debut is a furious take on black / death with both grooves and horrid abstractions.
Chaos Records | 3-16-15
Before traveling into The Slow Death’s third full length release, one has to note the band members and their billion projects. Because this is Australia, bands like Mournful Congregation, Temple Nightside, Murkrat, and Nazxul dot the resumes of the band members involved. Brett Campbell from Pallbearer slides in an the American guest who has been working with the band since 2012. This all seems really odd considering the Slow Death has never been a high profile band seeing their first two releases gone independent and their third being released under a Mexican extreme metal label Chaos Records. I am just going to sit here sitting on my hands and listening to time slowly unravel.
Self Released | 1-5-15
From this moment forward, the visual style of pop surrealism as seen in the work of Jeff Christensen should always be used to compliment the sound of complex black / death. I cant imagine how we have gotten to this moment without it these two walking hand and hand. Though my raving of artwork is to be expected, it is enhanced when I feel the visual compliments the music perfectly. Ur Draugr is a lesser known band from Australia who has taken it upon themselves to release a stellar EP by their own hard working hands.
Self Released | 1-20-15
Listen, I do not know what the protocol is about older demos being re-released but suffice to say, Australian black metal project Moon has just re-released its first demo which actually came out in 2008. For this site, older material usually passed up in favor of current releases and I was really confused on where to put this. I think if it was not for the absolute stunning performance on Moon, I would have left this in the 2008 bin. If you are cool with it, I would like to rewrite history and consider this a fine and stellar 2015 release.
Nuclear War Now Productions | 12-2-14
StarGazer has a really weird history and presence. The band began in the mid 90’s but saw their first release decades later. The members of this collective also share duties in other bands including Mournful Congregation. 2010’s A Greet Work of Ages found its way on many end of the year lists with a large push from then current record label Profound Lore. Nuclear War Now is supporting the band’s third record which continues the development of the space between stars and and madness. In some strange world, StarGazer is the nexus between all forms of metal and everyone has no further need of air, food, and water.
Blood Music | 12-21-14
The difference between symphonic black and atmospheric black maybe small to some but large to others. For the most part, atmospheric black metal has been the preferred style for musicians as it can work with varying levels of production. Symphonic or neoclassical black metal has had less of recent history only becasue it weighs down a band into a certain sound. I only make mention of this history as it seems symphonic/ neoclassical black is the more antiqued style. This is important because when returning to the sound, a well crafted record could bring back all of these warm and strange emotions.