Writting about this review is a reminder to myself to finish my black/punk — punk/black primer. I love this sound and the more I explore in the rotted afterparty of the fusion between black and punk, the more I find the sound as varied as something like death metal. Black Mass Pervertor leans towards a thrash driven speed style of black metal with an aura of perverted partying rather than occult rituals. With tags like “sodomite rock,” and themes such as blasphemous revelry both in the flesh and in spirit, Black Mass Pervertor continues to hold the soiled flag of black/punk as it chucks liquor bottles at the ones who are cheering them on.
It is difficult not to get excited about this sort of thing. Death metal has been through its trails and tribulations for years with subtle niches and styles for any discerning listener. In fact, if one would like to hear a spectrum of death from the very bloody to the more abstract, they need not look far. Gorephilia, despite its name sake, resides in the middle of this spectrum with traditional death metal that is here for the sole purpose of playing riffs into the void. In the Eye of Nothing is the bands third release and despite some minor recognition at on end of year lists by internet users, the band has yet to break into the the larger public sphere. Perhaps this record, which is full of looming horror will do the trick. I am certain it has for me.
Yes. Yes. Yes. The stars align and we are given a rough black metal record from a band that has yet to have a Metal Archives page or a second supporter on Bandcamp. These are the moments where I feel I have found something that will be of interest to a lot of people and I am excited to see its journey. Veriluola is a Finnish black metal act which worships the noisy and chaotic beginnings of its genre with a demo that is spilling with attitude and atmosphere with a demo that sounds like Possessed, Celtic Frost, and Venom all are locked inside of a closet and told to punch their way out. I will be the first to admit the band has a lot of things to work out of their sound as Demo feels like a scouting mission to survey the terrain of first wave worship. I have a strong feeling they will find their way and set up a new town on the edge of the frontier between life and death.
You know the story. Obscure bedroom artist. Stellar quiet minimal sound. Handmade and handnumbered edition of 20 copies which have all sold out. By now I should brace myself not to be upset when this happens rather relish in the fact that those 20 people are apart of a collective that has supported a DS artist that not only has embraced the cold sounds of traditional dungeon synth but also sent it further into the freezing wasteland. Quiet and contemplative, Echoes is a monolith on the horizon on the grayest of days.
I would like to think of this site as a place that we all find new music that is scattered among Bandcamp. VERIKYYNELEET is not new and their debut on I, Voidhanger Records is not the typical self release on 10 cassettes that is normally seen on this site. It is okay since VERIKYYNELEET has spent a considerable amount of time in the shadows of the 00’s making raw depressive black metal demos. 2019 saw the first release in more than 10 years with Melacholic and Ilman Kuolemaa is the proper debut for the artist. For as long as this record took to be made, it feels like there is a lifetime’s work build into the very structure of the music. Harsh and abrasive, Ilman Kuolemaa breathes catharsis as a depressive black metal offering that feels like it needed to be made rather than wanted.
So a few things. this was late 2019 record that was fairly popular but now with the batch release from Dungeon Deep Records it has skyrocketed in popularity leading to it selling out of its tape quantity in probably a day. this is both wonderful and frustrating but also expected with this type of dungeon synth. For those who did not get a chance to grab a tape, you are still left with the digital version that still exudes a soft and melodious air of magic. Somewhere between dungeon synth, new age, and bardic music for adventures lies ESTOC and a release that came out of left field and went straight into my heart for all time.
Bookmarked for greatness. I am going to precede this review with the fact I dislike the cover for Burzygóry as well as the name. I do not know what it is amaboutt both of them but they are repellent and I do not think I would have listened to this had I not been intrigued by the label. With all of that out of the way, I am glad i did listen. Burzygóry is thew work of Zannibal who is one third of the folk/black act Marrasmieli. In true fashion of dungeon synth, Zannibal sets out to create familiar and alien landscapes with the mastery of someone who has been doing this for years. Burzygóry is not only refined but it is effective at its settlement in the colony of dungeon synth.
Full disclosure: This 25 minute full length was released in 2016 on Astral Temple with a tape run of 100 copies. This current distribution is a CD run at 500 copies on Morbid Chapel records. I do not know where to put this as sometimes I bump up the years for releases that never saw the light of day until the next calendar year with a larger distribution. This is a 2016 record but I am sure everyone is hearing it in 2020. If this sort of thing does not bother you and you are just here for longform shredding raw black that swirls like specters around graven monuments, then Apocalyptic Visions is for you. I know it is for me but I just dont know when it is.
This was waiting to be found. TERRATUR POSSESSIONS is not going to be some hidden gem label as they have released some important records not least many of Icelandic black albums that took up the mid 00’s. I do not know how I got here but this was just released and I was here anyway so here we go. Bythos is a new entity with not much in the way of information but that is the main aesthetic for many bands. Production wise, Womb of Zero is on the higher end with swirling melodies that never dissolve into noise. These melodies are anchored by harsh vocals which, for as strange as it sounds, are accessible for the gravely quality. Bythos for all of its Luciferian orthodox motif is a black metal album that potential crossover appeal as solid listenable black metal record supported by a label with a few years of experience to their name.
Well, fuck. It was only recently that I discarded the category of “Single” for this site as bands usually do not release singles. Here we are with a single from Obscure Burial and me looking fucking stupid. I guess a single could work in the same fashion of a demo though this one seems to be from a forthcoming debut. Whatever it is and whatever you want tocall it, the clouds and winds are just right for some hellish storms.