As of this moment when typing this, there is no information for this band. I am sure things will change in the future but at this moment in time, Kerasfóra has one streaming track and the blackness of space around it. Even purchasing the album as of this moment only allows access to the preview track. Things are a mystery. This is a perfect place for this Chilean act to thrive as its music lends itself to intrigue. By the closing acoustic guitar of the track, “Night’s Symbol” one is left with more questions like what is the rest of the release going to sound like. Pulling tougher noisy black metal, ethereal soundscapes, and the hints of dungeon synth, this band managed to pulls in the ghosts of many sounds under the banner of a title which comes from Stokers novel Dracula. “For the dead travel fast” is a perfect place to start with as a vague overture to a sound which has yet to be defined yet is still enticing.
I have tagged this release as raw black though I feel it is just black metal fueled with crude oil rather than anything refined. Vacío Final is the second demo this year by Chilean project AstralSlide and continues the act’s short legacy in making black metal that feels and tastes like acrid smoke. Brazen, arrogant, and unsympathetic, Vacío Final is a demo that cares little about the thoughts and feelings of others and will gladly swing around an unpolished demo just at a dangerous speed. This is something only a few people will enjoy but I feel it will be clawed at with insane fervor.
This is absolutely 100% rotten. If the eye gouging yellow bordered Bandcamp gore profile picture is not enough to indicate this is the realm of dripping violence, then I do not know what will keep you safe. Since this band is not on Metal Archives yet, we are just sort of shooting from the hip and the tag of black/death could mean many things including slam/death or just a gross combination of everything vile in the metal world. Enucleacion seems to be less concerned with distinction than they do pushing chainsaws into the face of listeners. Gross.
I enjoy traditional doom. I also enjoy rough and raw production. the combination of the two is not something that is usually seen including a release of a traditional doom demo but here we are in 2020. Eternal Abyss offers themselves to the council of bands like Trouble, Pagan Altar, Pentagram, and even Candlemass. The only difference is, Eternal Abyss is running their hearts and souls through the filter of bedroom production with a demo that has all of the energy distant and flat. This, surprisingly, works int he bands favor with a charming demo of potential and personality which reaches to the proverbial skies of projection. With a cover that looks like a black metal demo, Eternal Abyss rides the undercurrent of home production with a sound that is exciting and fresh.
It is sort of late for a great 2018 death metal record and it is never really a good time for a live album but here we are. This sort of lackadaisical approach to actually releasing a record seems to be the marching orders for Rotten Tomb who has the look, sound, and feel of a hip grimy death metal band and has yet to release a studio effort in 2018. Both the Live for Death release and the 2018 Promo are live recordings which further casts grime on a band that lives in the sewers. Perhaps 2019 will see new material from this band but for 2018, it is live recordings and cold flesh for the rest of the year.
At this point, we can still consider this 2017 despite the fact the Bandcamp comes from a label rereleasing this demo in 2018. Rereleases are strange especially since you can already find this demo on the internet. Regardless, Oratorium is a label that seems to be gathering up Chilean acts for presentation and celebration. Nefast MCMLXXIX (It is 1979, I checked) is one of the newest addditions on the Oratorium roster and by hands of fire they seem to want to burn the world.
Vestigia Flamæ is a newish label that actually has a few other releases which are extremely current including Theurgia’s Genómasis and Saturnus’ Impetum Chaos. I only mention the label since those other two releases were not only of interest but also have been released within the last few months. This time period seems to be the high water mark for a label that has four albums to its name. With all of that said, La Sombra del Fuego and related material on Vestigia Flamæ has kicked up enough dirt for everyone to be aware of their presence.
Add this to the growing scene of Chilean bands that seem to be coming out of nowhere. Even though I am tagging this as a demo, Live Exhumations is technically a live album and the fact that I do not have a “Live” tag means that live albums are not really a popular medium for extreme metal. What this really is however are two tracks from a disgusting band that were recorded somewhere in Chile and now are being released to the public.
Pestivomous’ The Last Wound is technically a demo and a rehearsal which is odd because it sounds like a complete studio production. I am certainly not doubting this a rehearsal rather it is surprising to get such a full sound out of something as off of the cuff as a practice tape. what this project has in its favor is the primal emotion of what sounds like 10 projects which is married with a design aesthetic thats sounds like eating grave soil.
I believe it to be this blog’s quest and motivation to find lesser known metal, throughout the year. A large goal and benchmark I have been working towards is finding bands before they have a Metal Archives page or below a certain number of listeners or just online presence. This isn’t some contest to find the most obscure band rather recalibrate my journey through the wretched halls of lesser known heavy metal. Though this search does not turn up gems everyday, if one is patient they will find something truly horrid. Hypnosinosis is one of the winners for January.