Winter Lantern / Possession Cult – Split [US, Raw Black] (2021)

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Self Released | 9-1-21

Both Winter Lantern and Possession Cult are from the US and both of them seem to be drawn together by an shared interest in vampyric blood letting. The tag of vampyric black metal may seem obvious or even too niche for mention but its combination produces, mostly, raw black metal that has thrown itself to the whims of aesthetics. I enjoy when artists allow themselves to be carried by theatrics and the undying love for the undead has broad appeal for people outside the raw black sphere of interest. The union of both artists is ugly only in that the sound for each side is raw and soiled and complexly fitting for its intention. Possession Cult is the hideous creature locked away in some basement while winter Lantern is the specter that haunts the spires of this castle. Both are entirely unique and each one is terrifying in its approach.

Sovnya – Sovnya [US, Raw Black / Punk] (2021)

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Self Released | 8-31-21

I fist would like to give a special thanks to whoever designed the cover for Sovnya’s self titled debut as I feel it is a magnet for anyone who seeks out visual low fidelity. The raw cover is similar to other raw black metal but its use of mostly white and light blue is unique especially when paired with more of a punk sound. Sovnya is from New Jersey and their debut only totals about nine minutes with three of it being spent in noisy space. It is within these nine minutes though, the band has ample time to lob a brick at its listeners. With as much attitude as ample chaos, Sovnya positions themselves in an interesting space where the ruin of sound propels the music towards entertaining conclusions. As mentioned before, the use of noise and space in such a short timeframe shows a band that is not in a hurry to make anything commercial or even accessible to listeners. Sovnya is making music the way they want to and with the time they have they have chosen things that deconstruct reality.

Void Column – The Chasmic Death [Canada, Death / Doom] (2021)

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Self Released | 8-2-21

All hail death and grime. Void Column is from Canada and from the very stark design and name of this release, The Chasmic Death is a frank and heavy opening statement for the band’s vision for the future. Blending the best aspects of death and doom adorned with a cover that could be of any grim genre, Void Column falls in line with all of the cool aesthetics but also manages to present music that is just as satisfying. this is of course if you do not mind subterranean riffs and vocals buried under pounds of grave soil. Void Column is new and this first demo has yet to receive physicals copies which are planned in the near future. We are all here early and the band is just getting started but this feels like a great place to stand for the show.

Bleeding Shroud – DEMO I [US, Raw Black / Neofolk] (2021)

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Self Released | 7-13-21

This came out today and I think I am the only one that listened to it thus far. This is noisy and offensive and it is wonderful. It is difficult sometimes to explain to people the aesthetic of things like this. Bleeding Shroud is a dungeon synth, black metal, and neofolk project with all of those elements twisted around each other and smudged with noise. There is certainly a level of mastery that goes into a production like this as it should be immersive for people without being repellent. Well, maybe a little repellent. The whole of DEMO I isn’t longer than 5 minutes and I have a feeling that it isn’t even finished as there are tracks that feel like they are cut off before finishing. This demo is a fucking mess and for a debut it is certainly a grand statement that is full of violent outburst and layers of complexity blurred under a collapse of noise. Come for raw black and stay for the car crash.

Fossilization – He Whose Name Was Long Forgotten [Brazil, Death] (2021)

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Transylvanian Tapes | 3-21-21

More EPs! It’s a thing, y’know. This debut demo from the Brazilians of Fossilization is an excellent death EP with doom undertones and a crunchy, bassy production. I’m always going to be into a layered guitar aesthetic in death metal (quick, in how many reviews can I put “aesthetic” until Kaptain Carbon calls me out for it). Fossilization delivers on that front. This hits the same spot as a lot of those Vrasubatlat bands such as Triumvir Foul, in addition to the Mylingar LPs from the last few years. While literal vomit vocals aren’t there, we do have those deep roars that slowly build into a foggy hollow. Midway through “Caronte” shows this best, with a slow build in the gloaming resound that builds alongside frenetic guitars. The break toward the end resolves into a slow lament and a strange backing of feedback. That track is one of my favorites of the year so far in death metal. Check this out if you’re into the death / doom aesthetic (there it is again!) that’s really popped up in the last few years. Transylvanian Tapes says it’s for fans of Dead Congregation and Portal. That’s a fair cop.

Kerasfóra – Denn Die Todten Reiten Schnell [Chile, Black] (2021)

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Self Released | 7-7-21

As of this moment when typing this, there is no information for this band. I am sure things will change in the future but at this moment in time, Kerasfóra has one streaming track and the blackness of space around it. Even purchasing the album as of this moment only allows access to the preview track. Things are a mystery. This is a perfect place for this Chilean act to thrive as its music lends itself to intrigue. By the closing acoustic guitar of the track, “Night’s Symbol” one is left with more questions like what is the rest of the release going to sound like. Pulling tougher noisy black metal, ethereal soundscapes, and the hints of dungeon synth, this band managed to pulls in the ghosts of many sounds under the banner of a title which comes from Stokers novel Dracula. “For the dead travel fast” is a perfect place to start with as a vague overture to a sound which has yet to be defined yet is still enticing.

Leprophiliac / Concilio Cadavérico – La Carne Se Desprende De Los Huesos [Spain / Mexico, Death] (2021)

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Life After Death | 4-1-21

Ah death metal – how art thee in the year of our Bandcamp 2021? Apparently pretty good. Life After Death brings us by a commodius vicus of bloodecay recirculation to a split between two hispanohablante death metal bands. Leprophiliac is from Spain; Concilio Cadavérico, Mexico. Leprophiliac’s two tracks feature that old-school pseudo death-doom, especially on the dirge-esque start to “Flesh for the Beast”. These pick up fast in a tupa-tupa beat and hoarsely growled vocals. Concilio Cadavérico’s two tracks hit the grindier side, infused with HM-2 goodness. The Leprophiliac side will definitely be better for those who are thus far into the Anthropophagous LP and deliberate, not-pejoratively-simple death metal. The Concilio Cadavérico is for those who like it raw and wriggling.

Ancient Tome – Final Tome [US, Black / Doom] (2021)

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Transylvanian Recordings | 7-27-21(?)

I sure hope that the 2027 release date is not a typo and stays up on the Bandcamp forever. I can safely say this is the best black / doom release of the late 2020’s. the combination of black and doom metal has come with a sense of wild abandonment when it comes to expectation of sound. Unlike black/death or death/thrash, there is no agreed upon meeting point and the combination can be any mixture of the elements. Final tome, the second Ep from US based Ancient Tome further complicates this with a 23 minute exploration into a landscape of slowed black metal with punctuations of violent outburst. Final Tome comes with the endorsement of Transylvanian Recordings which has ceased to be a reliable storyteller of horrid tales and a dealer for rotten sounding music. Whether or not this is coming out next month or in 6 years is little consequence since the clouds are gathering on the horizon and things are about to get fucking dismal.

deathandserenity. – Endless [US, Post Black] (2021)

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Self Released | 6-11-21

The tags for deathandserentiy.’s third release includes an umbrella of styles including DSBM, skramz, and raw black metal. This all sounds wonderful and is something I have been waiting for. The history of screamo is separate from black metal and aside from a few crossovers, the overlap between the two remains on opposite ends of impassable divide. Endless is not the crossover that is going to bring the two styles together rather the new demo from deathandserenity. allows raw black to have emotive tones and offers a chance for depressive black to be played without the need for morbid clichés. Endless is a powerful 7 minute release which not only offers an interesting path forward for wayward genres but also a chance for the band to make a bold statement for 2021.

Arna – Dragged to a Lunar Grave [Spain, Black] (2021)

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Self Released | 4-23-2021

2020 and 2021 have been the dual years of wampyric black metal. There’s been a significant uptick in bands releasing short LPs or demos themed around erotic death, moonlit nights, and star-crossed romance (and often, all three at the same time). They’re evocative themes and ones that have rightly been a constant presence in the sturm und drang of the popular consciousness. Who doesn’t love a good story about fated love, especially when so many have experienced or nearly experienced it themselves? Well, back to the music: “Dragged to a Lunar Grave” is four tracks of black metal in 28 minutes. Though from Spain, it kinda reminds me of Nachtmystium’s “Demise” and some other mid-2000s US black metal. Fast, riffy, and layered – not at all as raw as the cover art may impress.