Welcome the new year. Welcome horror and dismay. Dosanjos does not have a Metal Archives nor can I really find any information related to the band which leads me to beleive they are just demons from Brazil that vomit forth noise. I am fine with this. Heterogeneous Hieratic Areopagus is not an easy listen and for a fan of raw black, this album is one of the more soul scraping releases in recent memory. With a soundscape which evokes unease and an atmosphere riddled with anxiety, Dosanjos exists to promotes distress and Heterogeneous Hieratic Areopagus is a thesis in misery. I know for some this tone of music is everything they could possibly hope for as this type of weirdness is magnetic.
As we turn our hearts and minds to 2021, I think I can speak for most that we are collectively excited for new experiences in the coming year. Most of all we are excited for new releases from a handful of excellent labels. Realm and Ritual is preparing for a dazzling year and one of the first releases is the mind shattering world of Marsyas Zskin. This 90 minute epic invokes the Greek mythology with neoclassical dungeon synth that is not content to guide on passive sound. This is the second release from the artist who is continuing a layered journey through mythology that succeeds due to craftsmanship as well as a daring notion to push the sound in new directions. From the first few notes of “Visions of Bright Aether,” the tone of Flight of Icarus is one of active challenge. Make no mistake, there are melodic moment akin to dungeon synth most are used to yet those lay on top of cliff faces and up winding passages on rock crags that urge the listener to scale this improbably steep mountain. Flight of Icarus marches along the same road as a growing number of progressive minded artists that are carrying dungeon synth into a wild and unpredictable realm. This is a place where the colors are blinding and nothing is predictable. What is certain though its the level of excitement one will experience.
It would be wonderful if this was a 2021 release. It is okay. By now, I have talked a lot about Neverwood Records as being a gem in the area of high quality dungeon synth. Through The Forest Deep is the debut EP from an artist who I am anticipating having a stellar debut full length in 2021. Ninthalor’s soundscapes are both mystical and playful with sounds the feel like trickster gods which lead the listener further into incandescent woods. With far out synth effects and regal tones befitting a faerie court, Through the Forest Deep holds a sense of wonder mixed with unease as one gets further into the record. Ninthalor offers a journey and no one is saying that you will come out unscathed. 2021 is going to be an exciting time as long as artists and records labels continue to pursue unearthly delights.
Welcome to 2021. As this site develops into a dungeon synth haven, I want to make sure I dig into the grave soil for some truly horrid black and death metal demos. Phantasmal Journeys into the Morbid Past is the first demo from a UK project that could be a solo venture or a group but since Nighthaunter is without a Metal Archives or social media page, we are just going to guess. With the lack of information comes a vacuum of space that fills with thrashing and boney kicks to the face from an obvious ghast that has tracked you through this cemetery. Raw and unkempt is the perfect way to enter into this year with fear and terror.
I talked about Neverwood Records before with the release of Covered Brides’ debut. Neverwood is still new with 2020 being their inaugural release in October of 2020. With only months of existence, this Us label has managed to put out dazzling releases that are both comfy as well as alienating and cold. A Good Mage is the former, but maybe both, with a release that is intoxicating with its lofi esoteric immersion. Through this 25 minute release, the listener is treated to a soundscape which is as abstract as it is nostalgic. Combine this with a strong visual design and one has a release that echoes even into the new year.
I would like to mention for the purposes of academic history, this record was self released in December of 2019. Feberglade Records included this release in the Winter 2020 bundle along with other fantastic releases. Spatial Illusions is dungeon synth yet their aesthetic, just visually, put this release in another dimension entirely. Torn between the realms of dark ambient / drone and berlin school electronics, Merkury pays tribute the dungeon synth’s primeval foundations with a record that is enigmatic as well as omniscient. It exists across the fabric of space and time and could easily be the soundtrack the universal changes in the cosmos if not for the omnipresent silence. For fans of Tangerine Dream or just anyone who thinks beyond the confines of prescribed perception, Spatial Illusions exists in extra dimensions.
I am writing this on December 29th which is still in the afterglow of the holidays but not underneath its oppression. I think as the years goes by, comfy synth is going to be more pronounced at the end of the year just for its ability to evoke warm emotions and a paralyzing sense of sentimentality. Wrought Records has always done fun things for the holidays in addition to being a consistent producer of fantastic releases since 2019. Aside from the dark ambient to lo fi fantasy releases, fun themed releases like Witch Haunt and Reliquary of Terror would dot the Halloween season. Warm Smial’s second release, Carols for the Hearth in Winter, comes during the end of the year holidays and is perfect for a crackling fire and steeping tea. While comfy synth can feel sugary and disposable, Warm Smial, as well as Wrought Records, manages to command attention and respect with releases that warm the minds and heart so listeners. This type of music is going to be an annual tradition from this moment forward.
Warm Smial’s debut was in March of 2020 which came at the tail end of the comfy synth boom in December of 2019.
Listen, I get it. The use of Japanese on a tape release usually leads to assumptions that it is vaporwave or some sort of hip electronic that you probably will not get. If this release had a fantasy aesthetic to it, it probably would have been a little bit more popular. Reflection is a meditation on nature through a cracked lens of lo fidelity and warping. Through field recordings and the haze of solitude, this release invokes the power of nature to be a soundtrack for for the spirit. This is the second release by Local Forest Society, a US based label, with I believe only one artist, who records albums live in nature with the ambient sounds put to mixed in with the melodies. The idea of this recording process (do not know how true it is) has deep reverence to both nature and the solitary act of recording music where it is just one person and their communion with the wilderness. Despite the idiosyncratic name and aesthetic, トレイル GUIDE continue to forge their own path into nature synth opting to get lost in the woods to finally be at peace.