Skrawl – Nil [US, Black / Punk] (2019)

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Knife Vision | 1-13-19

Hello again Knife vision. I see you are looking particularly grim and vile today. It was only a week ago I stumbled on the Arnor demo and a whole page of interesting looking things. Now it is time for Skrawl and but the opening crash of black punk, this is something I can sign up for and enlist in whatever army they are forming. The recent influx of new black / punk bands as some nightmarish manifestation of raw torment is something that has never stopped being fun and horrid sounding. Skrawl continues this journey into the groovy madness with a sound that is like kicking televisions and an aesthetic that I want to put on a patch right away. It is only the first month of 2019 and Knife Vision needs to stop being so cool otherwise I am going to look silly when I keep writing about these releases.

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Vomit Spell – Demo [Germany, Death / Grindcore] (2019)

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Self Released | 1-2-19

What a name. I love everything about it. I love the artwork and the fact it is a bandcamp demo that will later have a cassette release. I love the energy and the fact that I was clued into the release by the creator via email. Vomit Spell is a newish act from Germany that combines both the ferocity and irreverence of grindcore and the raw approach of death metal. The result is everything you have wanted combined with an aesthetic that is less innovative than it is tested and true. According to the Discogs page the demo was “recorded in the band’s rehearsal room between September and December of 2018.” We are just going back to all basics with this one. This is the staring point for all things festering. There are hazy boundaries when something is decomposing and giving off an awful stench. Come for death. Come for speed. Come for the decay of offal from an unidentified source.

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Grave Infestation – Infesticide [Canada, Death] (2018)

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Self Released | 12-31-18

In 2019, I want to amass a collection of gross sounding death metal. Thank you 2019 for giving me my first of this year’s collection. If you ever want to hear what blood stained concrete sounds and tastes like, allow Grave Infestation to overtake your beating heart. Wild guitar solos, ridiculous soundclips, and a band photo which looks like it has been run through a copier 100 times, this Canadian act is here to be antisocial and make jokes at funerals. I am just joking, they wouldn’t be invited anyway but are here to tip the casket. This is everything I love and am so glad I keep finding this stuff.

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Favorite Releases of 2018

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Demos / EPs / Splits / ETC

Full Lengths

Dødknell – K.I.L.L [Australia, Black] (2018)

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Self Released | 11-16-18

YES. YES. YES. Few times does a sound make me want to whip a bottle across a crowded bar as a mating call for violence. Dødknell makes me forget about my inhibitions and also my threshold for pain as with these riffs I feel I can take on the world and everyone who has a fucking problem. Located somehwere between Australia and hell, Dødknell channels the aggression and styles of first wave black metal and mixes it with riffs, punk aesthetics, and kerosene and sets everything ablaze. In under 20 minutes, Dødknell makes and introduction and then makes sure that 5 things are broken before they leave. Rude and completely out of line, this is music for the drunk and disorderly and it is utterly fantastic.

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Voidsphere – To Await | To Expect [International, Black / Atmospheric] (2018)

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Amor Fati Productions | 11-15 – 18

I feel that yesterday I didn’t even know what the ПРАВА Коллектив was and now I see it connected to a handful of really cool releases. The Prava Kollektivis a group of unknown musicians making spacey black metal in conjunction with Fallen Empire Records. Just this month there has been hot releases by Arkhtinn and HWWAUOCH which seems connected. Earlier this year, Fallen Empire released the debut by Mahr also known to be associated. This cloak and dagger aura surrounding the group of musicians only adds to the dramatic effect of the music which is serious, direct, and full of mystery. Additionally, all of the bands seem to be going for a visceral take on atmospheric black which has had a long history of being over saturated and formulaic. Taking their cues from bands like Paysage D’Hiver and Darkspace, these bands are out to explore the void and from what Voidsphere bandcamp pages urges, is to “INGEST THE VOID.” Well with an inviation like that I do not know if I could say no.

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Warp Chamber – Abdication of the Mind [US, Death] (2018)

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Redefining Darkness Records | 11-3-18

Warp Chamber’s demo was actually released in the early part of 2018 much to the knowledge of no one. In fact social media pages got creative when linking soundclips leaving 12 hours of Warp Engine drone to stand in for the band. Only few knew about Warp Chamber until Redefining Darkness welcomed the band into the fold along other luminaries such as Skullcrush, Oxygen Destroyer, and Cist. True these names wont get you special seats for fine dining but it is a start. Much like other Redefining Darkness releases, Warp Chamber makes no apologies and breaks glass with old glass breaking techniques in the vein of Morbid Angel if the band read too many science fiction magazines. Come for absolution. Come for Obliteration.

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Depraver – Suffering in a Coffin [US, Black / Death / Thrash] (2018)

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Self Released | 11-11-18

I actually have no idea what the genre is for this as the band’s Metal Archive page says black / thrash but all I hear is old school death. It doesn’t matter once you are inside a coffin and presumably suffering. Depraver is a relatively new band that has two EPs which are only serrated by 7 years of time. Suffering in a Coffin is the newest release which actually came out in January but is seeing a digital release since the original was cassette only. I enjoy we live in a world where grimy death / black / thrash is being made without my immediate knowledge. This means that when I finally do get to hear it, it is fist pounding on what I assume is the inside lid of the coffin.

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Lathliss – Demo [US, Black] (2018)

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Self Released | 11-10-18

Now this is a demo. It is difficult to describe what makes one bedroom black metal demo different than another since to some it all sounds the same. I do not think it even has to do with the quality of the recording as there are some boring raw black demos as there are exciting ones. Lathliss is exciting and it is not just one aspect of this 5 track demo which makes it special rather a litany of aspects (such as the gong) which make it engaging and ultimately successful. From the album cover aesthetics, to ferocious energy, to the leadup in “IV,” Lathliss is a great start to what I assume is the start of a project. I have not found much information on this artist other than this Bandcamp page. With this being the only thing released, one can assume we are witnessing the birth of a bright horrible star which I hope burns in everlasting hatred.

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Haunter / Crawl – Haunter / Crawl [US, Black / Sludge] (2018)

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Self Released | 11-6-18

Welcome to the horror show with two bands from Texas making music that sounds like the crawling chaos of mental collapse. Both bands, Haunter and Crawl have spent the bulk of the last few years releasing impressive collaborations and splits with LVTHN and Sovereign. This recent split is to commemorate the tour both bands are undertaking which will bring them around my area which will allow me to spend a Wednesday night in the depths of darkness. Haunter plays a style of black metal suitable for a labyrinth filled with monsters while Crawl sounds like drowning in a swamp while being pulled beneath the fetid water. Both are horrible and utterly fascinating. So just to be clear the songs available on this split are two songs (Gilded Medulla/Echo-Chambered Corroboration) credited to Haunter while the last (At The Forge of Hate) being from Crawl. I felt that I needed to make the distinction as splits on Bandcamp can be a toss up of what is featured. Also the music is swirling and inverted so it is easy to get lost.

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