Kryatjurr of Desert Ahd – Unbearable Nightmares of Heat and Desertification [Australia, Raw Atmospheric Black] (2022)

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Self Released | 6-30-22

I have spent a considerable amount of time searching for the meaning of “Kryatjurr” and looking up any references to the name. What I have surmised is I know less about this Australian project than when I started. Obscurity seems to be a veil for Kryatjurr of Desert Ahd as this black ambient project comes with little information and is even supplemented by potentially misleading lyrics. “tauhn ruo eerufg” is a jumble of the title “Haunt our Refugee which is part of this EP’s closing track. If I am spending most of this review talking about the puzzle it presents, it is because the music for Kryatjurr of Desert Ahd is deeply immersive and leaves one in an abstract space after it is finished. Through lo fi black ambient, this EP presents a charred landscape that is constantly transformed by fire as if destroyed and then rebuilt once finished. The cover for this release presents a confusing picture of dark hands reaching out from a void which is fitting for music that is continually interesting and foreboding.

Kvad – Cold & Dark, As Life [Norway, Atmospheric / Raw Black] (2022)

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Self Released | 6-10-22

It is difficult to type the phrase Norwegian black metal” and not have it anchor to a certain time period. For better or worse this county and style elicits certain images which is a shame for bands and artists who are just making music for the void. Kvad is related to another Norwegian black metal act Darkest Bethlehem who had one single in 2021. Cold & Dark, As Life, for Kvad, represents the debut full length following an EP in 2021. This seems like the start for the act with an explosive 30 minute statement that is full of energy and entropy. There are obvious nods to Norway’s history in black metal with frostbitten aesthetics yet Kvad succeeds as a raw black act that sculpts landscapes of torment and demise. Each of the tracks which run 4-5 minutes feel like a swirling void where the vocals bounce around walls of madness. This is truly music for the distraught and Kvad commands its like a symphony.

Collapsed Skull – Eternity Maze [US, Punk / Hardcore] (2022)

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This is the type of kickstart I need everyday. All I need is coffee and a swift kick to the jaw. Perhaps one of my favorite aspects of this release is the non sequitur samples that are thrown in to segment the power violence which spills out of its speakers. Collapsed Skull has a good handle on harsh music but also the ability to mesh disparate styles together in some sort of horrid quilt. Both Collapsed Skull and the label Closed Casket Activities seems to be on the same page of presenting hardcore / punk / ??? in the most antisocial and dangerous way possible which is both scary and exciting.

SENTENCED 2 DIE – NO REASON TO LIVE [US, Death] (2022)

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Maggot Stomp Record | 5-18-22

I feel whenever I go to Maggot Stomp, they are going to have a specific sound. Usually when I go to Maggot Stomp, I know I am going to be generally pleased and possibly amazed by most of the things they have to offer. Sentenced 2 Die might have the funniest / odd way of presenting their name but this is part and parcel to a lack of care they have for their image. Yes, their name is kinda cheesy and yes their EP title leaves much to imagination and technically yes, their debut came out in November of 2021, but all of this can be forgotten since the presence of disgusting riffs which doesn’t give a fuck what you think. SENTENCED 2 DIE is being repackaged with different art on a larger label and hopefully all of this spectacle brings in more people as the sound of NO REASON TO LIVE is nothing but a party in a basement where no one cares about anything except for grooving decay.

Various – Black Steel from the Heart of the World [Finland, Raw Black] (2022)

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Sol / Deviant Records

“Local scenes have always been crucial nuclei of the Black Metal underground. Separated from their contexts many of the most important releases we know would not have emerged the way they eventually did. Mutual inspiration, reciprocal challenging, the creative flux of ideas and at times decades long personal ties of comradeship form invaluable dynamics – a rich multitude of perspectives on the one hand, common distinctive sounds and patterns on the other. One of such spheres that constantly managed to excite us over the past years is the obscure Black Metal underground of the Jyväskylä area in the western Finnish Lakeland. Here at the dark, cold, hilly and forested slopes of the Jyväskylä ridge already plenty of Deviant Records releases originated. “Black Steel from the Heart of the World” offers a gathering of seven closely connected entities, each deeply rooted in ecstatic Black Metal yet each with their very own share of this somewhat intangible moonstruck lunacy that is born under the same moon, the same stars, the same night sky.

I feel including the Bandcamp description was important for this compilation as it captures to scope and thesis for this collection. This is also important since the music from this compilation is cast without much information. From far as I can tell most of the material is new or unreleased from these seven acts. This is exciting especially when given a focus as this is a very interconnected scene of Finnish raw black from a local region of a country. Some of these bands share members and most all of them have probably played on the same shows. there is a cohesiveness when presented with a time and place and Black Steel from the Heart of the World does just that in the loudest way possible.

Black Steel from the Heart of the World by Various

Alhistja – Alhistja [Netherlands, Black / Punk] (2022)

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4-8-22

I don’t think I have ever been so surprised by a guitar riff than in the middle of “TERINGFRIEDUS.” Perhaps that is follows a sinister laugh from the guttural pit of vocals or that the song abruptly ends following this bright implosion of melody. There are many things wonderful and wild about this Dutch black / punk band and at the top of the list is the ability to be surprising in offering flowers in one hand and bricks in the other. Alhistja comes partially from the black metal band Botulism and filled in with the vocalist from German death metal act Chapel of Disease. the collision of talents plus an unorthodox approach to an unorthodox style results in a very short but brilliant demo that is full of bats, piss, and searing attitudes.

Alhistja by Alhistja

Deathless Void – DEMO MMXXI [Netherlands, Death / Black] (2022)

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Iron Bonehead | 2-4-22

Well this is it. A release which has all of the the parts that are cool and interesting. Iron Bonehead vinyl / tape. Death / Black. Netherlands. Cryptic album cover. Even with three or two of these, I would be interested but all four makes for an exciting time. Deathless Void is a new entry into the world with this debut demo proudly displaying the bandmembers as initials. Through three blistering tracks the listener is treated to a chaotic world which is abrasive yet accessible. Dynamic riffs and a versatile sound palette makes for an easy onboarding experience into something that is potentially dangerous. This is a sound in which things seem the most intriguing and full of deathless life. Though this whole package could have been constructed based on things the internet likes, to hear it in real life hits just the same.

DEMO MMXXI by Deathless Void

Pungent Shroud – Demo Collection [US, Black / Death] (2022)

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Weregnome Records | 2/25/22

This is funny since it feels like both of my worlds are closing in on each other. Weregnome Records is a dungeon synth label who fervently features outsider and weirdo synth records to the delight of everyone. Over the past few months, the label has been branching out showcasing a more diverse selection of strange. Pungent Shroud is an Ohio based black / death act which spawns from the local Ohioan underground. Demo Collection is a tape compilation of all existing demo material plus three additional tracks. Demo Collection in an introduction into the haphazard and often times hazardous world of Pungent Shroud who leans on the the aesthetic of eternal rot. Whether or not its extended guttural intonations, near collapsing production, or ripped sound clips from the film Blue Velvet, the style of Pungent Shroud is one of freedom from all social contracts. This is music of the feral which will attack you in the daylight and it is everything you need at the moment.

Mharasiidr – En Uggles Blick [Denmark, Raw Black] (2022)

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Self Released | 1-22-22

i wonder if I could capture the essence of ugliness in a sound. Mharasiidr is from Denmark and for the debut EP, this project has decided to smear the world with black gashes. With a ferocious typhoon wall of raw black, En Uggles Blick embraces atonality, dissonance, and also the inclusion of two musicians who play traditional northern European folk instruments which are paraded in the EP’s last track like some condemned prisoner being drug through the streets. Mharasiidr presents a world where everything is horrid and there is little chance of redemption. What is left is a riot of chaos which takes its form as a debut EP from an intriguing band of misfits.

Profane Ruination – Profane Ruination [US, Death / Doom] (2002)

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Self Released | 1-19-22

I would like my demo as raw as possible while still being safe to consume. Profane Ruination comes from a very complex tree of Tennessee based death/black/grind/void music and this venture seems to be the start of something sinister. At only three songs for its debut, Profane Ruination makes an opening statement which is full of not only spastic violence but also veneration for old masters of death metal. Wild solos, eternal riffs, and a drum sound that lives in the basement, this debut demo shows a duo that is ready for many sweat drenched nights in a places I can only assume are dim and humid with death.