Self Released | 6-18-19
If anyone has reads this site for any amount of time, the inclusion of atmospheric black usually comes with some degrees of lofi production. White Death, compared to other raw atmospheric black is relatively clean yet the slime and grime of whatever dirt from outside still lingers on its production. White Death is a bedroom production whose name is unfortunately running up against the Finnish White Death on Werewolf Records. This White Death is from Iowa and its bleak location serves as a setting for a brilliant demo that is full of raw emotion and noise.
Self Released, 6-3-2019
Do not let the cover fool you. This is not woozy new age though both have a penchant for mystical soundscapes. I reviewed Himelvaruwe in 2017 with the demo CCIII. I was pleased and surprised there was so much activity between that demo and this as the operator T.J seems to work the best in mania. Just the work in Himelvaruwe alone constitutes productivity let alone his other work in Kaffaljidhma, Ancient Morass, and Mirre.
I enjoy how people approach records and coming from a long background in dungeon synth, the serial release schedule is just something that some bands do. Het ondenkbare is the 7th release in a few short years and the 5th demo for the project. It continues, visually, a motif that shares a design with 2018’s Het onkenbare. Together the two demos translates roughly to “The Public / The Unthinkable” and at least as of now share the same surreal approach to raw black metal with a heavy use of dreamy synth. I found myself drawn to this release the more and more I listened to it and is something that will be pleasing for people with very narrow interests.
Self Released | 5-3-19
I feel that the tag Raw Black is less a genre and more of a sign post for interested parties. Rituals Under the Red Moon is black metal just fed through a filter of noise and chaos. One can still hear the riffs and structure just now with rough edges which bleed like static. I do not know much about this band other than their desire to play into a genre. From their cover to names, Witches Hex embraces the thematic elements of underground black metal. What is interesting about the band however is their ability to make those thing still seem sinister and raw perhaps with the help of shredding noise.
Vigor Deconstruct | 4-1-19
Vigor Deconstruct is a new label which seems to be what is left after the dissolving of the venerated label Fallen Empire. From few Facebook posts, Vigor Deconstruct seems to be taking up the mantle, and remaining roster, and being the aesthetic torchbearer and dealers of obscure madness. Many things are uncertain but adie from a few signed bands without new material and older albums pressed onto vinyl, the only thing attributed to Vigor Deconstruct is this new Ghriéving. Alright, I can stick around to see what this is about.
Chimére de Hypnos is an EP following a debut that was released on a perhaps more obscure label — Ascetic Visions. Ghriéving ‘s stormy disposition fits the swirling unease of terror with high occult visions and a growing sense of unease. Metal Archives similar artist tag already has a connection with Skaphe which could be for music or visual aesthetic or both. whatever the case, Ghriéving is a a fantastic parade marshal which will hopefully usher in year’s worth of material from bands I never knew existed. I do not expect this to be another Fallen Empire but if it continues to unearth terror long bound in crypts by spells, I will be okay with whether this label is going to be.
AHPN Records | 2-19-19
Alright, lets get fucking weird. It takes a special album to break my visual obsession with black and white JCard covers that feature rotting corpses. It also takes a special album that is going to rip my attention away from rotting death metal that sounds like it shoveled from the floor of an abattoir. This is it. One of the weirdest things I have heard all month and it is not just noise or left field black rather something that just pulses oddities from the cover to the bedroom style laboratory which makes up the bulk of its music. Disdain From A Burning Cosmos is a journey and one that can be enjoyed by a majority of people if they leave a few things at the floor. In here, production is meaningless, band members play everything, and all pageantry when it comes to visual design melts in a peyote vision quest. Fuck it all, lets get fucking weird.
Me Saco Un Ojo Records | 2-21-19
This is so fucking gross. I do not even know where this band is from or if they are from 2019 or if there is any black metal in this tornado of filth that is devastating everything in front of it. Demonic Vomiting may only interest the few who can stomach gross imagery but what separates Torso from the other depraved brutal death metal bands is a knack for filling their atmosphere with killer riffs and having a general attitude which is cool rather than twisted and edgy. It maybe a line that is not necessary for others but those who want that vile downpour but can stand the sound of brutal death, maybe interested more in this demo.
Self Released | 2-19-19
I am not 100% certain how this projects name is presented as the Metal Archives has a space between Witch and Bones. I will go with what Bandcamp says but what I am certain about it that this demo is ugly as fuck. I am also not certain where this project is headed as the Entropy Rite demo follows a January 2019 release which was more baffling than it was pleasing. Entropy Rite makes strides into being something substantial though the two songs are marked with odd choices for atmosphere and an almost untamed spirt which runs through its core. This is black metal but without any need to impress almost like fireworks set off in the woods to an audience of none. Its sole creator seems to be using this project to channel a vile spirit and to what end it will manifest is anyones guess. What we know right now is that Entropy Rite maybe perfect for someone looking for music that is unpredictable, violent, and above all else exciting.
Self Released | 1-29-19
This is wild. This is also something I am starting to really enjoy despite all its attempts to repel listeners. Gwoid is one person raw black / power electronics outfit who has released 4 serialized self titled demos in 2018. Gwoid V is the first for 2019 which alludes to a year full of harrowing black noise. Structurally, Gwoid oscillates between distant black metal and the ever growing collapse of music under the pressure of noise and chaos. Gwoid V is more apart of the black metal family tree than power electronics which is important as one who enjoys raw black could potentially find enjoyment in 18 minute long tracks of chaos. If logos are any indication of the music contained within, Gwoid is erratic, confusing, harrowing, and capable of drawing blood.
Hellhammered Media | 01-31-19
Alright to be completely honest, this EP came out in 2018. It was released sometime in March of last year independently. This is a cassette rerelease by Hellhammered Media. By the looks of it, this band had some recognition upon their initial release but that doesn’t matter since I am writing about this again. Why? Because it is gorgeous in its vileness. Black / Punk is one of my weaknesses and Sadomagickal Seducer style of punk is hypnotic in its tone whose guitars sound menacing and slightly drunk. Add to this the liberal use of synth and we have something I can scare loved ones with. Though the cover is goofier than the original black / pink version and it is really a 2018 release, I am still going to rave about it and call it whatever I want.
Self Released | 1-19-19
And so this break a nice running streak of black and white covers. It is okay. This is completely worth it. It is nice to get surprised and even knocked down by a sound. Defacement seems to be the new band created by members of a black metal outfit called Deathcrush. While I only listened to a few songs from Deathcrush, I feel the direction of this new outfit is much more appealing to a wider audience. Who is that audience? Well, people who like to hear nightmarish terror in musical form. From song titles, to the abstract cover, Defacement offers inexplicable unease which can not be described or discussed rather just embraced in swirling madness. This is a release which is both simple in its execution and cavernous in its success.