This is a striking and exhilarating demo from a new Polish band that I most certainly shared to make a joke regarding the name. Deathevn is the work of Warped Blasphemer who also lends his talents to Dagorath, Nurt Ognia, and Xarzebaal. Detheven was said to be created in three days and the immediacy of it is apart of a network of standoffish atmosphere that makes me feel bad for mentioning their name and similarities to popular post black metal bands. Detheven doesn’t give a shit about my jokes and this 22 minute demo is a crawl against the fiery floors of damnation. It is unrelenting, without compromise, and above all else not in the mood for humor.
The tags for this record are black / thrash / death / punk and to what percentage is anyone’s guess. Töxik Death care little for being balanced or even correct as the band’s second full length does more for their thesis of destruction than any previous release. Reviewing a band with a larger history is unique on this site as most bands are new or have a few releases before the one being reviewed. Töxik Death is approaching nearly 20 years of being formed and Sepulchral Demons feels like a fiery debut that is setting the stage for a whole career of madness. Sepulchral Demons sharpness the band’s focus from their earlier work and presents a future of old school heavy underground metal worship in a sound that doesn’t feel costumed rather galvanized by the the decades old quest for disorder. Come on and come all for the festival of the ruined.
Yes. Yes. Yes. The stars align and we are given a rough black metal record from a band that has yet to have a Metal Archives page or a second supporter on Bandcamp. These are the moments where I feel I have found something that will be of interest to a lot of people and I am excited to see its journey. Veriluola is a Finnish black metal act which worships the noisy and chaotic beginnings of its genre with a demo that is spilling with attitude and atmosphere with a demo that sounds like Possessed, Celtic Frost, and Venom all are locked inside of a closet and told to punch their way out. I will be the first to admit the band has a lot of things to work out of their sound as Demo feels like a scouting mission to survey the terrain of first wave worship. I have a strong feeling they will find their way and set up a new town on the edge of the frontier between life and death.
“Charnel Ascension is a member of The GraveLight Order along with Mortevexis, Slaves To The Enchanted Fog, Vampyric Bvrial and others.” With this being kinda local to me, I often wonder if I pass the basement or abandoned church that houses these record labels. Spectral Dances Towards The Coffin is the debut demo for the Charnel Ascension project though its sole member is most likely apart of other other bands maybe even on the same label. The Gravelight Order is an esoteric name for the roster of Old Spire Records and much like other musical scenes, all bands fall under the same stylistic banner. This banner just happens to be raw and mutilated black metal. Spectral Dances Towards The Coffin is for a certain listeners who is wanting black metal before it goes into the refinery. The caustic dissonance both from its music and its cover allows the release to fall back onn an aesthetic that is theatrics but ultimately enjoyable to be apart of.
I am excited beyond belief for this demo. Not only is it blistering black metal from Canada but it is also the debut demo from a elf released entity. These are all things which this site strives to showcase and Neurotisme could be the embodiment of this mission as it gallops on spectral horses to trample its listeners. Rather than let a sound run itsway through 3 or four tracks, Sulfure continues to confound its listeners with multiple tracks of snaking black metal that slithers its way through a dynamic landscapes of rot and ruin. This is a release that will live in memory if for nothing else than it is sure to haunt its listeners.
O first want to pay special recognition to the artwork of Karmazid who graces the cover of this release. Karmazid has also done work for Andavald, Bewitcher, Chevalier, Draghkar, LVTHN, Malokarpatan, Urfaust, and a whole host of other acts with their distinct style occultist imagery. Perhaps this is what brought me into the page for Dysylumn’s third full length Cosmogonie. To be fair with the lyrical themes tagged as Psychology, Hallucination, Space and a sound which is akin to climbing on the ceiling of an abandoned castle, I would have made my way here eventually but having artwork that fits the mood is fantastic. Cosmogonie is being released by both Signal Rex and Egregor Records and for now you only get a song but I am sure all of this is enough to keep you in this unhallowed place until the fateful hour.
I am not usually down with unfinished products. I understand raw black metal (and to some extent other genres) has an aesthetic that embraces unfinished work as it simultaneously showcases potential while celebrating unpolished atmospheres. OTDHR’s sound was enough to grab interest and this 9 minute rehearsal showed enough talent that I start to wonder what a full length would sound like. Some bands never move out of the demo and rehearsal realm content to keep exploring unrefined landscapes. OTDHR is different in the fact their angular approach to black / doom could be exquisite with the right framing. Rehearsal II (Previous one was a year ago) projects a band that is brimming with angst and airs a sense of mystery through 9 minutes of near sonic misery. Perhaps this will be a story of a band that climbs out of rehearsals and makes a demo (or full length) that amazes everyone. Even without that future, OTDHR is a rare find of a band that warrants putting up their practice recordings as they are interesting enough to sit and listen.
Reverence is a power toxin when making music. Having a goal or style one wants to recreate and call their home is an easy direction for bands as it gives them a goal. Thermokarst is dedicated to the sound of second wave black metal even dedicating their opening track to a familiar phrase. But this is where expectations end as aside from treading familiar ground, Thermokarst debut demo goes beyond the call of worship and offers something much more fierce and caustic. Three tracks of blistering black metal that is balanced and unhinged is excatly what most people desire. Thermokarst offers abandon in darkness and though the band breathes raw smoke, they seem fully competent on what they are doing and how to handle axes.
Well, here we are. It is 2020 and I am writing about a split entitled 666 Fuck You. The embrace of aesthetics is a strange thing as something that seems overwrought and oppressive could work towards its ultimate success. The Swiss trio of Brahdr’uhz, Lugubris, and Cendres de Haine is a Swiss trio of acts that is perhaps apart of the same scene or just a connected group of musicians. There seems to be no common origin point for all three so we are just going to assume that the glue which holds all of these bands together is raw noise and a tendency to be dramatic with their darkness. The 666 Fuck You split is a showcase of three bands and an above average take on raw black as the sound is fierce and grating while always be entertaining. All Together you have 45 minutes of raw Swiss black mwetal that you might not even know that you needed until this very moment. Embrace aesthetics and fuck the world.
I have tagged this release as raw black though I feel it is just black metal fueled with crude oil rather than anything refined. Vacío Final is the second demo this year by Chilean project AstralSlide and continues the act’s short legacy in making black metal that feels and tastes like acrid smoke. Brazen, arrogant, and unsympathetic, Vacío Final is a demo that cares little about the thoughts and feelings of others and will gladly swing around an unpolished demo just at a dangerous speed. This is something only a few people will enjoy but I feel it will be clawed at with insane fervor.