Natürgeist – Reinvigorated Terror [US, Raw Black] (2021)

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Self Released | 5-21-21

Morris Kolontyrsky is a busy man. The member of Blood Incantation/Black Curse/Spectral Voice/etc./et seq./ad inf. now has a raw black metal project to add to this repertoire in the way of Natürgeist. The “Reinvigorated Terror” EP is a new two-track demo of the layered extreme metal that characterized 2020’s Black Curse LP (which was one of my top five albums of its year). Starting off with a powerful, Weakling-inspired style of US riffing, this demo slowly incorporates more studio tricks than raw black metal usually hits, with layering and slight psychedelia hitting at the end of both tracks. Low-tempo clean guitar leads contrast with that fast-paced black metal tremolo to cool effect. Those deep in the raw black sauce might hear this as another cash-in and dislike how obviously careful the production really is, but I find it immensely successful for that same reason that Black Curse release did the same for me. Plus, it’s obviously a bit crazier than the other Denver bands – penis metal notwithstanding. Give this a hit of mystical, cold, black hell.

Æumbra – Æumbra [US, Black] (2021)

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Self Released | 5-26-21

A search for “Æumbra metal” reveals exactly nine results, none of which tell me much about this band. From what I can tell, they’re a fresh US black metal act with at least one member. I don’t believe we’re at the point of deep fakes for raw black metal. This demo features 21 minutes of strongly melodic raw black metal more so than the punk- and/or noise-inspired strain. Vocals are a constant high-pitched screech but not annoyingly so; more like Silenius from the early Abigor releases in that raspy affect. There’s a ton of wonderfully written tremolo leads that hearken back to the early second-wave Norwegian black metal aesthetic, but in no way does it sound tired. In fact, the paunchy bass lines give this a slight “oomph” where the rawer-than-your-average-bear production really bolsters the melodic sound. While most of them follow root notes, they bolster the leads ever so slightly to make the demo stand as a sonically impressing work. If you can’t tell, I really like this – and the higher-pitched vocals round out the sound to make everything sound dynamic in a way I can’t describe without sounding like a goober or a pedant. Basically (hah!), there’s serious promise for an LP, and I hope they keep that semi-raw sound for the future. It does well.

Arna – Dragged to a Lunar Grave [Spain, Black] (2021)

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Self Released | 4-23-2021

2020 and 2021 have been the dual years of wampyric black metal. There’s been a significant uptick in bands releasing short LPs or demos themed around erotic death, moonlit nights, and star-crossed romance (and often, all three at the same time). They’re evocative themes and ones that have rightly been a constant presence in the sturm und drang of the popular consciousness. Who doesn’t love a good story about fated love, especially when so many have experienced or nearly experienced it themselves? Well, back to the music: “Dragged to a Lunar Grave” is four tracks of black metal in 28 minutes. Though from Spain, it kinda reminds me of Nachtmystium’s “Demise” and some other mid-2000s US black metal. Fast, riffy, and layered – not at all as raw as the cover art may impress.

Fōr – The Life Feeding Flame [?, Black / Death / Doom] (2021)

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Nihilstic Noise Propaganda | 5-11-21

Ah, another entry in the “dissolving” extreme metal tag. What does that mean anyway? I use “dissolving” to describe that kind of caustic black, death, or doom with hollow vocals, percussion that’s stilted or curiously laborious, and guitars with a precipitated limestone crust. Allegorically, it’s the “I’m being dipped in the acid pools at Yellowstone” kind of metal. (Not that I know what that’s like.) And here’s one of those: the anonymous Fōr from who-knows-where and their 23-minute, 3-track release “The Life Feeding Flame”. This combines black, death, and doom metal in a way that recalls a cavernous Icelandic black metal album – and it’s nearly as scary. Dissonant and, yes, dissolving. The shorter runtime does it a ton of favors in hookability with its tempestuous yet mid-paced drums. Everything about this adds to a slow, creeping dread that is accurately demonstrated through the smouldering lake on the album art. The bass is a steady rumble under every percussive pummel; and the lyrics echo, overlay, and roll off each other in a conflagration. Give me more fire!

Ritual Laceration – Putrid Womb [US, Black / Death / Noise] (2021)

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Life After Death | 5-18-21

Ritual Laceration’s “I” demo was one of my favorites of 2019, so hearing that this “dual bass bestial black metal” group had another one out was an insta-sell for someone who likes to blend his death metal with noise and whey protein. And wow, this is noisy. The first demo was a strong delivery of two bass guitars where each track steadily increased to maximum controlled cacophony (not unlike the Italians in Thecodontion). “Putrid Womb” adds shards of glass to the mix with a distinct overdrive that contrasts with the previous demo’s relative cleanliness. Not that this band was ever “clean” – maybe in the sense of how a wound can be clean in the hands of a responsible scalpel-holder. In that case, the metaphor here is the rats on the cover: an infesting mix of the harshest drive where redlining is a feature, not a bug. “Putrid Womb” also features some excellent Diocletian-sounding manic solos that are barely demonstrative of normal musical ability and instead have that wonderful “ready to explode” aesthetic. And indeed it does explode – the indistinct vocals samples come in and out of the mix at the most (in)opportune time, sliding in and out of varying levels of discord. If you’re into chaos (and I have a feeling you are if you read Tape Wyrm), then grab “Putrid Womb”.

Skadalv – Demo II [US, Raw Black] (2021)

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Self Released | 5-4-21

In an effort to get focus on the the most horrid of black and death metal, I seek music that could come from the astral plane. Skadalv is from the US and with only two demos from the past few years, this act only has a few sold out cassette demos to their name. With the release of the second Demo, Skadalv continues to write a chapter in an apocalyptical book which is full of spectral hauntings and psychic ruin. Though the demo only totals about 11 minutes, that time spent with Skadalv is one that is oppressive with its noise and exhilarating with the energy. Not a lot of information is available regarding this band outside of Metal Archives page which lists the lyrical themes as “Death, Mysticism and Reincarnation.” I feel the elusive nature of the band combined with the abstract lyrical themes allows this release to be something special for some very weird listeners. It is a sound which is not for everyone but those of us who are here to worship at the alter of death couldn’t ask for anything more.

La Ballade des Rats – Rattus Furax [France, Black] (2021)

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Self Released | 4-21-21

We are going to mention this album, which is the second full length from La Ballade des Rats came out last year in May. The band though decided to tag this as a 2021 release on Bandcamp so who am I to argue? It is okay since we get to include La Ballade des Rats in 2021 and the creators opus on misery and rat infestation. La Ballade des Rats is the work of a few French musicians who seems to be operating in the tunnels which snake under the city of Toulon. If Rattus Furax sounds like anything then it is the half flooded underground passages which sport all matter of disease and the denizens which inhabits its kingdom. Vermin, disease, and decay are the aesthetics of this release and La Ballade des Rats is its pestilent bard.

źmiarćvieły – čornaje połymia [?, Black] (2021)

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Caligari Records | 5-21-21

Caligari always comes through in terms of pulling me back into a world of rot and despair. At this time of writing this review, this band has no Metal Archives entry, nor any other Bandcamp page, nor anything on the internet about its existence. This band exists only as an ugly six minute black metal track which feels like it was birthed in a witches hut and now is running towards the nearest town gibbering unholy speech. This preview track is a grotesques sound and the tone of the raw production combined with the lack of information gives this release the amount of excitement and potential dismay it deserves. I thank Caligari for being there for me reaching a hand in a cauldron and pulling out something that should never had existed.

Howling Nightwinds – Demo II [Austrilia, Raw Black] (2021)

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Self Released | 3-15-21

I absolutely love that most of these songs just start out with the listeners falling down a hill marred with jagged rocks. Howling Nightwinds is new and with two demos full of raw violence that doesn’t seem to care about proper etiquette. In the span of around 15 minutes, Howling Nightwinds makes a grand declaration of uncaring with a demo full of black metal mixed with punk and also dungeon synth for bookends. This is a demo which is crude and unpolished and perhaps will never be invited for a formal dinner. It is perfect for basements and graveyards and perhaps other haunted places of dismay.

Uranium – An Exacting Punishment [US, Black / Death / Industrial] (2021)

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Self Released | 3-21-21

Yes, I am unsure about that band name as well at the logo. there are many things which make me wary to approach this US band first and foremost should be the rusty chains which drag behind this behemoth of a record. I say I am wary to approach this since the music and general disposition of Uranium is so caustic in nature I fear I will contract a disease or some sort of radiation burn. An Exacting Punishment is a grand display of torture through sound with black death drug through industrial soundscapes which is closer to noise than it is anything resembling dance. The band’s name and logo seem secondary to a world of nightmares which blink like strobe lights in dark warehouses. This is something that is horrifying and I am so glad is stalking me as the specter of industrial music should want to do.