Self Released | 11-29-17
Album art is important not only as an initial invitation but also as a showcase for music. Though I can not find any information on the artist “P. Seliverstov” since the band itself has no information, it is going to remain a mystery. The cover for Glance however is entrancing and artfully skilled at pulling the listener into a world of gloomy mastery.
Self Released | 6-11-17
I think I have made mention of my aversion to doom. My hesitance for the genre doesn’t come from my disdain of the sound rather the glut of bands who play in the formula of the style. This isn’t an anomaly in metal as I gravitate towards anything black or death which plays in the genre. Doom and sludge do not interest me as much and aside from this personal preference, there are a few which break through my prejudice. If a band sounds like it was birthed in the bathroom of a shitty dive bar, I am there with outstretched hands.
Self Released | 4-2-17
I get pretty enthusiastic about black/doom as it is a style which sounds transcendental when done right but whose chemistry is tough to master. Add to this the fact that there really isn’t a defined recipe for black doom as black/death or even black/thrash rather when combined it could sound as melodic or as harrowing as intended. Enter Blood of Sokar whose debut (?) is nothing short that a getting lost in a cursed forest with creatures of the night occasionally stealing parts of flesh from the listener.
Self Released | 2-1-17
I believe that it is in the interest of most metal to capture a theme or feeling. whether simple or complex abstract or concrete, most heavy metal intends to fill the listener with a focus. The second album from German black / doom outfit Imperceptum does an admirable job at wrapping in the various emotions of existential obliteration. While this sounds like a very niche focus, the sound of stars collapsing and ceasing to be apart of the material world seems to be a destination for this particular band.
Self Released | 8-21-16
Congratulations, you have traveled far enough to find the weird section of heavy metal. Not any of those other things were good enough for you so you have to come and listen to an album that has no information and could be made by devils. 9 Beds isn’t a band that is easily found on the internet. In fact typing the phrases “9 Beds Black Metal” brings up some rather mundane results. Perhaps this is why this outfit is so haunting as they exist without any sort of informational anchor in a world where everything has at least one webpage.
Aural Music | 5-6-16
Doom can be so hot and accessible. Usually my searches through Bandcamp trawl on on the bottom of the ocean floor looking for new black and death albums with the occasional doom thrown in for good measure. Belfry, the debut album from Italian traditional/stoner doom outfit Messa, has come on the wings of no previous material nor no huge press hype yet it has been 6 days and already it is relativity popular and a hit with certain crowds. Why is this? Well, it is my belief that not only is doom with female vocals backing traditional doom enticing to people but Messa does this formula exceedingly well.
Caligari Records | 4-8-16
Look. At. That. Fucking. Cover. There is a certain feeling one gets when they find a style that clicks with their personality. Into a Pyramid of Doom has everything from occultic obsessions to comic book styled horror. I do not know exactly what it is about Lovecratian monsters looming over Ancient Egypt, but I know Into Coffin knows exactly how I feel.
Hammer of Damnation | 3-15-16
Oh Lord look at that cover. I wonder if Gustave Dore knew his legacy would be enshrined in the work of so many heavy metal album covers. What is on the cover of Ad Baculum’s third cover is a picture of “The Suicides” from Dore’s extensive illustration of Dante’s Divine Comedy. What was meant to be perhaps spiritually horrifying educating wayward Christians to a brighter path has turned into being an ominous cover for a cool as fuck metal band. Its a fair trade off.
Self Released | 1-19-16
I do not cover a lot of doom. I think I cover even less stoner doom. This is not becasue I feel the style is without merit rather the imagery does not grab me as much as black and death metal. It takes a certain angle on stoner doom to grab not just me but anyone that isn’t specifically looking for that style. I want to pay attention to more doom this year as I feel there are some great bands hiding behind dark columns of smoke. If 2016 is going as well as Flesh of the Stars second record, I may be more persuaded to stay.
Self Released | 7-7-14
If you are at all familiar with this site, traditional and doom do not make it on here with any sort of frequency. This isn’t because it is disliked rather black and death are given more of a spotlight. Shadow Kingdom records is a label which is dedicated to both unearthing lost gems of traditional and doom metal as well as supporting current doom and traditional metal. Majesty In Ruin is only really connected by the bassist, John Shamus Gaffney, who currently plays in Sinister Realm. Rich McCoy was in a variety of New Jersey metal bands including Coffin and Primitive Realm. Other than that Majesty in Ruin is an unattached traditional doom act who has one demo released in 2014. This sounds like a perfect place to start for a quality release.