Self Released | 10-14-17
If one hasn’t noticed by now, the last few reviews for this year are things that I initially missed. These things are still under the radar for the greater scope of heavy metal but still fit into the strange idea of Tape Wyrm material. Cavurn is an unsigned/independent death doom band from Washington whose demo/rehearsal is one of the top tier releases of the year and for that they need revisiting.
Death / Doom is a strange genre since each time it is employed, it is unique among the practitioner. Some bands lean more on the side of doom with harsh vocals while other played a rotted form of death. Cavurn is in the middle as they employ both aspects of the genre and seem to glean the most interesting aspects of both. From the monolithic atmosphere of doom married with the classic riffs of death, this demo shows a band that already has everything figured out and is ready for the next challenge.
There is little way, anyone can kep up with everything released in the year. Other well known releases like Witch Vomit, Vanum, and Cult of Eibon are still excellent just out of the range for what I hoped for this blog. Cavurn seems to fit well inside the other releases with a demo that is worth anyones attention despite their attraction to lesser known metal.
Self Released | 12-30-17
Genre: Sludge/Doom Metal. Lyrical themes: Drug addiction, Nihilism, Depression, Death, Misanthropy. You already know what you are getting into just by the summary of this release. Even looking at the band photos, one can assume most things about this sound. I have been more than honest about my stance on sludge and doom as a whole and while I have an aversion to most of the genre, hearing well done sludge doom about Drug addiction, Nihilism, Depression, Death, and Misanthropy is more than welcome.
Self Released | 11-29-17
Album art is important not only as an initial invitation but also as a showcase for music. Though I can not find any information on the artist “P. Seliverstov” since the band itself has no information, it is going to remain a mystery. The cover for Glance however is entrancing and artfully skilled at pulling the listener into a world of gloomy mastery.
Self Released | 6-11-17
I think I have made mention of my aversion to doom. My hesitance for the genre doesn’t come from my disdain of the sound rather the glut of bands who play in the formula of the style. This isn’t an anomaly in metal as I gravitate towards anything black or death which plays in the genre. Doom and sludge do not interest me as much and aside from this personal preference, there are a few which break through my prejudice. If a band sounds like it was birthed in the bathroom of a shitty dive bar, I am there with outstretched hands.
Self Released | 4-2-17
I get pretty enthusiastic about black/doom as it is a style which sounds transcendental when done right but whose chemistry is tough to master. Add to this the fact that there really isn’t a defined recipe for black doom as black/death or even black/thrash rather when combined it could sound as melodic or as harrowing as intended. Enter Blood of Sokar whose debut (?) is nothing short that a getting lost in a cursed forest with creatures of the night occasionally stealing parts of flesh from the listener.
Self Released | 2-1-17
I believe that it is in the interest of most metal to capture a theme or feeling. whether simple or complex abstract or concrete, most heavy metal intends to fill the listener with a focus. The second album from German black / doom outfit Imperceptum does an admirable job at wrapping in the various emotions of existential obliteration. While this sounds like a very niche focus, the sound of stars collapsing and ceasing to be apart of the material world seems to be a destination for this particular band.
Self Released | 8-21-16
Congratulations, you have traveled far enough to find the weird section of heavy metal. Not any of those other things were good enough for you so you have to come and listen to an album that has no information and could be made by devils. 9 Beds isn’t a band that is easily found on the internet. In fact typing the phrases “9 Beds Black Metal” brings up some rather mundane results. Perhaps this is why this outfit is so haunting as they exist without any sort of informational anchor in a world where everything has at least one webpage.
Aural Music | 5-6-16
Doom can be so hot and accessible. Usually my searches through Bandcamp trawl on on the bottom of the ocean floor looking for new black and death albums with the occasional doom thrown in for good measure. Belfry, the debut album from Italian traditional/stoner doom outfit Messa, has come on the wings of no previous material nor no huge press hype yet it has been 6 days and already it is relativity popular and a hit with certain crowds. Why is this? Well, it is my belief that not only is doom with female vocals backing traditional doom enticing to people but Messa does this formula exceedingly well.
Caligari Records | 4-8-16
Look. At. That. Fucking. Cover. There is a certain feeling one gets when they find a style that clicks with their personality. Into a Pyramid of Doom has everything from occultic obsessions to comic book styled horror. I do not know exactly what it is about Lovecratian monsters looming over Ancient Egypt, but I know Into Coffin knows exactly how I feel.
Hammer of Damnation | 3-15-16
Oh Lord look at that cover. I wonder if Gustave Dore knew his legacy would be enshrined in the work of so many heavy metal album covers. What is on the cover of Ad Baculum’s third cover is a picture of “The Suicides” from Dore’s extensive illustration of Dante’s Divine Comedy. What was meant to be perhaps spiritually horrifying educating wayward Christians to a brighter path has turned into being an ominous cover for a cool as fuck metal band. Its a fair trade off.