Back in 2017, I wrote about the debut from UK project Vessel Of Iniquity. The self titled debut came out on various labels and I believe I wrote about the Xenoglossy Productions version. I was blindsided by the force and reckless abandoning of the sound. Graveyard of Dead Gods and Architecture of Existence are two “new” EPs for 2022 consisting of songs that were “An old unused EP I found on my hard drive.” The dichotomy between the music and the seemingly carefree attitude of its creator is striking as both EPs feel like a terrible storm. v operates without constraints and the sound of both new EPs has a driving rhythm that feels more like a mounting wave of chaos and confusion. The addition of the music being without a time or place of conception adds to its other-worldly-ness as these two EPs have appeared in our world and now are set loose among the population. This project is unpredictable as it is intriguing and I fully expect to be terrorized by it in the near future.