Self Released | 9-3-18
It looks like there is little information regarding this act so we are just going to start making things up about this act which seemed to come from nowhere. I believe it was the cover which got me in ensnaring my attention. The underground comic violence cast in blue shades was something that could only come from a band which the right mindset. This was shades of humor cast from a large imposing object of death / grind. Dusk Of Humanity is the band’s debut EP. I think. In the summer the band released a rehearsal demo which was poorly recorded even for fans of lo-fi extreme metal. Dusk of Humanity sounds full which allows the bleeding style of music to shine and even showcases the band’s biggest aspect; filthy death metal riffs in the worship of bands like Autopsy and Asphyx. The marching beat of the EP’s (?) title track is something that could only come with a cover of cartoonish violence and devotion to disaster.
Self Released | 8-23-18
Who is ready for the abyss? I hope you are serious because we are going into the depths of madness. Temple Ash is a new band with, unsurprisingly, little information regarding members, location, and day to day functions. What we are given instead is a short deceleration of warfare on our philosophies, a bitchin cover, and a hellish 10 minute demo which raps apart the subconscious with a rogue bulldozer. Throughout my travels with extreme metal, I always find it refreshing when I find something that makes me wide eyed in horror and disgust and the death industrial black noise detonation of Temple Ash is something that I will most likely never forget.
Noise and noise related metal can be hard to do as its obscuring qualities can easily overrun the music. Temple Ash’s invocation of noise is much like a call for a plague which swarms its immediate area. Through the haze of blown out vocals and distant percussion is a discordant structure as well as harrowing soundclips. Through all of this chaos is an exhilarating push towards aggression as all of these replacement parts allow the first demo from Temple Ash to truly become a declaration of war on things once held true. Even if this demo does not achieve its philosophical goal, then once still has a demo which is shocking still in 2018.
Self Released | 7-31-18
Oh man, things are about to get dirty and by dirty I mean we are all going to be covered in grave soil and coffin dust. Seclusion is a pretty new band from the lands of Texas and by their unassuming debut, this act is aiming low to subterranean levels with a sound that feels as claustrophobic as a tomb collapsing with the weight of the Earth. Seclusion’s sound rests on an air of attitude and style as the muddy production does less to draw people in as the heavy themes of occult ritual and slow death does for listeners to stay. At only two tracks, Occultess Unknown presents a band that has all of the right aesthetics and beginnings for potential releases and while this demo does not punch through the soil and grab an unsuspecting leg, it does enough to raise interest or at least a little bit of trepidation of the things that are going on under one’s feet. If the sounds of “Burning Human Incense” are of interest to you, imagine what this act can do when they finally break out of their imprisoned tomb.
Self Released | 6-5-18
I think I can count the number of doom albums on this site with relative ease as I could probably use two hands. Doom is not a genre I travel into or at least have patience to surround myself with. This does not mean there are not good records being made and great bands making them. For me there has to be something else outside of the doom to snare my attention. Lightpath, a very new Italian act, seems to have doom coming with their death metal friends and they all have rusty knives. This is the type of party I enjoy.
Children of the Void is listed as a promo which could very much fall under the classification of demo. It is a three song showcase which lays out the tenets and intentions of the band which all are malicious and ugly. The female(?) vocals come snarling and add a rotting edge to music that is already adversarial. Outside of this sort of unique presentation is music that is well constructed and consistently remains intriguing. If Lightpath was intended to get attention with this promo/demo they have done so with music that is more fitting of a broken leg than anything resembling fun. It is nasty, harmful, without morals, and completely entertaining.
Self Released | 4-24-18
Well, here it is. Perhaps the weirdest thing I have heard all month. This band also comes with the distinction of be indistinct since their origin is up in the air with only the information that their band consists of Hungarian and Greek members. Whether or not they reside in Europe or the Us or in the depths of Perdition is still up for debate as Aseroe comes on the wings of disgust and demise.
Aseroe adds to its mystic by presenting two lengthy tracks that exude a certain madness which hides under floorboards. Similar to bands like Cultes Des Ghoules, Aseroe works because it leaves all sense of moral reservation at home, which I assume is a hovel, and goes running in the streets nude and covered in scratches. These two songs revel in darkness and have no qualms about being weird without going over the top in terms of theatrics. It is gross, unrefined, and utterly successful.
Self Released | 3-19-18
I am always on the lookout for cool black metal despite falling had over heels for recent rotting death. Finding Olm was special as it allowed me to embrace the hatred and anger associated with black metal without any pretense. Finding Olm was fantastic as it seems to be the prototypical subject matter for black metal just done in a way which feels fresh and genuine.
Ruin of Scepter – Chasm is a demo comprising of two songs that are surprisingly named “Ruin of Scepter” and “Chasm.” This sort of unceremonious naming sequence fits the band’s quest for earnest and simple delivery as the music is black metal presented without any bells, whistles, or plates. The dips and dives of “Ruin of Scepter” has enough riffs and atmosphere to make it harsh but with hooks as well as entertaining while still grating against skin.
“Chasm” is a good example of the direction and potential by this band. What seems like a routine black metal demo soon turns into turbines of ferocity but a drumming section that sounds hazardous. The lengthy tracks make this demo into a destination for anyone wanting to bath in self hatred and damnation. It takes a special band to make a raw demo about darkness feel like something new and by the raw feeling after listening to this demo is any indication, Olm did a fantastic job.
Self Released | 3-15-18
Aww yeah here it is. Demo name – Check. Release type – check. Tone – Check. Band name – triple check. I have to admit that I am reviewing this based on the preview track as the actual demo comes out in 6 days from writting this article. There is a possibility that the rest of Altar of Gore’s demo could be lackluster and boring. From the sounds of the preview track “Foul Dwellers in the Sacrificial Pit,” this demo is going to be nothing less that the drowning of the world in ripped flesh and fouled blood.
Though I would be perfectly happy with this songs beginning tone which is grindy and has the vocals of a cave demon but it is really the downshifting of pace around the 1:50 mark where the riffs drape over the song and the full extent of atmosphere is revealed. This demo makes the sound seem so effortless and from at least this preview, seems like Altar of Gore are winning without even trying.
Transylvanian Tapes | 4-20-18
There is a point where I consider a rerelease of an obscure demo to be apart of the current year. Things released late in December of the past year or even things that went generally without any sort of attention usually gets grouped into the current year since no one is really going to care. Of Martyrdom and Polluted Faith is different for many reasons with the largest one being this digital demo was released in August of 2017 and got minor attention on its initial release. This is why Of Martyrdom and Polluted Faith will be a 2017 demo which is seeing its first physical run in 2018.
If you were the majority of people which missed this when it first released, Dearth is the combination of two members making black metal much like a swirling kaleidoscope of horror and rot. Situated on the US west coast and with members from bands like Xenotaph and Torture Chamber, this demo is more than enough to put you in a foul mood if foul mood is what you desire. For only being a three track demo, Dearth manages to make its 20 minute running time feel like a near eternity spent in some hellish chasm of fear and confrontation.
Self Released | 1-9-18
there are sometimes inklings of things one is going to enjoy. Seeing the color used in Superstition’s logo and artwork wasn’t the reason for enjoying this demo rather an inkling that t was going to be intriguing. Perhaps it is because that warm sickly grey was a gateway into a certain aesthetic. Perhaps I am drawn to certain shades of off white. Whatever it is, Surging Throng of Evil’s Might is a triumph and offers sanctuary in the creepiest, most dilapidated cathedral this side of the afterlife.
Did I mention, I adore spooky organ music? If not, I would like that noted on the record. One of Superstition’s greatest assets it the sense of atmosphere which compliments their mastery on the music. Songs like “Outer Mutation” comes out of a gothic style organ interlude and have enough flair and flounce to make it a towering monstrosity in rotting velvet. This is weird fiction death metal and with songs like “Grave Portal,” it is a place which I want to stay forever.
Sentient Ruin Laboratories | 3-2-18
This single came via a colleague with the comment of “Sentient Ruin refuses to stop.” For the past couple of years, this US label has been the source of some of the weirdest and more horrifying forms of music with their roster being obscure black / death and their distribution net unearthing even more arcane material from around the world. Misrule is one of them and if the entire demo is anything like the preview track, Forced to Suffer will be right at home with its catastrophic family.
The tag of grind in the music only touches on the chaotic aspect of the music. While part so the preview track “Led To The Grave” are very much like a whirlwind, the core structure of Misrule seems to be death. Additionally, the production for Forced To Suffer is vast and seemingly endless with its depths. Though the preview track is under 3 minutes, it is a free fall through bottomless chasms inhabited only by the denizens of darkness.
I sometimes do not looking at new releases from Sentient Ruin as it is more I have to process. Already the label has put out some stellar work and the potential for a killer death/grind demo with the power of a demon is even more exciting. It still is a couple of weeks away until the entire demo is up for streaming so right now, Ill sit and wait with anticipation or maybe even trepidation.