Dungeon noise was a foreseeable branch to come out of the great modern DS wave of the mid 10’s. When one has a group of bedroom producers, experimentation is a natural progression on any genre and noise/dark ambient/harsh experimentation in a genre whose roots go back to black metal was a logical step. Dungeon noise in the mid 10’s however was met with a polarized response which led to scene bickering and even a weird flirtation with NS themes. I hate to precede a review for Grimwin’s Forge with history but I feel it is important that the Dungeon noise scene, at its very core is a remarkable genre that just got assaulted with extra baggage. Grimwin’s Forge III, I feel is a suitable meeting point between the desire for experimentation and the need for accessibility. While noisy and full of atmosphere, the music on Grimwin’s Forge III is still narrative between the rough and burnt edges. This artist also seems to be behind Ancient Iron and both projects have a knack for extremely limited cassettes that are split between commercial products and art projects.
Kaptain Carbon is the custodian of Tape Wyrm, a mod for Reddit’s r/metal, Creator of Vintage Obscura, and a Reckless Scholar for Dungeon Synth.