We all have our heuristics in pre-judging music, and one of mine is “does the album art evoke Zdzisław Beksiński”. If the answer is “yes”, then there’s a baseline 20 percent chance that I’m going to enjoy it regardless of anything else. Yeah, I’m basic, so what? It’s not like I’m only into drip coffee and indie Metroidvanias or something. Anyway, Occulsed’s choice of album art was a must-listen for me – and it did not disappoint at all. This is primarily the brainchild of Jared Moran and Justin Stubbs – both of whom have been in a metric fuckton of bands (e.g. Encoffination, Father Befouled, and Draug). This is completely early 90s death metal: there’s that off-kilter and unsettlingly airy production style, a brutal death metal-lite style of songwriting that recalls NY death metal, and a stitched-together approach to songwriting that occasionally sounds more like a collection of distinct riffs than cohesive compositions. I don’t mean that third one in a bad way: I love that kind of sound. It’s half of why I’m so obsessed with the year 1992 (the other being Sister Act). Kenneth Parker’s vocals match the style of music with his breathy approach to deep, deep growls. An album like this is practically tailor-made to my interests; if you’re picking up what I’m putting down in the least bit, then give Occulsed a listen.
Crepitation Of Phlegethon by Occulsed
Ex-grad student who focuses on extreme metal and industrial / power electronics. Really likes dogs, also has a cat.
Loves vaporwave, but don’t tell anyone.