Eternal Sword – The Cursed Land [?, Raw Black] (2021)

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Self Released | 5-22-21

I’ve listened to this release five times. I still don’t know what to write. Not that it’s bad – in fact far from it. This is one of the best demos I’ve heard this year regardless of genre. “The Cursed Land” is the (thus far known) first demo from the anonymous Eternal Sword, released on a certain day to uncertain parents. It’s a 31-minute romp of two tracks, both of which have plenty of extraordinarily riff-centric melodies with tupa-tupa-tupa percussion (that endearingly lags behind the guitars) and buried shrieks. One could call this “atmospheric” in the sense of being encompassingly produced. The midway riffs on the second track recall the best, most fervent parts of Weakling’s “Dead As Dreams” or Misþyrming’s “Söngvar elds og óreiðu”. Yet this is an autumnal album; “Dead As Dreams” is synthy and depressive, and “Söngvar elds og óreiðu” is hollow and scorching. “The Cursed Land” feels effervescent, pouring out grand and bombastic melodies that resolve into each other as the tracks bring back previous movements after sidewinder escapades to form wonderfully cohesive closers. I can’t wait to hear what’s next.

Chorazos – Demo [US, Raw Black] (2017)

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Self Released | 5-29-17

Album art is important ad it seems that the cover for this demo is the same image used on LVTHN’s 2013 demo. The image depicts a woodblock goat which does not seem to have a source material or if it did, it has been lost in a sea of appropriations. Albums covers to stickers, to social media pictures, this particular goat has become almost as synonymous with darkness as the black and white Baphomet image. Perhaps it is like a mantle which gets passed from one disgusting demo to another. Right now it is the dawn of Chorazos.
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Vomit Kult – Demonic Art [Unknown, Raw Black] (2017)

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Self Released | 1-29-17

Well, fucking fantastic guys, I literally have nothing to go on regarding where you are from since there is no trace of you anywhere on the internet. It is funny that people lament the death of research in the internet age and yet there are still bands that toe the line of known. Perhaps that is where they want to be, right on the cusp of existence.

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Myotis Occultus – Of Weeping Spells & Wounded Shrines [US, Raw Black] (2017)

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Self Released | 1-27-17

In the world of underground and lesser known heavy metal, newness is a relative term. To some the Arizona based one man act Myotis Occultus could be new with the weight of raw black metal making its first introductions. To others, the songs on the Of Weeping Spells & Wounded Shrines demo are just a recollection of past works that have been spread out on singles and demos released in 2016. If it sounds like I am complaining, I am not as Myotis Occultus was a mystery to me until today. Perhaps every once in awhile one needs new introductions as there will be more people coming in at various times.

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Altars of Ash and Bone – I [Unknown, Raw Black / Noise] (2017)

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Self Released

Self Released

Happy 2017 everyone. Though it is only 10 days into the year, this is a good of time as any to start digging into lesser known releases for the year. First up is a band that I legitimately can not find any information regarding aside from their Bandcamp page. You know the drill. Pull the blankets your to your face.

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