U​.​N​.​C​.​U​.​L​.​T – אוּסִיפְרְטְנְסְמַאֶל קַנְטְבְס אַדְרַמַלַס אוֹסְטִיבְם [Brazil, Black / Death / Avant] (2017)

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Berserk Ritual Productions | 05-04-18

Technically, the full name for this release is “Uma Nulificação Catalizadora Ultrapassa os Limites Transcedentais – Ucifrtnsmael Cantvs Adramalas Ostivm : Anti​-​estrutual Formulas Da Genesis Do Anti​-​Mundo” just in case it is easier to do an internet search. Actually searching “אוּסִיפְרְטְנְסְמַאֶל קַנְטְבְס אַדְרַמַלַס אוֹסְטִיבְם” will most certainly bring you to this album as it stands among no others in the vast space of information. This is a weird one and I hope you are ready for some ritual magic.

U​.​N​.​C​.​U​.​L​.​T is theatric and the space of אוּסִיפְרְטְנְסְמַאֶל קַנְטְבְס אַדְרַמַלַס אוֹסְטִיבְם is filled with drama. Aside from the obvious incantations with soundclips of babies crying, the music is constructed in what feels like an impossible space. Strange angles and bizarre structures are hallmarks of a strange album that is made even more strange by ceremonial garb. The fact I can find little information about this band and a South Korean label is the only point of contact only fires my imagination. This could be an instance of dimensional sorcery.

Selling me on something strange is not difficult though U​.​N​.​C​.​U​.​L​.​T has a knack for its own presentation. Being weird does not translate to making a good record. When it does and the oddities and alien qualities of the music work in congress with the uncanny themes, then it is pure magic. I ad no idea what to expect from אוּסִיפְרְטְנְסְמַאֶל קַנְטְבְס אַדְרַמַלַס אוֹסְטִיבְם and looking back I do not know how I felt before opening up this strange portal.

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Ad Baculum – Opening the Abyss [Brazil, Black] (2016)

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Hammer of Damnation | 3-15-16

Hammer of Damnation | 3-15-16

Oh Lord look at that cover. I wonder if Gustave Dore knew his legacy would be enshrined in the work of so many heavy metal album covers. What is on the cover of Ad Baculum’s third cover is a picture of “The Suicides” from Dore’s extensive illustration of Dante’s Divine Comedy. What was meant to be perhaps spiritually horrifying educating wayward Christians to a brighter path has turned into being an ominous cover for a cool as fuck metal band. Its a fair trade off.

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