Caligari Records | 9-9-18
Malazan themed death metal? I have to know these musicians in some fashion. Yep. The world is not that strange. Malazan Book of the Fallen is a popular fantasy series consisting of 10 main books and dozens of related novels. I am not here to geek about fantasy literature rather put into context that as a thematic focus, it works for the raw unrelenting sounds of bulldozer death. Though the series sports high magic, gods, and thousands of years of history to go along side its thousands of characters, fans of the series will nod their heads and agree that “yeah, this makes sense.”
Azath as a band is related to the various world of Ripped to Shreds, Draghkar, Grave Spirit, and Begrime Exemious. The coalescence of talent and worlds could only result in high nerdy combined with what sounds like tombs being imploded and the dust settling on writhing undead bodies. This demo fits into the idea of a demo meaning it is a horrid stretch of things to come but for the people who digest this sort of thing on a regular basis, this is going to be filling for quite sometimes.
Self Released | 9-3-18
It looks like there is little information regarding this act so we are just going to start making things up about this act which seemed to come from nowhere. I believe it was the cover which got me in ensnaring my attention. The underground comic violence cast in blue shades was something that could only come from a band which the right mindset. This was shades of humor cast from a large imposing object of death / grind. Dusk Of Humanity is the band’s debut EP. I think. In the summer the band released a rehearsal demo which was poorly recorded even for fans of lo-fi extreme metal. Dusk of Humanity sounds full which allows the bleeding style of music to shine and even showcases the band’s biggest aspect; filthy death metal riffs in the worship of bands like Autopsy and Asphyx. The marching beat of the EP’s (?) title track is something that could only come with a cover of cartoonish violence and devotion to disaster.
Self Released | 7-31-18
Oh man, things are about to get dirty and by dirty I mean we are all going to be covered in grave soil and coffin dust. Seclusion is a pretty new band from the lands of Texas and by their unassuming debut, this act is aiming low to subterranean levels with a sound that feels as claustrophobic as a tomb collapsing with the weight of the Earth. Seclusion’s sound rests on an air of attitude and style as the muddy production does less to draw people in as the heavy themes of occult ritual and slow death does for listeners to stay. At only two tracks, Occultess Unknown presents a band that has all of the right aesthetics and beginnings for potential releases and while this demo does not punch through the soil and grab an unsuspecting leg, it does enough to raise interest or at least a little bit of trepidation of the things that are going on under one’s feet. If the sounds of “Burning Human Incense” are of interest to you, imagine what this act can do when they finally break out of their imprisoned tomb.
Self Released | 6-18-18
Check. Check. Check. This band has everything I look for in a potential match including a badass name, grimy looking album art, and a tone which carries clout in the tomb stalking world of death metal. At this point in my existence the presence of bands like Disgusted Geist immediately draws my attention since they travel to place where I would like to rot in eternity. Shrouded in atmosphere and with the weight of stone sarcophagi, Reign of Enthrallment is a genre piece which provides the soundtrack to subjugation by an evil necromancer.
With all of the aesthetics aside, Disgusted Geist does a fantastic job at combining Vastum style riffs with the frenzy of complete annihilation. Though I believe the band has room to grow in this underground tomb, the premiere of their morbid world is enough for attention and possible courtship int he afterlife. Come for death, worship eternity resurrected as a thrall.
Self Released | 6-5-18
I think I can count the number of doom albums on this site with relative ease as I could probably use two hands. Doom is not a genre I travel into or at least have patience to surround myself with. This does not mean there are not good records being made and great bands making them. For me there has to be something else outside of the doom to snare my attention. Lightpath, a very new Italian act, seems to have doom coming with their death metal friends and they all have rusty knives. This is the type of party I enjoy.
Children of the Void is listed as a promo which could very much fall under the classification of demo. It is a three song showcase which lays out the tenets and intentions of the band which all are malicious and ugly. The female(?) vocals come snarling and add a rotting edge to music that is already adversarial. Outside of this sort of unique presentation is music that is well constructed and consistently remains intriguing. If Lightpath was intended to get attention with this promo/demo they have done so with music that is more fitting of a broken leg than anything resembling fun. It is nasty, harmful, without morals, and completely entertaining.
Self Released | 06-09-18
Sure, the entire album could be terrible. It is a possibility. Döda Drömmar actually releases in a few days and all we are hearing from this debut full length is one horrid sounding track. While it is entirely possible that the rest of the album could be boring and uninspired the raw filth which exudes from the preview track is enough to cover a couple of album’s worth of releases. If I were going to put my money on anything it would be on the music that has mucus hacking and throat choking as ambience.
” ‘Mylingar’ is the plural of ‘myling’. In Scandinavian folklore the word “myling” indicates a wandering ghost of an unbaptized child.” This is the factoid on the band’s Metal Archives page and it is mildly humorous in how far it goes into its own aesthetic. Little is known from this band outside of a 2016 EP so the band’s first full length, being self released, does not come with much attention of hype. Perhaps this is what underscores the raw sound which makes up the first track. From a style which sounds like OSDM drug through sewage to the raspy witch like vocals which actually make up the song, the release of Döda Drömmar is going to be interesting even if only to figure out just what the hell is going on inside of this world. Sure, this entire album could be terrible but I am a good judge of character and right now I am scared for my safety.
Self Released | 5-23-18
A quick note before we begin. This album was released in 2015 by the Italian label Nightbreaker Productions at about 1000 copies. While re-releasing albums is not a new phenomenon, the fact this album is being re-released independently is odd. Perhaps the band was unhappy with the initial run or 2018 ft more into their idea of cosmic devour. Whatever the case, Nex Carnis is giving their debut another spin, on their own merits, and with the year of 2018. With punishing sounds of old school death, who am I or anyone else to argue?
One of the more relaxing things about Nex Carnis is the fact they are from a place not known for its metal scene but also exceptional in their field. Researching global metal can bring one to bands that are from exotic places yet with mediocre sounds. The embrace of the location rather than the sound can be troublesome when documenting heavy metal from non western countries as one can fall in love with an idea rather than reality. Nex Carnis does everyone a favor with greeting everyone with pulverizing death metal that could be at home in any warehouse, dive bar, or putrid cemetery. While death metal is currently experiencing a surge in hipness, Obscure Visions of Dark has both the cooleness of the current sound combined with unique variations to make them stand out of a ghastly crowd. With song titles ripped from the 90’s and artwork that could fit perfectly on a tape, Obscure Visions of Dark not only stands as model for current death but also makes the whole thing fun as hell to listen to. Open coffins and welcome welcome the swarm of darkness.
Unspeakable Axe Records | 09 – 31 -18
Holy shit, this thing is not going to be released until late August. Why am I so excited for this record despite the fact there is only one song for preview. What is it about death metal riffs which makes me wait on the front steps until the doors open? I usually balk at the idea of albums no being available to me whenever I want. I am also wary about the prospect of preview tracks for albums that are months away from release. This all goes out the window when it is death metal, being released on Unspeakable Axe Records, and really fucking good.
Act of Impalement is from North Carolina and has been seen up and down the East Coast putting in work around local venues. Perdition Cult is to be the bands debut and by the sound of the first “single” Pax Romana, it is going to be a hellish hootenanny which will end with at least a few injuries. Fans of old school and grimy concrete floor death will appreciate the tone and structure of a song which waves the standards of music meant to immerse and suffocate. I still can not believe I have to wait here until August but I am sure once the leaves begin to die, it will be time for the world to rot.
Self Released | 4-30-18
All hail Bulldozer Death! This is my personal tag for music that sounds like an unmanageable amount of gravesoil pushed onto a listener at once which slowly becomes their demise. This is what Cryptworm sounds like and it is as fun as it is intimidating. Following their well received 2017 demo, released on Goatpryaer, Cryptworm sets out by themselves to deliver ten tons of gravesoil on hapless victims.
From the beginning of this 11 minute EP to the very end, Cryptworm rarely takes time to rest. No intros, no ambiance, no space to breathe, Verminosis could be the definition of “straight and to the fucking point.” While this EP lacks the atmosphere of other rotting death bands of recent years, Cryptworm makes up for it with some wild and ascertaining riffs combined with the smack to the face with a tombstone attitude. Also the pick slide on “Cadaveric Flesh Engorgement” was one of the most fun experiences I had all day. All hail the sundering of life.
Self Released | 3-15-18
Aww yeah here it is. Demo name – Check. Release type – check. Tone – Check. Band name – triple check. I have to admit that I am reviewing this based on the preview track as the actual demo comes out in 6 days from writting this article. There is a possibility that the rest of Altar of Gore’s demo could be lackluster and boring. From the sounds of the preview track “Foul Dwellers in the Sacrificial Pit,” this demo is going to be nothing less that the drowning of the world in ripped flesh and fouled blood.
Though I would be perfectly happy with this songs beginning tone which is grindy and has the vocals of a cave demon but it is really the downshifting of pace around the 1:50 mark where the riffs drape over the song and the full extent of atmosphere is revealed. This demo makes the sound seem so effortless and from at least this preview, seems like Altar of Gore are winning without even trying.