Self Released | 1-2-19
What a name. I love everything about it. I love the artwork and the fact it is a bandcamp demo that will later have a cassette release. I love the energy and the fact that I was clued into the release by the creator via email. Vomit Spell is a newish act from Germany that combines both the ferocity and irreverence of grindcore and the raw approach of death metal. The result is everything you have wanted combined with an aesthetic that is less innovative than it is tested and true. According to the Discogs page the demo was “recorded in the band’s rehearsal room between September and December of 2018.” We are just going back to all basics with this one. This is the staring point for all things festering. There are hazy boundaries when something is decomposing and giving off an awful stench. Come for death. Come for speed. Come for the decay of offal from an unidentified source.
Redefining Darkness | 2-15-19
I actually am at a lose to what the genres are. I can usually either pick them out or go somewhere else to confirm. That is more difficult when the band has zero internet presence outside a few reviews and their music is a maelstrom of genres and chaos. Enter Męka whoese special character is going to push it into further obscurity. Perhaps this is where it belongs — in some basement corner of existence throwing up strange liquids. If that previous sentence sounded gross, you are halfway to the caustic tone of a band that sounds like it gives less of a shit what you did for half your life. This band is also going to push me to rethink blackened death as a sound as I never truly believed in it. I may still be confused about genres and Męka is at the root of this confusion. Eat glass. Smoke insects. Worship nothing.
Self Released | 12-31-18
In 2019, I want to amass a collection of gross sounding death metal. Thank you 2019 for giving me my first of this year’s collection. If you ever want to hear what blood stained concrete sounds and tastes like, allow Grave Infestation to overtake your beating heart. Wild guitar solos, ridiculous soundclips, and a band photo which looks like it has been run through a copier 100 times, this Canadian act is here to be antisocial and make jokes at funerals. I am just joking, they wouldn’t be invited anyway but are here to tip the casket. This is everything I love and am so glad I keep finding this stuff.
Self Released | 12-15-18
It is sort of late for a great 2018 death metal record and it is never really a good time for a live album but here we are. This sort of lackadaisical approach to actually releasing a record seems to be the marching orders for Rotten Tomb who has the look, sound, and feel of a hip grimy death metal band and has yet to release a studio effort in 2018. Both the Live for Death release and the 2018 Promo are live recordings which further casts grime on a band that lives in the sewers. Perhaps 2019 will see new material from this band but for 2018, it is live recordings and cold flesh for the rest of the year.
Redefining Darkness Records | 11-3-18
Warp Chamber’s demo was actually released in the early part of 2018 much to the knowledge of no one. In fact social media pages got creative when linking soundclips leaving 12 hours of Warp Engine drone to stand in for the band. Only few knew about Warp Chamber until Redefining Darkness welcomed the band into the fold along other luminaries such as Skullcrush, Oxygen Destroyer, and Cist. True these names wont get you special seats for fine dining but it is a start. Much like other Redefining Darkness releases, Warp Chamber makes no apologies and breaks glass with old glass breaking techniques in the vein of Morbid Angel if the band read too many science fiction magazines. Come for absolution. Come for Obliteration.
Self Released | 11-11-18
I actually have no idea what the genre is for this as the band’s Metal Archive page says black / thrash but all I hear is old school death. It doesn’t matter once you are inside a coffin and presumably suffering. Depraver is a relatively new band that has two EPs which are only serrated by 7 years of time. Suffering in a Coffin is the newest release which actually came out in January but is seeing a digital release since the original was cassette only. I enjoy we live in a world where grimy death / black / thrash is being made without my immediate knowledge. This means that when I finally do get to hear it, it is fist pounding on what I assume is the inside lid of the coffin.
Caligari Records | 9-9-18
Malazan themed death metal? I have to know these musicians in some fashion. Yep. The world is not that strange. Malazan Book of the Fallen is a popular fantasy series consisting of 10 main books and dozens of related novels. I am not here to geek about fantasy literature rather put into context that as a thematic focus, it works for the raw unrelenting sounds of bulldozer death. Though the series sports high magic, gods, and thousands of years of history to go along side its thousands of characters, fans of the series will nod their heads and agree that “yeah, this makes sense.”
Azath as a band is related to the various world of Ripped to Shreds, Draghkar, Grave Spirit, and Begrime Exemious. The coalescence of talent and worlds could only result in high nerdy combined with what sounds like tombs being imploded and the dust settling on writhing undead bodies. This demo fits into the idea of a demo meaning it is a horrid stretch of things to come but for the people who digest this sort of thing on a regular basis, this is going to be filling for quite sometimes.
Self Released | 9-3-18
It looks like there is little information regarding this act so we are just going to start making things up about this act which seemed to come from nowhere. I believe it was the cover which got me in ensnaring my attention. The underground comic violence cast in blue shades was something that could only come from a band which the right mindset. This was shades of humor cast from a large imposing object of death / grind. Dusk Of Humanity is the band’s debut EP. I think. In the summer the band released a rehearsal demo which was poorly recorded even for fans of lo-fi extreme metal. Dusk of Humanity sounds full which allows the bleeding style of music to shine and even showcases the band’s biggest aspect; filthy death metal riffs in the worship of bands like Autopsy and Asphyx. The marching beat of the EP’s (?) title track is something that could only come with a cover of cartoonish violence and devotion to disaster.
Self Released | 7-31-18
Oh man, things are about to get dirty and by dirty I mean we are all going to be covered in grave soil and coffin dust. Seclusion is a pretty new band from the lands of Texas and by their unassuming debut, this act is aiming low to subterranean levels with a sound that feels as claustrophobic as a tomb collapsing with the weight of the Earth. Seclusion’s sound rests on an air of attitude and style as the muddy production does less to draw people in as the heavy themes of occult ritual and slow death does for listeners to stay. At only two tracks, Occultess Unknown presents a band that has all of the right aesthetics and beginnings for potential releases and while this demo does not punch through the soil and grab an unsuspecting leg, it does enough to raise interest or at least a little bit of trepidation of the things that are going on under one’s feet. If the sounds of “Burning Human Incense” are of interest to you, imagine what this act can do when they finally break out of their imprisoned tomb.
Self Released | 6-18-18
Check. Check. Check. This band has everything I look for in a potential match including a badass name, grimy looking album art, and a tone which carries clout in the tomb stalking world of death metal. At this point in my existence the presence of bands like Disgusted Geist immediately draws my attention since they travel to place where I would like to rot in eternity. Shrouded in atmosphere and with the weight of stone sarcophagi, Reign of Enthrallment is a genre piece which provides the soundtrack to subjugation by an evil necromancer.
With all of the aesthetics aside, Disgusted Geist does a fantastic job at combining Vastum style riffs with the frenzy of complete annihilation. Though I believe the band has room to grow in this underground tomb, the premiere of their morbid world is enough for attention and possible courtship int he afterlife. Come for death, worship eternity resurrected as a thrall.