Seme Konj – The Promise of Coffins [Slovenia, Black / Noise] (2014)

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Self Released  | 2014

Self Released | 4-7-14

For the most part, I really enjoy reviewing new material specifically things that are in the current year. As I have found with lesser known and underground metal releases, dates are sort of flexible when it comes to when an audience will hear it. Take for example and their debut The Promise of Coffins. This release is unmistakably a 2014 record coming out in the early months of Spring. The Promise of Coffins went unheard by the majority of the world until this year seeing a tape / cd release by Glossolalia Records. Make no mistake, Seme Konj will probably be only heard by a few more people but suffice to say that many more people will reveal in chaos.

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The Slow Death – Ark [Australia, Death/Doom] (2015)

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Chaos Records | 3-16-15

Chaos Records | 3-16-15

Before traveling into The Slow Death’s third full length release, one has to note the band members and their billion projects. Because this is Australia, bands like Mournful Congregation, Temple Nightside, Murkrat, and Nazxul dot the resumes of the band members involved. Brett Campbell from Pallbearer slides in an the American guest who has been working with the band since 2012. This all seems really odd considering the Slow Death has never been a high profile band seeing their first two releases gone independent and their third being released under a Mexican extreme metal label Chaos Records. I am just going to sit here sitting on my hands and listening to time slowly unravel.

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Swarþ – Veneficivm [Unknown, Black / Death] (2015)

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Iron Bonehead | 2-27-15

Iron Bonehead | 2-27-15

“There is no contact address, no credits nor pictures of the band.”

Recently there have been conversations about the use of anonymity in heavy metal whether for protection, enhancement, or downright hype. Though anonymity can certainly divorce the music from its creator leaving a dark entity removed, it can also be used as a silly promotional tool. Swarþ (sort of pronounced SwarTH) is an entity which has existed since 2013 without name, country, or any real information. Their releases come without titles and were released by the British label Exitium Productions, In fact, the labels first release was Swarþ’s demo. Despite the layer of anonymity being only so deep, the veil of silence which accompanies Swarþ is certainly enough to chuckle but never enough to detract from the music.

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Ecferus – Prehistory [US, Ambient / Black] (2015)

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Fragile Branch Recordings | 2-6-16

Fragile Branch Recordings | 2-6-16

Ecferus comes with a lot of discussion even before the music begins. Prehistory is the debut from a one person black metal bedroom project which is particularly interested and dedicated to anthropology and primitive mythology. Prehistory was released by a small label who also was responsible in distributing 2014’s Woven Within by the very decent and capable Ad Infinitum. The release also comes wrapped in one of the more intriguing covers by illustrator Rose Proctor. Even if Prehistory was terrible, I would be a little bit entertained. The fact that the music is as good as it surrounding ceremony is fantastic.

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Siberian Hell Sounds – ⍲⍕⍎⍱ [Australia, Grindcore / Black] (2015)

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Self Released  | 3-9-15

Self Released | 3-9-15

Ugly. This is ugly. In fact, “ugly” is the first and maybe only word which came to mind after hearing Australia’s Siberian Hell Sounds. In fact, before even hearing the music, a particularly grim suicide picture adorns the cover of the release. the band also comes with Lyrical themes of Violence, Anger, and Machinery. If you were thinking this was going to be anything else than a mortal trainwreck, then you are sorely mistaken. Luckily for everyone still here, Siberian Hell Sounds gives its audience something — and that something is relentless riffs.

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A Forest Of Stars – Beware the Sword You Cannot See [UK, Psychedelic Black] (2015)

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Lupus Lounge | 2-27-15

Lupus Lounge | 2-27-15

Would you look at that cover? I literally have zero idea what is happening between the dragons, beasts, and goddamn robots. A Forest of Stars comes with a mountain of expectations with their name, album title, and general style of “psychedelic” black metal. It would be easier if this band was just disciples of post rock and made long black metal landscapes which had crescendos and piano interludes. The fact that this British band has so much more weird shit in their album is cause for pause, praise, and possibly alarm.

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Death Karma – The History of Death & Burial Rituals Part I [Czech Republic, Black/Death] (2015)

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Iron Bonehead Productions | 2-13-15

Iron Bonehead Productions | 2-13-15

Even before listening to Death Karma, there is a lot to process. First of all are the members which already inhabit the semi popular Czech act Cult of Fire and Lykathea Aflame. Secondaly, the concept for Death Karma’s debut record, The History of Death & Burial Rituals Part I, also gives reason for more attention even before beginning the first track. Instead of easing into the world of black/death, the act has decided to dedicate themselves to a global tour of burial rituals from Slovakia to China. This would already be an interesting prompt for a metal record but the addition of Death Karma’s unorthodox approach to the black/death sound makes it near spectacular.

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Ur Draugr – The Wretched Ascetic [Australia, Black/Death] (2015)

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Self Released | 1-5-15

Self Released | 1-5-15

From this moment forward, the visual style of pop surrealism as seen in the work of Jeff Christensen should always be used to compliment the sound of complex black / death. I cant imagine how we have gotten to this moment without it these two walking hand and hand. Though my raving of artwork is to be expected, it is enhanced when I feel the visual compliments the music perfectly. Ur Draugr is a lesser known band from Australia who has taken it upon themselves to release a stellar EP by their own hard working hands.

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Utstøtt – Hjørungavågr [US, Black] (2015)

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Celestial Oak Productions | 2-20-15

Celestial Oak Productions | 2-20-15

Utstøtt is not shy about its influences. On its Bandcamp page, the lines “A one man Epic Black Metal band from Oregon in the styling of Summoning, Windir, and Caladan Brood” greet any potential listener. If you are familiar with at least two of those bands, one can safely assume Hjørungavågr, the debut album from this one man project, will probably contain music similar to its influences. I mean, the cover is already stepping in line to be similar visually with Summoning and Caladan Brood. This should be easy to assess right? Though Utstøtt is very open about its influences, I feel Hjørungavågr is sold short if thought of as a third rate clone of previous bands.

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מזמור / Dross [US, Black / Doom] (2015)

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A.L.N. / Cloisterfolk Records | 2-1-15

A.L.N. / Cloisterfolk Records | 2-1-15

In previous reviews I made mention that splits are a wonderful way to experience new acts, labels, and scenes that may be centered around a location. Last year, I came across a wonderfully horrid act מזמור (or Mizmor) on a split with fellow Oregon project Hell. Though מזמור means “psalm” in Hebrew, the meditation from this one man project is hinged on terror, dissonance, and the almighty worship of chaos. מזמור is the work of one member, A.L.N, who also plays in Urzeit with members of Ash Borer, and coincidentally provides live drums for Hell. Walking into מזמור is like hitting your head on a branch that is just one part of a larger tree of horrible black noise and doom. מזמור seems to have kept its music under a big blanket of obscurity for these past couple of years and is now teaming up with Dross, an Arizona based black metal group with only two rare cassette demos to their name. I adore these types of things.

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