Woman is the Earth – Depths [US, Black] (2014)

Standard
Init Records | 4-1-14

Init Records | 4-1-14

I think I made mention before, in fact numerous times, that this band’s name confuses the hell out of me. In a style dominated by dark ruminations, Woman is the Earth does not sound like a black metal band, rather a possible eco-feminist power violence trio. I promise this is the last time I am bringing up the name as the the band’s music soon silences all questions and offers a brilliant and dazzling exploration into atmospheric black metal.

Continue reading

Ifing – Against This Weald [US, Black / Folk] (2014)

Standard
Blood Music | 5-6-14

Blood Music | 5-6-14

I think we may have found a contender for best atmopheric / synth arrangements in black metal for the year. Last year, this honor went to Utah based act Caladan Brood while this year looks like the time for Ifing. Yes, I know that word looks like I left off half of the word but it belongs to a Michigan based duo who have come out of and from the middle of nowhere to bring a black metal record which has atmosphere stacked in reserves. What is that? The first 4 minutes is all woozy synthscape? I love it already.

Continue reading

Qrixkuor – Consecration of the Temple [UK, Death] (2014)

Standard
Self Released | 4-26-14

Self Released | 4-26-14

Oh man, here comes a flood of occult death. Qrixkuor is the name of a bird from a philosophical magic text written by Kenneth Grant. Grant’s work on the Thelemite religion continues the tradition popularized by Aleister Crowley. All of this is pretext to Qrixkuor, who may or may not have gone one step further in their image of obscured occultism. Ancient orders and mystic cults may now come with the cavernous sounds of echoing death.

Continue reading

Black Monolith – Passenger [US, Black / Crust] (2014)

Standard
All Black Recording Company | 4-29-14

All Black Recording Company | 4-29-14

Trust me, I literally have no idea what is happening in this album art. I would say that the lithograph inspired artwork illustrates the relationship between Black Monolith’s influences but this is wrong. This US based crust act fuses together the styles of hardcore and black metal but that would mean both figures on the cover should be rotting and shriveled. I think this is true unless the nude women is black metal. What in the hell is going on at that campfire? What is that pyramid?

Continue reading

Verberis – Vastitas [New Zealand, Black/Death] (2014)

Standard
Iron Bonehead | 4-3-14

Iron Bonehead | 4-3-14

16 minutes is not a lot of time for introductions. I mean what can this short span of time really communicate about ones’ intentions and plans for the future? With so much new music being released everyday, what can 16 minutes do in the face of hundreds of other demos? New Zealand’s Verberis has chosen to take this brief opportunity to make their sound memorable by hypnotizing their audience and showing them a world where black / death can be slightly psychedelic or at least mind erasing. This isn’t usually how I feel when listening to black / death but I will take it as a sign that things, for a little bit, are going to be from the land of strange.

Continue reading

Yith – Yith [US, Black / Doom] (2014)

Standard
Self Released | 3-28-14

Self Released | 3-28-14

Hands down, one of the most eerie covers of the year. Who would have guessed the combination of black and white pencil and white eyed specters could be so unnerving? Yith has spent most of its time releasing demos in sequential order. There is nothing which separates the fourth demo from the previous three aside from the self title. Right now maybe the perfect opportunity to allow Yith to come and darken your heart.

Continue reading

LVTHN – Adversarialism [Belgium, Black] (2014)

Standard
Self Released | 1-1-14

Self Released | 1-1-14

I have decided to start tagging record labels as I feel it is important to support ones which put out consistent material. LVTHN is a darkhorse as their existence was unknown to many before a few days ago when the very well liked Fallen Empire put up their debut demo for stream. If one needed any more reason to pay attention to lesser known releases, the two song demo for LVTHN serves as a reminder in the form of a punch to the face.

Continue reading

Heavydeath – Demo I [Sweden, Death / Doom] (2014)

Standard
Caligari Records | 4-5-14

Caligari Records | 4-5-14

I have already raved about Caligari Records. Not only does this label dedicate their existence to underground black, death, and doom but the quality of material they release is fantastic. Take this demo from the Swedish group Heavydeath, with members from both Necrocurse and Runemagick. If not for Caligari records I would not be aware of this project. Heavydeth comes with much excitement, as every member involved in the process of this record comes from bands with much veneration. Heavydeath’s first of three 2014 demos not only surpasses expectations but shows how much is possible on a cassette series.

Continue reading

Shroud Of The Heretic – Revelations In Alchemy [US, Death] (2014)

Standard
Blood Harvest | 3-10-14

Blood Harvest | 3-10-14

Jesus, almighty, this is some cavernous death. Shroud of the Heretic is a Portland based death metal act who has yet to see proper representation from a label. I know I mentioned this before but I have been pleasantly surprised at the quality of some unsigned metal. By all intents and purposes, the production and presentation of Revelations In Alchemy, the band’s debut, is to the caliber of some of death metal’s most profiled acts. There is no need for comparisons save for Shroud Of The Heretic being a fantastic plummet into the depths of occult death with an odd choice in color choice for their cover. Greys, blacks, browns? Fuck you, how about white and green?

Continue reading

Plebeian Grandstand – Lowgazers [France, Black / Hardcore / Noise] (2014)

Standard
Throatruiner Records | 3-31-14

Throatruiner Records | 3-31-14

Goddamn it, I love Throatruiner. Since finding this French label a few years ago, my appreciation for the bastard offspring between black, hardcore, sludge, and noise has grown exponentially. What I didn’t understand at the time has now transformed into an appreciation for genre-less heavy music and a recognition for the freedom it promotes. Plebeian Grandstand is a testament to the heights and depths a band can reach when throwing off the shackles of expectation. There is only one goal for Lowgazers, and that is pure annihilation.

Continue reading