2021

Ithildin – A Long​-​Expected Party [Canada, Dungeon Synth] (2021)

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Self Released | 2-15-21

I was floored by this release. I was amazed by this release despite it dealing with one of the most common topics for dungeon synth. Tolkien and dungeon synth have been companions since some of the first iterations as the lore surrounding the collected works of the author have been interwoven in the fabric of not only dungeon synth but heavy metal. A Long Expected Party takes inspiration and also track names off of Fellowship of the Ring. This again is not new territory yet the melodies and craftsmanship that lies at the foundation of this record is undeniable. Invoking both humble production and elaborate soundscapes, Ithildin (Mithril that only the most experienced craftsmen of the Noldor could learn how to make and pass on to others) weaves arcane sorcery to create an enriching record that may look ordinary from first glance but is steeped in decades, if not centuries, of quality.

Antikythaera – Untitled [?, Atmospheric Black] (2021)

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Self Released | 3-1-21

At this moment, I enjoy the aesthetic. Untitled release from a black metal act that has no country listed nor is there anything on the internet regarding this release. Anonymity does not substitute for quality but an already interesting release is certainly helped by a lack of information. It feels this release skirts the definition of existence and could disappear tomorrow (has happened before). Antikythaera is here, right now in this moment, making haunted music which is cast like shadows against bleak walls. This demo (?) is less of a release than it is a proof of concept that an entity making this music actually exists. I do not expect this release to be shrouded forever, but at this moment it adds to the enjoyment.

Land Spirit – Through The Eternal Woodland [UK, Dungeon Synth] (2021)

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Self Released | 2-21-21

“Dungeon Synth exploring the strange history of Vikings in the UK. Nazis fuck off.” I often love the frankness of Bandcamp introductions as Land Spirit both paints a delicate picture of the music while still telling fascists to fuck off. Through The Eternal Woodland is the third release for Land Spirit just in 2021 and despite the flow of releases, the current offering stands out as a monument in dungeon synth with a heavy magical tone. While the cover indicates an understated raw dungeon synth, the progressive spirit of this release swirls around grainy renders of ancient monuments offering a future that is hazy and cast in vintage tones. In the footsteps of Hedge Wizard, Land Spirit walks offering arcane sorcery in low fidelity.

Apoxupon – Nameless and Formless [US, Dark Ambient / Dungeon Synth] (2021)

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Realm and Ritual | 2-8-21

This one is a special release since it connects many dots for me. Apoxupon is the work of an artist who is also the creator of of Mystic Timbre Records which was home to some fantastic dungeon synth of 2020 as well as a catalog of left field synth projects. Nameless and Formless is the new release from Apoxupon which is seeing support from another wonderful label Realm and Ritual. While this new release falls under the tag of dungeon synth, Nameless and Formless includes satellite styles such as dark ambient and Berlin school style synthscapes. This release splits the difference between the last few Apoxupon albums with a record that is mysterious and surreal which lay at the edge of dream and waking. This hypnagogic kingdom lay in caverns and passage ways which are carved out of obsidian which often time reflect luminescence in otherwise pitch darkness. Nameless and Formless is a dive into the void but also the realization that there is something alive in the darkness. Apoxupon has created something wonderful here and it is through the cooperation of a few entities this release might see a greater audience.

Sulmata – Jad, Otrov i Tuga [Croatia, Black] (2021)

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Self Released | 2-17-21

This has everything I could possibly love in a 20 minute offering. Self released raw black debut demo which has all of its tracks on one side. There is little I can offer in the way of translation for the bandname but the demo name translates, quite nicely, to “Misery, Poison and Sorrow.” It is under the auspices of disease and suffering that Sulmata makes its greatest case for being the perfect harbinger of pestilence. Through its 20 minutes, Jad, Otrov i Tuga looms as a storm of finality over an already bleak landscape at many points in its demo, the vocals and music blur into a hypnotic specter which takes the listener in a dizzying embrace. This is a wonderful demo and one I am proud to keep locked away in a closet for fear of it haunting the world.

Oublieth – Mornelance [Canada, Dungeon Synth] (2020)

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Out of Season | 1-25-21

Another Cusp Record! Mornelance was released independently in the twilight hours of 2020 which would then be picked up by the very great and very reliable Out of Seaosn for tape release. January was the first time many people got to hear the work of Oublieth and their solemn worship of classic dungeon synth. Mornelance is for fans of Depressive Silence to the point where some of the synth sounds match the tones of the veteran German act. This is not to say that Mornelance is derivative rather, Oublieth continues the work of Depressive Silence and other classic era dungeon synth with a record that is both reverent to the style yet creating its own grim castles cloaked in fog. Mornelance is a dark fairy tale where wild fey live in spires among the darkness. It is magical and enchanting in its hypnosis.

Thorgnyr – Elven Rites [Iceland, Dungeon Synth] (2021)

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Realm and Ritual | 2-26-21

Yes! This review comes with no Bandcamp, yet, since the artist was kind enough to send me the record before its release in a few weeks. This, of course, is the smallest brag but I do appreciate being given access to a magical world from an artist I had missed in the past few years. In 2020, this Icelandic artist released two well received albums. Elven Rites is the third releases from Thorgnyr and continues the journey into melodic and understated dungeon synth. More so than Cycles or Depths, Elven Rites captures the quiet beauty of dungeon synth with a record that is delicate and enchanting. With a story surrounding a a political struggle following the death of an elven queen, Thorgnyr casts high drama with wisps of melodies which resemble paintings soon dispersed by a light breeze.

In the time before the actual release, one can get acquainted with he previous work from the artist which is a glacial landscape of classic dungeon synth.

Sepulchral Cult – Immurement, Spirits and Graveyard Chants [Poland, Death] (2021)

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Putrid Cult | 2-8-21

Yes. This is where I want to be today. I do not car how many times the riff rotten death metal with illegible logo and monochrome cover is done, I will probably listen to it. This is not to take away from the weight of Sepulchral Cult’s debut rather to put up front I will listen to this album and others like it until the end of eternity. Immurement, Spirits and Graveyard Chants is the debut from this Polish outfit which follows a 2020 demo which is surprising I missed given I was doing nothing else last year aside from listening to death metal demos. My surprise and pleasure at Immurement, Spirits and Graveyard Chants’ and its plunge into the crypt which is filled with ghouls that bear you ill will. Prepare thyself to be torn asunder.

Tütsen – The Safety of Prosperity [US, Dungeon Synth] (2021)

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Self Released | 1-1-21

The tape release from v was one of the most darling packages I have every received. “Magical tufts of pink and blue fluff (not edible), Three crown jewels. One commemorative miniature crown.” Obviously these things are no magical nor jewels rather very budget knick knacks but the idea and even execution is enough to provide a warm tactical experience for a release filled with cozy memories. The Safety of Prosperity is a comfy synth record that intends to harm no one and leave no trace with its wistful melodies and delicate approach to the world. Through six songs, one is treated to a dream court of medieval ambience with an arc of journey and exploration. I love my small little crown as I appreciate the gifts of dungeon synth and the objects which people cherish.