Sinmara – Aphotic Womb [Iceland, Black] (2014)

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Terratur Possessions | 8-28 - 14

Terratur Possessions | 8-28 – 14

Let it be known that either Iceland is slowly creeping into greater prominence or I just keep stumbling on related Icelandic black metal. Regardless of its true intentions, Sinmara is the fourth Icelandic black released covered on this site. I know that number does not seem incredibly high but when contrasted against the countries 93 registered bands on the Metal Archives and a total population of 310,000, four fantastic releases seems more and more significant.

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Sivyi Yar – From the Dead Villages’ Darkness [Russia, Black] (2014)

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9-20-14 | Avantgarde Music

9-20-14 | Avantgarde Music

You know what? I feel Russia is a wonderful country for the mining of out of the way dark and bleak black metal. I say this now while listening to From the Dead Villages’ Darkness, the fourth full length from a one man outfit by the name of Сивый Яр (Sivyi Yar). Eastern Europe and Russia is a minefield of black metal which sometimes ranges from the heathenish, to the nationalistic, to downright national socialist. Finding an amazing record with decent studio production is a treat. Finding that amazing record without political or cultural undertones (or at least ones that do not take center stage) is a gem.

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Darkspace – Darkspace III I [Switzerland, Black / Ambient] (2014)

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Avantgarde Music | 9-6-14

Avantgarde Music | 9-6-14

This is how the universe collapses. Darkspace is similar to Dead Congregation, as they are both relatively well known metal bands that have legacies attached to their records. Darkspace’s legacy is rooted in their interesting exploration of ambient black metal, as well as one of their guitarist’s work in the seminal side project Paysage D’ Hiver. It also helps that the band has an air of mystery, with their releases becoming increasingly more sparse. Darkspace’s previous record Darkspace III was released in 2008, and for the past four odd years fans have been awaiting the arrival of whatever the fourth installment would be called. In thematic fashion, the band’s announcement of their new record came in cryptic transmissions, with the full album being released almost immediately. I think I would have been happy with anything but this is something else entirely.

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Arath – Ungedul [Germany, Black] (2014)

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Deivlforst Records | 9-6-14

Deivlforst Records | 9-6-14

While comparing black metal to Dungeons and Dragons seems like an easy thing to do, there are times when I find it most fitting. In the early days of published adventures, things like The Tomb of Horrors and Temple of Elemental Evil were less about dynamic roleplay and more grinding dungeon crawls. This is what I feel like when listening to Ungedul, the second record from German outfit Arath — a merciless crawl across hewn stone floors with little chance of success or survival.

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Bastard Sapling – Instinct Is Forever [US, Black] (2014)

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Forcefield Records |8-16-14

Forcefield Records |8-16-14

I encountered Bastard Sapling by chance at one of the side events during last year’s Maryland Deathfest. Tucked away in a basement was this unorthodox black metal band shrieking towards the low hanging ceiling and bathed in stable blue light. Out of all of the shows and types of metal seen that weekend, here was one of the most memorable. Though I only happened on the end of their set, those few minutes were enough to hold my attention for months after. If the band does anything on a record like they did during that live show, then Instinct is Forever should be a wonderfully horrific experience.

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Svartidauði – III​.​XX​.​MMX [Iceland, Black] (2014)

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8-29-14

Self Released | 8-29-14

2014 is shaping up to be the year of Icelandic black metal. With fantastic releases from Naðra and 〇 already confirmed, a mysterious release appears from Svartidauði as if plucked from the ether. Svartidauði has already had reasonable praise for their 2012 debut Flesh Cathedral as well as a handful of demos. In fact, the band released an already decent EP earlier this year entitled The Synthesis of Whore and Beast. That being said, their new album,III​.​XX​.​MMX, may not be the most traditional introduction for this band but its uniqueness is nothing short of apocalyptic.

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〇 – Null & Void [Iceland, Doom / Black] (2014)

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Vánagandr | 8-11-14

Vánagandr | 8-11-14

Oh goodness golly. what are the chances I would stumble on two interesting Icelandic metal albums in the same month? What are the chances that I would stumble on on two great Icelandic metal records from the same label who only has three acts signed? The odds are getting astronomically slim. I believe I should count my blessings as the mysterious act known as 〇 has come to the world to cast a shroud of misery and gloom over the skies.

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Merda Mundi – VI – Khaos [Belgium, Black] (2014)

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Self Released | 7-6-14

Self Released | 7-6-14

It is difficult not to be repulsed by Merda Mundu. This Belgium black metal project takes its name from a Latin translation meaning “shit of the world” and the project’s Bandcamp proudly exclaims songs and albums as “musical excrement.” This, combined with punishing mid fi black metal makes for dynamic terror which has the potential to scare the living. Whatever creator Déhà seems to be doing though is all for a purpose. Whether that purpose is covering the whole world in a mixture of beauty and defilement is a conversation for later.

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Naðra – Eitur [Iceland, Black] (2014)

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Vánagandr | 4-01-14

Vánagandr | 4-01-14

Na…..something….ra. I am taking a wild guess that it sounds sort of like Na-th-ra but in a more nuanced and chilly tone. Naðra comes as the confluence between three as of yet discovered metal bands from Iceland. If Carpe Noctem, Dysthymia, and Abacination come as blanks in ones metal knowledge, then Naðra can possibly your 4th Icelandic metal band you just found out about today. If I seem joking about Iceland’s metal climate it is only because it, as a country, as a far lower amount of metal bands than others. While this may seem obvious due to size, the actual product of heavy metal in Iceland is nothing short of fierce and ferocious.

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Crown of Asteria – Sol [US, Black / Ambient] (2014)

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Self Released | 8-11-14

Self Released | 8-11-14

Before I start this review, I must state that atmospheric black metal is something that is used by a lot of people. Because of this, its potency is less compared to black/thrash or death/doom. This is frustrating as decent atmospheric black metal bands get lost in the dissing array of records and bands. Additionally, atmospheric black metals preoccupation with nature, space, and non traditional heavy metal themes become the new norm. Crown of Asteria does not make itself known because it breaks any conventions on black ambient and atmospheric black metal rather because it invests itself so fully into music that Sol seems to be a reasonable end to a style experiment started over a decade ago.

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