Mannveira – Von Er Eitur [Iceland, Black] (2014)

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Goddamn it. This would have gone perfectly with the mysterious crop of Icelandic black metal bands that suddenly appeared in the fields of 2014. Sinmara, Naðr, 〇, and Svartidauði were all dazzling and varying black metal projects which were as surprising as they were consistent. Mannveira’s Von Er Eiturwas released earlier in the year but after framing it within the context of other Icelandic black seems to fall in line and make much more sense.

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Terra Deep / Hyperborean Skies – Mariposa [US, Black] (2014)

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Manicidic Black / Mysterious Stranger | 11-30-14

Manicidic Black / Mysterious Stranger | 11-30-14

I have stated before that one of the best ways to look for new bands is through splits. Usually splits will showcase two or even three bands you may or may not be aware of. Sometimes, splits will showcase a couple of bands as well as a new label. Mysterious Stranger lives up to its name as a new label that has one release to their name, which is this one. What Mysterious Stranger lacks in experience they make up for in potential. If future releases are as interesting as the Mariposa split, then I would be more than willing to start collecting libraries of their cassettes.

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Mare Cognitum – Phobos Monolith [US, Atmospheric Black] (2014)

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I, Voidhanger Records  | 11-3-14

I, Voidhanger Records | 11-3-14

Part of me finds the cover for Mare Cognitum’s third full length odd, while the other half is convincing the former that it is all part of a new realm of black metal. Mare Cognitum is a one man black metal outfit who seems to be entirely obsessed with the darkness that dwells in space. I have been familiar and friendly with Mare Cognitum since his 2011 debut The Sea Which Has Become Known. It has been a few years and I am pleased to realize that his new album, Phobos Monolith, is perhaps the best work from the creator and probably one of the more enjoyable atmospheric black metal records of the year.

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John Gallow – Violet Dreams [US, Doom] (2014)

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I, Voidhanger Records | 7-2-14

I, Voidhanger Records | 7-2-14

As much as I chastise doom’s tendency to sometimes only meet bare requirements for sound, there are other attributes which are completely intoxicating. The opening tracks of John Gallow’s debut Violet Dreams rips a traditional Sabbath tone which melts the recesses of once cold dead hearts. John Gallow maybe doing everything which has been done for decades in the style of psychedelic doom but good goddamn does this rise above the rest.

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Merda Mundi – VI – Khaos [Belgium, Black] (2014)

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Self Released | 7-6-14

Self Released | 7-6-14

It is difficult not to be repulsed by Merda Mundu. This Belgium black metal project takes its name from a Latin translation meaning “shit of the world” and the project’s Bandcamp proudly exclaims songs and albums as “musical excrement.” This, combined with punishing mid fi black metal makes for dynamic terror which has the potential to scare the living. Whatever creator Déhà seems to be doing though is all for a purpose. Whether that purpose is covering the whole world in a mixture of beauty and defilement is a conversation for later.

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Crown of Asteria – Sol [US, Black / Ambient] (2014)

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Self Released | 8-11-14

Self Released | 8-11-14

Before I start this review, I must state that atmospheric black metal is something that is used by a lot of people. Because of this, its potency is less compared to black/thrash or death/doom. This is frustrating as decent atmospheric black metal bands get lost in the dissing array of records and bands. Additionally, atmospheric black metals preoccupation with nature, space, and non traditional heavy metal themes become the new norm. Crown of Asteria does not make itself known because it breaks any conventions on black ambient and atmospheric black metal rather because it invests itself so fully into music that Sol seems to be a reasonable end to a style experiment started over a decade ago.

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Petrychor – Makrokosmos [US, Black / Ambient] (2014)

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Self Released | 7-10-14

Self Released | 7-10-14

Scouring Bandcamp has its benefits. While there is the inevitable burnt feeling when encountering the 100th atmospheric or second wave black metal record, there can be deep feeling of gratitutde with records which break formation. This is not to say all left field metal records are good rather they benefit from uniqueness when compared to the heavy metal norm. There is an expected loss of traditional harshness when traveling so far away from the expected but sometimes one can find something truly interesting with the right sense of adventure. Makrokosmos is the second true full length record from Petrychor and offers something that is truly cosmic and transcendental. I do not think it is anything you are expecting.

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Ad Infinitum – Woven Within [US, Black] (2014)

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Self Released | 2-11-14

Self Released | 2-11-14

Atmospheric black metal can be instantly engaging. Unlike its stylistic cousins, atmospheric black metal has a dramatic sound and aesthetic that most people could see themselves enjoying. This has lead to a flooded market of bedroom productions stacked high to the ceiling. While it is daunting that this musical style is so popular, certain music shines through these pillars of demos and self released digital EPs. For music to do this however, it must be highly engaging and powerful. Ad Infinitum is the work of one man from Kentucky with no discernible connection to any other metal project. I know I just made mention of all those bedroom black metal releases but Woven Within is something demands its own attention, even if you are not already a fan of deep astral black metal.

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Ill Omen – Enthroning the Bonds of Abhorrence [Australia, Black] (2014)

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Nuclear War Now Productions | 6-30-14

Nuclear War Now Productions | 6-30-14

Listening to a lot of black metal can be taxing. The main reason is that a lot of things sound the same given similar production and aesthetic direction. Dark album covers, layered production, titles which evoke terror can become homogeneous after awhile. Ill Omen’s second full length is similar to a lot of other things which have also came out and to be quite honest does not have any immediate hooks which separate it from the rest of black metal releases. With that said, Enthroning the Bonds of Abhorrence does excel in subtlety with a record which is not only captivating to listen to but striking in its declaration of a no nonsense approach to black metal.

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Saor – Aura [Scotland, Black / Folk] (2014)

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Northern Silence Productions | 6-2-14

Northern Silence Productions | 6-2-14

Black metal is interesting for many reason. while the style can be taken in wild directions, the sound can also stay in the relative middle as be enhanced with nuance and subtlety. I do not know if tin whistles constitute subtlety but for now we are going to assume it is apart of slight nuance. Aura is the second record from Scottish based Saor. “Saor” in old Irish has a loose meaning of “free man.” What ever is about to transpire, there is a strong sentiment of unchained spirits.

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