Self Released | 12-15-18
It is sort of late for a great 2018 death metal record and it is never really a good time for a live album but here we are. This sort of lackadaisical approach to actually releasing a record seems to be the marching orders for Rotten Tomb who has the look, sound, and feel of a hip grimy death metal band and has yet to release a studio effort in 2018. Both the Live for Death release and the 2018 Promo are live recordings which further casts grime on a band that lives in the sewers. Perhaps 2019 will see new material from this band but for 2018, it is live recordings and cold flesh for the rest of the year.
Self Released | 10-01-17
At this point, we can still consider this 2017 despite the fact the Bandcamp comes from a label rereleasing this demo in 2018. Rereleases are strange especially since you can already find this demo on the internet. Regardless, Oratorium is a label that seems to be gathering up Chilean acts for presentation and celebration. Nefast MCMLXXIX (It is 1979, I checked) is one of the newest addditions on the Oratorium roster and by hands of fire they seem to want to burn the world.
Vestigia Flamæ | 06-23-17
Vestigia Flamæ is a newish label that actually has a few other releases which are extremely current including Theurgia’s Genómasis and Saturnus’ Impetum Chaos. I only mention the label since those other two releases were not only of interest but also have been released within the last few months. This time period seems to be the high water mark for a label that has four albums to its name. With all of that said, La Sombra del Fuego and related material on Vestigia Flamæ has kicked up enough dirt for everyone to be aware of their presence.
Self Released | 9-10-17
Add this to the growing scene of Chilean bands that seem to be coming out of nowhere. Even though I am tagging this as a demo, Live Exhumations is technically a live album and the fact that I do not have a “Live” tag means that live albums are not really a popular medium for extreme metal. What this really is however are two tracks from a disgusting band that were recorded somewhere in Chile and now are being released to the public.
Self Released | 8-25-17
Pestivomous’ The Last Wound is technically a demo and a rehearsal which is odd because it sounds like a complete studio production. I am certainly not doubting this a rehearsal rather it is surprising to get such a full sound out of something as off of the cuff as a practice tape. what this project has in its favor is the primal emotion of what sounds like 10 projects which is married with a design aesthetic thats sounds like eating grave soil.
Self Released | 1-20-17
I believe it to be this blog’s quest and motivation to find lesser known metal, throughout the year. A large goal and benchmark I have been working towards is finding bands before they have a Metal Archives page or below a certain number of listeners or just online presence. This isn’t some contest to find the most obscure band rather recalibrate my journey through the wretched halls of lesser known heavy metal. Though this search does not turn up gems everyday, if one is patient they will find something truly horrid. Hypnosinosis is one of the winners for January.
Self Released | 3-15-16
I want you to marvel at that album title because it speaks wonders and volumes. Putrid Coffin is having the time of their lives and everything is fair game. I do not even know how to say “cementery” without laughing. If this is all fun and fucking games to you then, the sound of ripping death thrash which makes a line right across your throat should add to the hilarity.