Self Released | 1-29-18
there are a lot of things I enjoy about Wojtek. I love the fact they lay music in a way that is feverish and maniacal. I love the fact their aesthetic clings to a crossover between occult black and anarchopunk. I love the fact all of the song titles and album cover could be slight parody if not backed up by blistering chaos. I love the fact their band is named after a WWII bear adopted by the Polish military. With everything to love, listening to Slaved In Eternal Obeisance To Gravelords Of Old is similar to reaching for a hug but only getting arms full of razorwire in return.
similar to the tag of black/doom, black/punk is varied in its final mixture and can be different for each practitioner. While some blackened punk retains the musical structure of punk with shrieking vocals and others black metal with predilections for chaos, Wojtek is right in the middle with a record that could honestly be a black sheep in each of its parent genres. With nothing to call home, Slaved In Eternal Obeisance To Gravelords Of Old turns into a molotov cocktail of alchemist fire and hammers in the aesthetic of a city devoured in the flames of sorcery.
I do not know if I would like this better with a more orthodox album cover. I have been staring at the cheap Xerox quality drawing wondering if it would be better just with a black and white sigil of some sorts. After deep meditations, I feel the cover for Slaved In Eternal Obeisance To Gravelords Of Old is fitting as it showcases all of the wants and needs of this record and really acts an overture for the album. Prepare for nothing you are preprepared for.
Solar Asceticists Productions | 1-22-18
Well, that is it. Janaury is offficially over with perhaps the coolest looking release of the month. Add to this the forcoming coverage by No Clean Singing and the fact this band has no Metal Archives page, and yhou have the [potential for a hype explosion that will be celebrated by a small group of people on the internet. Whatever the future holds for the oddly named Abyssal Vacuum, it will be marked by an explosive demo that again has the coolest looking cover in recent memory.
Very much like their name, the sound for Abyssal Vacuum is cavernous and akin to falling backwards through chasms that never seem to end the suffering. Even though the cavernous death style has been mined excessively over the past few years, Abyssal Vacuum is not apart of that sound rather chooses deep arcane sorcery performed in a lightless void. The addition of the subtraction of information adds to the band’s mystic allowing a single track to act as a beacon for anyone seeking this type of aesthetic. Abyssal Vacuum knows its audience and delivers well.
Solar Asceticists Productions, by hook or by crook, has managed to release two demos with great success in a style that is only popular with a select group of people. The Cendres demo, released lat month, is swirling hypnotic black metal which again is super cool but also super niche. I have no idea who is hyping this label so early but the end result is decent demo releases with above average tape covers. I will not complain rather relish in the glow of arcane sorcery.
Exit Fetish Tapes | 1-19-18
I am going to start tagging tape reissues rather than try to cram them into the current year. Acts like Khragkh are current working black metal bands who are having their demos released by DIY labels like Exit Fetish Tapes. This does not mean Šlach Anihilacyi can slide into 2018 as a release as the band already has their debut LP planted in 2017. For this and for future releases that transcend an actual year, I hope this makes more sense. I am only spending so much time to get this right as things like Šlach Anihilacyi are worthy of attention in both years.
Going through the band’s 2017 full length one can hear things that are slightly askew. Despite a jump in production and a step up in terms of album design, the core of Khragkh remains maniacal with black metal twisted by sorcery. From the vocals which sound as if from a boneclad shaman or the tendency to get lost in hypnotic instrumentals, Khragkh is a wonderful gem hidden under the blood of a sacrificial altar.
The Šlach Anihilacyi demo is going to offer one everything in terms of aesthetic looking for lesser known black metal that was heard by 20 people in its original run. This does not mean, however, later records on “bigger” labels are not worth ones time. Khragkh is probably the only belarusian band I can think of off the top of my head and with that distinction, they are the best Beleariusian band at the moment.
Self Released | 1-17-18
From their Bandcamp page, Death Void states “Recorded (mostly live) in October 2017. Cassette release will be available to order after we return from The Abyss Underground Festival.” It is as if we caught this band going out of the door and had little time for us being in their place. Add to this a photocopied demo and one wonders if we should just come back in a few months. This nonchalance regarding their demo only serves to heighten interest as The Looming Spectre, while not a perfect demo, is more than fun to listen to with a band that seems to have tons of potential hidden away under a cool visage.
As the rule with demos goes, one could be getting a 4 minute or 70 minute release. The Looming Spectre falls somewhere between with 33 minutes being dedicated across 4 tracks of rotten death / doom or just slow moving death. As far as sound goes, this is music that works as low fidelity as it would with better production since there is a thesis under these corpses and it is one of existential obliteration. This is music to dance to if dancing mean wearing your ankles down to the nub.
One of the band’s promo pictures has the tag line of “non ritualistic death metal” and since this band is the only one using that tag, I can only assume it is a step away from occult black / death to something more primal and ultimately festering. One may think there is not much separating Death Void from the likes of bands like Temple Nightside and QRIXKUOR but in the world of death metal, Dead Void is far beyond civilization hidden under the stench of verdant decay.
Self Released | 1-18-18
After a short rest following end of the year festivities, this is the first Tape Wyrm review of 2018. I thought it would be fitting to celebrate the passing of the new year with a record that sounds like the collapsing of worlds and the coming of an age of darkness.
From a very Latin background, the title for this EP translates to something like to cause a short space of time. While the track titles are rendered in cryptic aesthetics, the lyrics are still Portuguese which yield abstract and cosmisc themes. If the album titles and track lengths were not a giveaway, Benthik Zone reaches for the heavens and tries to pull down the blackness beyond the light.
I am just learning about this band and their records as Via Cosmicam ad Europam ab Gelid Inferis was released in September of 2017 and would have fit perfectly on this site for much of the same reasons as their 2018 did. It sometimes takes a band and their releases to reach certain places much in the same way light does across the galaxy. For now, Causa Modicum Temporis Spatium has arrived coming from somewhere beyond the heavens.
Self Released | 12-19-17
Sorgspell is an ambitious demo from a band that seems to have everything checked and ready to go. This is not uncommon though some bands choose to enter causally with a debut demo. For a debut demo released in the twilight of 2017, Cultum Interitum is ready to go when everyone else is going to sleep.
Sorgspell is a decent display of mid-fi black metal that has great vocals and sobering melodies which are draped over its body like funeral shrouds. Songs like “Agony” show a band that is playing above a ate December demo with music that is fitting for a full length. I am not complaining about the demo quality as I love hearing a variety of sounds at the starting level. Aside from the placeholder Dore album art and the placeholder old english font and the placeholder placement of the name and album title, Cultum Interitum seems like the first one up and ready to start on 2018.
Self Released | 10-14-17
If one hasn’t noticed by now, the last few reviews for this year are things that I initially missed. These things are still under the radar for the greater scope of heavy metal but still fit into the strange idea of Tape Wyrm material. Cavurn is an unsigned/independent death doom band from Washington whose demo/rehearsal is one of the top tier releases of the year and for that they need revisiting.
Death / Doom is a strange genre since each time it is employed, it is unique among the practitioner. Some bands lean more on the side of doom with harsh vocals while other played a rotted form of death. Cavurn is in the middle as they employ both aspects of the genre and seem to glean the most interesting aspects of both. From the monolithic atmosphere of doom married with the classic riffs of death, this demo shows a band that already has everything figured out and is ready for the next challenge.
There is little way, anyone can kep up with everything released in the year. Other well known releases like Witch Vomit, Vanum, and Cult of Eibon are still excellent just out of the range for what I hoped for this blog. Cavurn seems to fit well inside the other releases with a demo that is worth anyones attention despite their attraction to lesser known metal.
Self Released | 11-3-17
This demo was released in November of 2017. I am reviewing this in addition to the Barbarian single which was released in December of 2017. All four songs consist a body of work that is around 16 minutes. I know all of you war metal fans need to keep your dates and facts straight which music that is the equivalent of steel wool on the psyche.
Before we go any furthur, I want to say this type of music is exciting and entertaining despite the fact that it may not sound that way. War / Bestial black metal rides an aesthetic which, like noise, maybe challenging to hold. If the orcish figure on the front was not any indication, this demo is going to be a plunge into some of the harsher music in the heavy metal. If you made it this far take a moment to look up at how far you have fallen. For anyone keeping track, Attrition is the work of the creator behind Atomic Grave which also released a demo this year. Attrition seems to be the continuation of a similar sounding project or at least a second front in the spiritual war. If you are here, you came on your own accord and Attrition delivers everything that is expected.
Amor Fati Productions | 10-30-17
Holy shit, how in the world did I miss this. Not only is the album cover fantastic and everything I dreamed of but the sound is swirling black metal madness. Add to this the fact I am completely in the dark to what the name and album title means which means this is my new favorite record. It takes a special album to meet the aesthetic requirements of intriguing and an even greater one to slip by detection.
Mûspellzheimr is not new, rather this is the second full length along with a handful of demos. The lack of band members is to be expected as well as their absence on social media. Nidhöggr (the dragon/serpent who gnaws at a root of the world tree, Yggdrasil) follows the similar under the radar release Hyldest til trolddommens flamme in 2015. Nidhöggr is very apparent in its presentation that the madness which is flung at the listener at the beginning is going to be a theme throughout the record. From wailing to music that feels like it is about to fall apart, Mûspellzheimr redefines the idea of mental erosion with a record that is frayed sanity and composure. Nidhöggr is for a select audience. There really isn’t a single or unique track which would encompass the thesis of this record. Mûspellzheimr , despite a lack of information regarding themes and even the erasure of album tracks for roman numerals, one can surmise the summary of the band’s intent. Through some easy guesswork, Mûspellzheimr ‘s intentions are nothing less than malefic as well as hellbent on being ghastly.