Brainspoon – Monstrous Chains [Finland, Death] (2021)

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Self Released | 2-12-2021

Ah, this one almost passed me by. If Ye Olde Metal Archives are to go by, then Brainspoon has been around for almost a full decade with two EPs and two demos to their name. “Monstrous Chains” is the second emo – three tracks demo of monstrous Finndeath with slight crossover elements. Dirty and sloppy, but in the way I’m into. And with a name like Brainspoon, you know well what to expect: hoarse vocals, Autopsy-esque production, and punky rhythms that are firmly grounded in death riffing. This is a great example of a demo with more ideas in 12 minutes than what others do in 40; the nigh-3 minute “Graveside” swaps between Sempiternal Deathreign-style death/doom elements (read: not just quarter-speed riffs!), fast as hell switch-ups, and even a couple quick solos for good measure. There’s a slight hollow production to the sound that gives an extra paunch not usually heard in this type of death metal; I like it, beat the bloated corpse. The title and closing track matches cycling solos alongside chugging-engine rhythms. So come on! Do it!

Ritual Laceration – Putrid Womb [US, Black / Death / Noise] (2021)

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Life After Death | 5-18-21

Ritual Laceration’s “I” demo was one of my favorites of 2019, so hearing that this “dual bass bestial black metal” group had another one out was an insta-sell for someone who likes to blend his death metal with noise and whey protein. And wow, this is noisy. The first demo was a strong delivery of two bass guitars where each track steadily increased to maximum controlled cacophony (not unlike the Italians in Thecodontion). “Putrid Womb” adds shards of glass to the mix with a distinct overdrive that contrasts with the previous demo’s relative cleanliness. Not that this band was ever “clean” – maybe in the sense of how a wound can be clean in the hands of a responsible scalpel-holder. In that case, the metaphor here is the rats on the cover: an infesting mix of the harshest drive where redlining is a feature, not a bug. “Putrid Womb” also features some excellent Diocletian-sounding manic solos that are barely demonstrative of normal musical ability and instead have that wonderful “ready to explode” aesthetic. And indeed it does explode – the indistinct vocals samples come in and out of the mix at the most (in)opportune time, sliding in and out of varying levels of discord. If you’re into chaos (and I have a feeling you are if you read Tape Wyrm), then grab “Putrid Womb”.

Human – Delicacies of Extinction [US, Death / Hardcore Punk] (2021)

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Silence Is Death | 3-5-21

“Death metal made by hardcore kids” is a bit of a pejorative nowadays, but it’s also a pretty good descriptor for a select group of bands. It’s worth mentioning that “deathcore” may technically be an accurate tag, although whether it’s responsible to call it so might be more questionable. Human is a three-piece from the sunny (yet suffocating?) land of Orlando, Florida. The demo features a great smattering of punk-infused death metal, with potential appeal for those who have enjoyed recent releases from Fuming Mouth, Anthropophagous, and perhaps even Black Breath. Note that I am excepting Swedish death-n-roll hybrids; there’s a distinct Floridian riffing here that lurks beneath the punky aesthetic. Like if Obituary decided they were really into DC hardcore. Speaking of which, hardcore punk’s socially-minded lyrical themes are a huge part, lest the sardonically-named “Brown Scare” and “White Jesus” give it away. Protest songs for the death metallers, and that intersection remains in genre melding and proceeds going to black activist organizations. “Days of Rage” and “M.Y.O.E.” have short bursts of rapid-fire chaotic solos that recall early 80s thrash metal in their fall-apart charm. This demo ends on a hard mid-tempo groove and extended drums breakdown through the title track, finishing a powerful 20 minutes of bass-heavy death metal/hardcore. Oh, it was mastered by James Plotkin? Makes sense – the chunky depth of sound is impressive!