Rotted Life | 5-20-20
It feels like ages ago when we were swimming in rotting death that was squirming with riffs. Sure we still have it but things have changed. Molder is here to remind us of the fun we had a few years ago with a debut that breathes a festive atmosphere and if your idea of a party is gravedigging and being spooky, you are in the right place. Vanished Cadavers comes after a very long line of demos, splits, and live records. Much like someone gathering up momentum before pouncing, Molder finally springs into action with teeth bared and arms flailing. While this sounds like it is going to be a vicious experience, there is an air of levity with a record of death / thrash that is enjoyable and perfect for a party you will eventually have when you can see people.
Self Released | 4-5-18
We are going to be honest and say that from the surface and on paper, Oxygen Destroyer looks goofy. With a gimmick surrounding kaiju films and some beer drinking promo pictures on their Metal Archives page, this band looks to be funny if not disposable. Lucky for everyone involved, Oxygen Destroyer has thrown themselves onto the altar of old school death / thrash and made an album that is wild and eviscerating first with fun coming close second.
It is difficult to be picky when it comes to aesthetics surrounding metal. Most of heavy metal’s imagery is goofy with part of it being heralded as classic while all others being gimmicky. Nuclear abominations are not a far reach for thrash and monsters born of radiation seem to be in the wheelhouse for death / thrash. While Oxygen Destroyer probably lost a large audience not being over the top parodies dressing in Godzilla or Mothra costumes, the main draw for Bestial Manifestations of Malevolence and Death is the complete worship for bands like Morbid Saint, Sadistic Intent, and Demolition Hammer. What Oxygen Destroyer lacks in marketable gizmos, they make up for with an absolutely crushing record that would be perfect for drinking beer and chewing concrete.
Camo Pants Records | 3-16-18
I do not think I have so thoroughly entertained with music while being baffled by the name of the record label. Camo Pants Records is either a goofy name with no meaning or some hidden tongue and cheek reference to death metal fashion. I think I spend so much time discussing this aspect as Cist’ Frozen Casket is the inaugural release for the UK label and if subsequent records are going to be as good, then we need to get this name thing worked out.
Cist is a Russian outfit with an unabashed infatuation with 90’s US death metal and 80’s European thrash. I know this because their Bandcamp page states they are “high speed, manic, death thrash, forged through an uncompromising meld of eighties era Tampa death metal and aggressive European style thrash.” Cool, we know where to start. Pestilence, Death, Solstice, and Obituary are all ghosts which hang around this newcomer and by the sounds of their first EP, this band nails everything about the sound. Though I usually applaud bands for not becoming too absorbed in costume, my love for old school death eclipses everything else and songs like “Antisceptic” are sugary and sewery in its enjoyment.
I still have no idea what the record label name means but I am willing to waive them through as long as things like The Frozen Casket keep getting produced. Camo Pants and Cist make a strong declaration for the beginning of the year and provides a wonderful soundtrack for Valentines Day. This holiday, spend it in the arms of 90’s era death / thrash and die a thousand times.
Self Released | 12-7-17
Let us be entirely honest and say this is not from 2017. Back in September of 2016, 100 tapes of Under the Mark of the Devil EP were released probably to a small group of people. In 2017, the band put out the Ep again with different art to the protest of no one. Actual release dates get murky when you deal on this level and for all intents and purposes, this death/thrash release can occupy two spaces.
Self Released | 3-15-16
I want you to marvel at that album title because it speaks wonders and volumes. Putrid Coffin is having the time of their lives and everything is fair game. I do not even know how to say “cementery” without laughing. If this is all fun and fucking games to you then, the sound of ripping death thrash which makes a line right across your throat should add to the hilarity.
Unspeakable Axe Records | 3-4-16
All hail the era of new cool death. Finding good bands with cool sounds that also has an unflappable sense of style can be difficult. This goes especially true in the style of death, thrash, and death/ thrash. Death is currently undergoing a renaissance embracing a cavernous sound and occult outlook. Thrash, in general, has been under arrested development for quite sometimes save for a sparse output of innovation. This is certainly a lofty introduction for ripper and I wouldn’t want to infer anything aside from Experiment Of Existence being a wild ride through the catacombs of both styles just with a white knuckle sense of exhilaration.
PolyWater Productions | 7-19-14
The Compilation/Reissue section of this site is important to lesser known heavy to the point that I feel bad for not reviewing more off year releases. This goes especially true for albums that saw a very limited release in their initial year and are now seeing another limited release by a marginally larger label. If you know this sites visual aesthetic by now, this album with bright reds and a cartoonish looking cover is not something that is normally seen. there has to be something special abut a 2014 brightly covered album to break the continuing set.
Blood Harvest | 1-14-14
I feel that I sometimes overstate my adoration for the internet and its ability to uncover lost artifacts covered by the winds of time. False Prophet was a death/thrash act from the US who self released one record before being buried in the early 90’s. The Second Death lay untouched until a few years ago when Heaven and Hell records, archivists in forgotten heavy metal, re-released the debut along with the Sign of the Cross demo. Blood Harvest is heading up the vinyl reissue complete with enhanced and over the top artwork. This celebration for False Prophet seems fitting given the caliber of music which was almost entirely forgotten.