Saðr – Unascended Master [US, Dark Ambient] (2014)

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Self Released | 11-21-14

Self Released | 11-21-14

This maybe one of the strangest and unconventional releases of the year. I only say that since Saðr (Sathr) is borderline heavy metal with more devotion to experimental electronic and avant garde music. If it were not for the tortured cries fo what sounds like wood ghouls deep within an overgrown forest, I would reconsider Unascended Master‘s place on a metal blog. While the album lacks any heavy distortion, the looming death makes up for any absence of traditional sound.

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Xatatax – Demo 2014 [US, Doom/Thrash/Crust] (2014)

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Self Released | 7-12-14

Self Released | 7-12-14

When a band has their first single release titled “Barf at the Moon,” one can make a couple of guesses at what the band’s body of work will contain. Xatatax may have a couple of surprises here and there but audiences can safely bet on further releases being similar to a house party which is both collapsing as well as engulfed in flames. The band’s name is a palindrome which is fitting as their music is both filthy forwards and back.

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Aureole – Alunar [US, Black / Ambient] (2014)

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Fallen Empire Records | 9-29-14

Fallen Empire Records | 9-29-14

I count my blessings each day that I stumble across a label like Fallen Empire. Here is a label that has consistently been proven to put out, if at the very least, interesting black metal. Additionally, the releases from Fallen Empire are usually either lesser known or completely new talent. Take for example Markov Soroka, who goes by the name M.S. in the project Aureole. Here is a very young newcomer who has taken the past couple of years to seclude himself in a castle of solitude. If the brilliant cover was not enough indication, the album Alunar is an institution dedicated to loneliness in the reaches of mystical space.

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Mare Cognitum – Phobos Monolith [US, Atmospheric Black] (2014)

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I, Voidhanger Records  | 11-3-14

I, Voidhanger Records | 11-3-14

Part of me finds the cover for Mare Cognitum’s third full length odd, while the other half is convincing the former that it is all part of a new realm of black metal. Mare Cognitum is a one man black metal outfit who seems to be entirely obsessed with the darkness that dwells in space. I have been familiar and friendly with Mare Cognitum since his 2011 debut The Sea Which Has Become Known. It has been a few years and I am pleased to realize that his new album, Phobos Monolith, is perhaps the best work from the creator and probably one of the more enjoyable atmospheric black metal records of the year.

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Myopic / Torrid Husk – Crawling Mountain Apogee (2014)

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Grimoire Records | 10-7-14

Grimoire Records | 10-7-14

One of the more interesting records labels I discovered this year has been Baltimore based Grimoire Records. Already, this label has put out an impressive selection of unconventional black and doom metal. I have previously reviewed the Cavern EP, a wonderful album from Torrid Husk, and an EP from Dweller in the Valley, which is already making rounds on other blogs. Once again, Grimoire Records has impressed me, as Crawling Mountain Apogee, a split between Torrid Husk and Myopic, continues to fortify the foundation of a non traditional metal empire.

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Cemetery Filth – Screams from the Catacombs [US, Death] (2014)

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White Ship Records | 7-11-14

White Ship Records | 7-11-14

Name? Check. Album title? Check. Lyrical themes dealing with graveyards? Check. Sometimes not being surprised when encountering a record is pleasing. Just from a cursory glance at the debut EP from Cemetery Filth one knows they will not be encountering any operatic solos or progressive melodies. In fact, there will probably be more than one reference to the gloom of the undead. Screams from the Catacombs works in the same way formula fiction succeeds as the band is given a task of creating a mood, and they do just that, if not far better.

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John Gallow – Violet Dreams [US, Doom] (2014)

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I, Voidhanger Records | 7-2-14

I, Voidhanger Records | 7-2-14

As much as I chastise doom’s tendency to sometimes only meet bare requirements for sound, there are other attributes which are completely intoxicating. The opening tracks of John Gallow’s debut Violet Dreams rips a traditional Sabbath tone which melts the recesses of once cold dead hearts. John Gallow maybe doing everything which has been done for decades in the style of psychedelic doom but good goddamn does this rise above the rest.

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Bastard Sapling – Instinct Is Forever [US, Black] (2014)

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Forcefield Records |8-16-14

Forcefield Records |8-16-14

I encountered Bastard Sapling by chance at one of the side events during last year’s Maryland Deathfest. Tucked away in a basement was this unorthodox black metal band shrieking towards the low hanging ceiling and bathed in stable blue light. Out of all of the shows and types of metal seen that weekend, here was one of the most memorable. Though I only happened on the end of their set, those few minutes were enough to hold my attention for months after. If the band does anything on a record like they did during that live show, then Instinct is Forever should be a wonderfully horrific experience.

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Fórn – The Departure of Consciousness [US, Sludge Doom] (2014)

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Vendetta Records | 7-22-14

Vendetta Records | 7-22-14

We need to get this done as Fórn’s debut is nearing a month old. While many bands slip past notice, The Departure of Consciousness is so heavy, it is near impossible not to notice its presence. Sludge doom can take many directions whether it be stoner, hardcore, or just downright anguish. There are other times sludge doom’s low end can be emphasized with a record which bears weight of the world on the shoulders of transcendental misery.

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Crown of Asteria – Sol [US, Black / Ambient] (2014)

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Self Released | 8-11-14

Self Released | 8-11-14

Before I start this review, I must state that atmospheric black metal is something that is used by a lot of people. Because of this, its potency is less compared to black/thrash or death/doom. This is frustrating as decent atmospheric black metal bands get lost in the dissing array of records and bands. Additionally, atmospheric black metals preoccupation with nature, space, and non traditional heavy metal themes become the new norm. Crown of Asteria does not make itself known because it breaks any conventions on black ambient and atmospheric black metal rather because it invests itself so fully into music that Sol seems to be a reasonable end to a style experiment started over a decade ago.

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