Dark Descent Records | 1-13-15
I think I was excited for Ghoulgotha before even hearing the record. First of all, this US death/doom act has one of the coolest names which evokes both hilarity and elaborate imagery. Secondly, their debut is supported by the very venerable Dark Descent Records. Thirdly, The Deathmass Cloak sounds like an artifact in Magic the Gathering. This record has to be absolutely terrible for me not to like it. I am glad my expectations were met with style.
Dark Descent Records | 1-13-15
It takes a large album to have a 4 minute introduction. One must have an enormous sound to justify near 5 minutes of preamble. Despite Desolate Shrine existing for a few years, this Finnish project is swooping into 2015 on the wings of much anticipation and hype. Perhaps it is becasue of the growing appreciation for newer death metal or the fact that Desolate Shrine is a one man act aided by additional vocalists. Perhaps it is becasue the cover for the project’s third release The Heart of the Netherworld looks really cool. Maybe it is becasue of the really long intro. Regardless of any explanation, Desolate Shrine is a storm which is looming on the horizon of 2015.
Self Released | 1-13-15
I wish I could express the level of frustration which came after learning that Kalmankantaja had four albums released in 2014. Here was a haunting depressive black metal band, whose name means “death bearer,” that released all this great material without anyone telling me. While I am slightly joking, the fact that Kalmankantaja has gone this long with out proper attention is a near tragedy since there has been an audience for atmospheric dread for decades.
Heretic Fire Records | 1-5-15
Until black speed becomes overblown and well worn, most practitioners of this style will always be greeted with open leather arms. While the style is steeped in the constructed nostalgia of 80’s speed and black metal, to pull off this sound correctly, a band must have not only the skills to play really fast but also attitude which will instigate a bar brawl. Bewitcher is still at the demo level but three releases in, this US based band is building a congregation which is ready to worship at the altar of engine grease.
Starting Tape Wyrm this past year has taught me many important things. First and foremost, it has shown me that amazing and decent music is being released at all hours and days of the year. With that said, most of this music will be either forgotten or appreciated by only a few. There is no way around this fact. Another important lesson learned this year is that the “end of the year” really “ends” at the end of the year. Though the calendar for most musical year end lists wraps around mid December, music does not cease to exist after December 15th. In fact, all forms of media continue to be released despite making it in for consideration. It is now the beginning of January and 2014 feels so old, but despite this, celebrations of greatness can happen at any time. This is especially true for releases that were never destined to be in end of the year publications. This is especially true for the ancient tradition of metal demos.
Self Released | 6-25-14
This maybe perhaps one of the furthest explorations outside of what is considered heavy metal. Erang’s music has no instances of harsh tonality or dark vocals as there are none. What the French project does is create soundtracks to worlds that exist on within the memory of its creator. A project that seems hinged on nostalgia, Erang makes music which is apart of a niche style called “Dungeon Synth.” The possibility of people creating self produced fantasy landscapes out of low tech equipment could be frightening to some and fascinating to others. Whether or not Erang’s music is actually metal, in the traditional sense, is still up to the person listening. I do however feel music hinged on dragons, dungeons, and the frontiers of fantasy is best suited for somewhere at least close to here.
Goddamn it. This would have gone perfectly with the mysterious crop of Icelandic black metal bands that suddenly appeared in the fields of 2014. Sinmara, Naðr, 〇, and Svartidauði were all dazzling and varying black metal projects which were as surprising as they were consistent. Mannveira’s Von Er Eiturwas released earlier in the year but after framing it within the context of other Icelandic black seems to fall in line and make much more sense.
Burning World Records | 12-1-14
Holy god. alright. For the past few years I have sung the praises of Dodecahedron, a dutch angular blach metal band who came out with one stellar record in 2012 and haven’t been heard from since. The vocalist for Dodcahedron, Michiel Eikenaar, was in an earlier band Nihill who have been releasing material since 2007. I know it is difficult to compare two dutch black metal bands with the same singer but trust me when I say the one scary as hell black metal band is different than the other scary as hell black metal band.
Self Released | 1-1-15
As the year comes to a close, so comes a slew of records scheduled for 2015 release but actually in full late 2014. This is going to be hellish for classifying. It wouldn’t really matter if these records were not worth noting. Instead of a really boring EP from a Greek traditional metal band, As Once Was has to be something of particular interest and thus really hard to discuss at the end of the year. Goddamn it.
Nuclear War Now Productions | 12-2-14
StarGazer has a really weird history and presence. The band began in the mid 90’s but saw their first release decades later. The members of this collective also share duties in other bands including Mournful Congregation. 2010’s A Greet Work of Ages found its way on many end of the year lists with a large push from then current record label Profound Lore. Nuclear War Now is supporting the band’s third record which continues the development of the space between stars and and madness. In some strange world, StarGazer is the nexus between all forms of metal and everyone has no further need of air, food, and water.