Occult doom is a niche style of music that got a lot of hype a few years back after the breakout success of bands like Ghost and Blood Ceremony, who threw back to other bands like Coven and Black Widow. Though the style is undoubtedly steeped in retro worship and heavy costumes, it is undeniable in its coolness. On the surface The Hyle is another occult acolyte offering a record that substitutes surprises for tried and true charm. While this is half true, the depth at which The Hyle travels is more subtle than other acts of the same style.
Death Fortress – Among the Ranks of the Unconquerable [US, Black] (2014)
StandardDeath Fortress was one the first real gems that I mined from Fallen Empire records. The short track “Master-Deceiver” appeared on the SVN OKKLT tape compilation along side other great acts like Axis of Light, Eos, and Witch in Her Tomb. Aside from having a really cool name, Death Fortress always had an air of stoic underground black metal, complete with black and white covers and lyrical themes centering
around domination. This was a project whose music felt natural and unforced as it already had all of this genre’s power guiding their every move. Among the Ranks of the Unconquerable is the debut full length coming out of a sea of demos, EPs, and compilation appearances. For a band that seems to strive for this cosmic domination, Among the Ranks of the Unconquerable is a fantastic opening
move.
Ekranoplan – Demo [Germany, Sludge / Crust] (2014)
StandardWhenever a release starts out with a clenched fist feeling, one knows it is going to be a good release. Ekranoplan supposedly has members of the funeral doom metal band Ahab in it but I can not find any relevant information regarding this project. All evidence of Ekranoplan is in the form of a 5 song demo which is aptly titled Demo. I do not think I need any further introduction.
Pharaoh – Negative Everything [US, Sludge] (2014)
StandardThere are two bands from the United States with the name Pharaoh and both of them are so different, they would be great together on a split or a double headlining show. One Pharaoh is a power metal band whose latest album broke through with crossover success. The other Pharaoh is a dirge ridden caravan of depression and misery. You can guess which one is going to be discussed.
Terra Deep / Hyperborean Skies – Mariposa [US, Black] (2014)
StandardI have stated before that one of the best ways to look for new bands is through splits. Usually splits will showcase two or even three bands you may or may not be aware of. Sometimes, splits will showcase a couple of bands as well as a new label. Mysterious Stranger lives up to its name as a new label that has one release to their name, which is this one. What Mysterious Stranger lacks in experience they make up for in potential. If future releases are as interesting as the Mariposa split, then I would be more than willing to start collecting libraries of their cassettes.
Saðr – Unascended Master [US, Dark Ambient] (2014)
StandardThis maybe one of the strangest and unconventional releases of the year. I only say that since Saðr (Sathr) is borderline heavy metal with more devotion to experimental electronic and avant garde music. If it were not for the tortured cries fo what sounds like wood ghouls deep within an overgrown forest, I would reconsider Unascended Master‘s place on a metal blog. While the album lacks any heavy distortion, the looming death makes up for any absence of traditional sound.
Aquilus – Griseus [Australia, Symphonic Black] (2014)
StandardThe difference between symphonic black and atmospheric black maybe small to some but large to others. For the most part, atmospheric black metal has been the preferred style for musicians as it can work with varying levels of production. Symphonic or neoclassical black metal has had less of recent history only becasue it weighs down a band into a certain sound. I only make mention of this history as it seems symphonic/ neoclassical black is the more antiqued style. This is important because when returning to the sound, a well crafted record could bring back all of these warm and strange emotions.
Xatatax – Demo 2014 [US, Doom/Thrash/Crust] (2014)
StandardWhen a band has their first single release titled “Barf at the Moon,” one can make a couple of guesses at what the band’s body of work will contain. Xatatax may have a couple of surprises here and there but audiences can safely bet on further releases being similar to a house party which is both collapsing as well as engulfed in flames. The band’s name is a palindrome which is fitting as their music is both filthy forwards and back.
Execration – Morbid Dimensions [Norway, Death] (2014)
StandardWhile I am sure experimental death has existed outside of 2014, this year in general seems more fertile with music that not only evokes horror but is capable of twisting tentacles in odd directions. Though any band deserves to be evaluated on their own merits, Execration’s slides in nicely alongside similar trouble makers Morbus Chron, Horrendous, and Tribulation. Morbid Dimensions may not know which style to run with but the frantic indecisiveness is something which gives the album a charming appeal.
Wederganger – Gelderse Drek [Netherlands, Black] (2014)
StandardI believe, more than anything, it was the aesthetic which drove me into the rotting arms of this Danish black metal band. Though this band’s demo only comes in two songs, the combination of decent black metal, low baritone crooning, and shrill banshee vocals was enough to sit down and listen to whatever they were saying. Add to this the absolute devotion to Germanic folklore and undeath and they could say anything they wanted and I would be enthralled. Gelderse Drek was released earlier this year but is now seeing release by a small company called Daemon Worship. Thank the floating crypt ghasts this release did not go unnoticed.









