Goblin Priest – Dank Vision Sewer Crawl [US, Dungeon Synth / Chiptune] (2020)

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Self Released | 6-6-20

This is probably the weirdest release I have written about and it is wonderful. Back when I was writing about dungeon synth heavily, there was a small niche of creators experimenting with chiptune music and combining it into a CRPG aesthetic. This was music that sounded like the soundtrack to video games that never existed but you could almost envision it in your head. I have not heard much music since that time and Goblin Priest was something that brought me back to the reason why I love this genre in the first place. While chip music has a style and sound, each composition takes on unique life. In the case of Dank Vision Sewer Crawl, the life is a sidescrolling rougelike 8-bit cartridge game. With matching album art and tongue in cheek description on the Bandcamp, this whole production is irreverent and successful in everyway.

The IXth Key – Upon My Frozen Land [France, Dungeon Synth] (2020)

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Secret Corridor Records | 3-28-20

The IXth Key is a project based in Secret Corridor Records. Secret Corridor is less a label and more of a universe with different projects ostensibly all by the same person who goes by “S”. The IXth Key is one entity along with Spectral Castle, Medieval Secrets, Winter Pathways, Forgotten Passage, Royaume des Brumes, Secret Corridor, and Filicophyta. I could be wrong about some of those, but this is what I am guessing. It also would not be the first time an artist has split their creativity among a menagerie of outlets and considering that each entity possesses a unique yet familiar composition, it is safe to assume that this is all revolving around one person. The IXth Key is perhaps the most magical of alll of the Secret Corridor releases. “Upon My Frozen Land,” is emerging as one of the best releases from The IXth Key out of earlier experimental recordings. Though the release is 20 minutes in the same tonal space, it makes use of the atmosphere in a demo(?) that is accomplished and touching.

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Archana – Rites [US, Dungeon Synth] (2020)

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Mystic Timbre | 6-23-20

Archana is the second release from Mystic Timbre I have reviewed and comes since the first, Alloch Nathir, was a wonderful journey into forest synth. Before I get into this current release, I want to make special mention to the rest of Mystic Timbre’s catalog as it is a free form menagerie of electronic, progressive, experimental releases all with their own unique outlook on life. Rites, from Archana, is no different as its tone and demeanor differs from Alloch Nathir. Where one was meditative cloaked in mature ambiance, Archana is more ancient with classic stoicism at its roots. Overcast in comber silence, Rites pays tribute to dungeon synths tradition of solitary wanderings through glacial melodies and grey dawns. Both Archana and Alloch Nathir draw lineage from the same post black outfit Abhasa and these releases, much like the history of dungeon synth, are intimate meditations on immersion.

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Umbria – The Sleeping Wizard [Spain, Dungeon Synth] (2020)

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Self Released | 3-25-20

There will come a time when my daily search of dungeon synth will either lead to suboptimal releases or things that came out during the period when I stopped looking at daily releases. There will come a time when things will slow down and I will not be mystified by a wonderful release from a new artist. Today is not that day. The Sleeping Wizard is the fourth release from this Spaniard and is so dynamic with its production, I am sort of taken aback at how immersive these soundscapes can be. From the regal quality of “Path of the Fae Knight” to the mysterious carnival of “Mystic Fungus Potion Fermentation,” The Sleep Wizard is a step beyond bedroom dungeon synth into something much more that I have yet to understand.

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Alloch Nathir – The Emerald Grotto [US, Dungeon Synth] (2020)

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Self Released | 6-25-20

The tag of “forest synth” most often times refers to a variety of dungeon synth which is either inspired by the sounds of the forest, has forest ambient on top of the music, or both. Forest synth is also wild in its interpretation where one can have experimental ambient or more structured fantasy synth. Alloch Nathir is in the later camp with a record that is both regal and mystical with ambient bird calls buried deep within its music. The emerald Grotto then turns into a record which is inviting, warm, and kind at hart offering the listener nothing less than a retreat from whatever madness is in the current world. The Emerald Grotto is currently up for tape preorder which ships around summertime. This might be perfect for anyone currently unable to travel far outside as this will be a small mental retreat to a solitary clearing in the woods.

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Fogweaver – Spellwind [US, Dungeon Synth] (2020)

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Self Released | 2-7-20

Spellwind was a February release from Us based Fogweaver which was a followup to a self titled debut in 2019. Both releases were greeted with acclaim and praise from the small community of fans most certainly for their somberness and mystical qualities. Spellwind is also the second release inspired and dedicated to Ursula K. Le Guin’s Earthsea series. Similar to the ERRETH-AKBE release a few month’s back, Spellwind captures the non Tolkien focus and opens up a world guided by seas and islands and allows soft fantasy synth to populate the world. I maybe a little late on this release but I am thankful I did catch it before it flew away.

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Fen Walker – The Totem Wilds Call Thy Name [US, Dungeon Synth] (2020)

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Dungeon Deep Records | 3-14-20

It is odd and wonderful to see a dungeon synth record, which came out a few weeks ago and still with a massive amount of Bandcamp support. Fen Walker is a Us based dungeon synth artist whose second record continues on the progressive path of the debut Hail! O’ Barrow Lands! . I have already lauded the progressive sound of dungeon synth with Hole Dweller and Fen Walker’s The Totem Wilds Call Thy Name adds to my hypothesis that basement fantasy synth mixed with a 70’s progressive structure is not only agreeable but also something that could define the sound if given the chance. With the grounds for experimentation which does not lapse into artsy experimentation, the wild journeys one travels is completely immersive and something that transports the listener to far away lands.

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Erreth-Akbe – If Not a Happy Ending, a True Joy [US, Dungeon Synth] (2020)

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Self Released
1-8-20

I would like to thank Fableglade Records for breaking a streak of not purchasing dungeon synth tapes. Soemthing that always speaks to me is things released in series and the Spring Batch of fantasy synthscape tapes from this label was enough to get me back into the habit. It also helps that the first in the series is a remarkable dedication to Ursula K. Le Guin’s Earthsea books which is both dramatic, personal, and immersive. If the quality of releases is even close to the first in the series, then Fableglade Records is going to be a delight for the rest of the year. Come forengaging soundscapes but stay for the mystery of story.

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Hole Dweller – Returns to Roost [US, Dungeon Synth] (2020)

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Self Released | 3-7-20

One of the more interesting things about ducking out of a scene for a bit and then coming back is seeing the notable releases you might have missed. Last year, us based Hole Dweller released Flies The Coop to bizarre acclaim among internet fans. The release was packed with comforting synth showered with lo fi production which was intriguing and deceptively immersive. Fitting 2020 sees a follow up that expands on the world of Tolkien based synth but in a sound that is transformative and as one Bandcamp user put ” If PBS did a Hobbit film in 1983…” The progressive and library production quality of Returns to the Roost is a sound that is so fitting to dungeon synth I am wondering why I never thought of it before. where melodies once lingered and made an aesthetic home, Returns To Roost builds technicolor castles which reach to warbeled stars. Hole Dweller lives beyond the hypnogogic worship of other genres and holds court in these tones.

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Forlorn Kingdom – Northern Spirits Call From Afar [Italy, Dungeon Synth] (2020)

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Self Released | 3-15-120

Dungeon Synth has an air of mystery and sheltered presence. The act of uncovering recordings from the past seems to be part and parcel for a bedroom genre shrouded in cloaks and daggers. Northern Spirits Call From Afar is a rerelease of music made between 2013-2019 and limited to a handful of private cassettes. The music then made it to a compilation which was split, last year, between two releases Walking The Paths Of Old and Distant Apparitions. Now, Dungeons Deep Records presents almost the entire work of Forlorn Kingdom and the mysterious entity known as Grimroth on one record. All of this fanfare frames a wonderfully crafted array of icy castles, ghostly fog and lofi dungeon crawling which is both stately as well as haunted. As of writing this review, there are currently 24 of 150 copies of this tape left and I expect it not to last much longer.

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