Nan Morlith – Âdhûn & Fangorn [Ireland, Dungeon Synth] (2020)

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Gondolin Records | 4-6-20

It is fun when I find artists from a few years. Nan Morlith contributed a song for the Dungeon Synth Compilation I curated in 2017. “Of Mim, Last of the Petty Dwarves” was a playful synthscape of Tolkien lore and deep escapism and initally got me interested in this Irish artist. Âdhûn & Fangorn is not new rather a compilation of two 2016 releases now on Gondolin Records. Though the artist has been quiet for a few years since the releases of 2017, Âdhûn & Fangorn is still a wonderful chance to revisit or introduce yourself to the brassy tones of a world very far away.

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Slidhr – The Futile Fires of Man [Ireland, Black] (2018)

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Ván Records | 6-26-18

I wrote about this band way back in 2015 with their 2015 EP which turns out was not their first nor their last record. I remember being impressed with the ferocity and sound this Irish band brought to their recording. In 2018 I have learned new things, mainly this band shares many past and current members with the Icelandic black metal band Sinmara. While Slidhr is itself a separate entity, the grounding in the Icelandic sound makes sense as the band’s second full length winds down the rivers of hell into complete oblivion.

One of the more interesting aspects about Slidhr and the thing which really allows The Futile Fires of Man to make a connection are the lengthy tracks which fill this 46 minute record. Each song unpacks a lot of material which twists and winds its way through corridors of sound. Even some of the shorter tracks at 5 minutes, takes its time to craft mood and elaborately set the stage for presentations devoted to metaphysical darkness. While the band’s sound is obviously heavy given the nature, the lyrical and vocal content matches the weight of its subject matter. This is not fleeting occult references rather a reverence to forces unseen and potentially unknowable.

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Slomatics – Estron [Ireland, Stoner Doom] (2014)

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Head of Crom Records | 2-3-14

Head of Crom Records | 2-3-14

There is something completely comforting about Slomatics. Perhaps it is the album cover influenced by vintage pulp sci-fi. Perhaps it is the thundering riffs or the droning atmosphere. Perhaps, even still, it is the levity in which the band seems to sport despite their music being caught in an avalanche of riffs. Whatever it is, Slomatics have descended through the ages to cast the world in hazy yet enjoyable style of cosmic doom.

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