Morgon – Black Light of Liberation [Germany, Black / Melodic Death] (2014)

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Self Released | 4-13-14

Self Released | 4-13-14

I feel with a looser definitions on what constitutes “new music,” one can find a wider array of material. Example being a well crafted black/melodic death full length from Germany’s Morgon. It was easy to miss this full length since it was self released in 2014 and has only been lightly reissued by small distributors most recently by Obscure Abhorrence Records. While Morgon’s story is not unlike dozens if not hundreds of metal bands, sometimes decent music goes unheard. This is a really good example.

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Siberian Hell Sounds – ⍲⍕⍎⍱ [Australia, Grindcore / Black] (2015)

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Self Released  | 3-9-15

Self Released | 3-9-15

Ugly. This is ugly. In fact, “ugly” is the first and maybe only word which came to mind after hearing Australia’s Siberian Hell Sounds. In fact, before even hearing the music, a particularly grim suicide picture adorns the cover of the release. the band also comes with Lyrical themes of Violence, Anger, and Machinery. If you were thinking this was going to be anything else than a mortal trainwreck, then you are sorely mistaken. Luckily for everyone still here, Siberian Hell Sounds gives its audience something — and that something is relentless riffs.

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Spectral Voice – Necrotic Doom [US, Death / Doom] (2015)

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Self Released | 1-15-15

Self Released | 1-15-15

Sometimes one just needs the sound of pummeling death/doom to get them through the week. Spectral Voice represents a small piece in a yet to be recognized Colorado metal scene. Spectral Voice is connected to a series of death and doom bands including Abysmal Dimensions and Blood Incantation. While there are of course other bands from Colorado, this small blanket of misery is what is currently most interesting. Perhaps this is the first experience, for many, with Rocky Mountain Death.

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Rotting Casket – Simply Rotten Death [Netherlands, Death] (2015)

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Self Released | 2-14-15

Self Released | 2-14-15

As of this moment, the lyrical themes for this Dutch death metal bands are not available. I am going to take a guess that Rotting Casket and their debut EP Simply Rotten Death is going to have somewhat to do with dying. I maybe completely wrong but judging by the artwork and general atmosphere, I feel we are stepping into a world of rot and horror. I apologize if this record is filled with optimistic hope.

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Fhoi Myore / Wyrms – Les Limbes Pourpres / Mehxôhorr – Les IV Dimensions Cosmogoniques [France, Black] (2015)

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Self Released | 3-1-15

Ossuaire Records | 3-1-15

If the album cover and even title for the Fhoi Myore / Wyrms split, this experience is going to be intense. As said previous times, splits are a great way to experience new bands and even new experiences. Les Limbes Pourpres / Mehxôhorr – Les IV Dimensions Cosmogoniques sees two French underground black metal bands joining forces to present some of the most emotionally bare and rotting black metal in recent times. If the cover is any indication it will consist of ghoulish nude orcs and horrid looking bats.

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Amenaza – Demo MMXV [US, Doom / Hardcore] (2015)

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Self Released | 1-26-15

Self Released | 1-26-15

Hardcore has always been something that is no stranger tot his blog. Though the flirtation between metal and hardcore has been done by others in the past, its variation and sound could range from the absolute terrible to the sublime. Amenaza is from Kansas and though its body is undoubtly hardcore, old traditional doom metal runs through its veins. Amenaza’s flagship demo sets sail attempting to bring slow motion devastation to what ever shore is breached.

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Swamp Witch – The Slithering Bog [US, Sludge / Doom] (2015)

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Self Released | 2-20-15

Self Released | 2-20-15

Listen to the sounds of occult doom. Be smothered by the assurance that your body will eventually creep under slimy bog waters to serve food for horrible monsters. These are my thoughts regarding Swamp Witch, a west coast based doom act who have blown their minds on psychedelic sludge. Somewhere beyond stoner doom lies a more chilly place — a location where mausoleums lie submerged under inky black waters.

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Moon – Moon [Australia, Black] (2008)

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Self Released | 1-20-15

Self Released | 1-20-15

Listen, I do not know what the protocol is about older demos being re-released but suffice to say, Australian black metal project Moon has just re-released its first demo which actually came out in 2008. For this site, older material usually passed up in favor of current releases and I was really confused on where to put this. I think if it was not for the absolute stunning performance on Moon, I would have left this in the 2008 bin. If you are cool with it, I would like to rewrite history and consider this a fine and stellar 2015 release.

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Erang – Within The Land Of My Imagination I Am The Only God [France, Dark Ambient] (2014)

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Self Released | 6-25-14

Self Released | 6-25-14

This maybe perhaps one of the furthest explorations outside of what is considered heavy metal. Erang’s music has no instances of harsh tonality or dark vocals as there are none. What the French project does is create soundtracks to worlds that exist on within the memory of its creator. A project that seems hinged on nostalgia, Erang makes music which is apart of a niche style called “Dungeon Synth.” The possibility of people creating self produced fantasy landscapes out of low tech equipment could be frightening to some and fascinating to others. Whether or not Erang’s music is actually metal, in the traditional sense, is still up to the person listening. I do however feel music hinged on dragons, dungeons, and the frontiers of fantasy is best suited for somewhere at least close to here.

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Mannveira – Von Er Eitur [Iceland, Black] (2014)

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Goddamn it. This would have gone perfectly with the mysterious crop of Icelandic black metal bands that suddenly appeared in the fields of 2014. Sinmara, Naðr, 〇, and Svartidauði were all dazzling and varying black metal projects which were as surprising as they were consistent. Mannveira’s Von Er Eiturwas released earlier in the year but after framing it within the context of other Icelandic black seems to fall in line and make much more sense.

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