I believe my only complaint regarding west coast death metal act Shroud of the Heretic and their 2014 full length Revelations in Alchemy was the cover. Given the cavernous nature and the occult themes which run like imps through that record, I personally felt the white cover did not match the aesthetic of the record. It is a small complaint but something which stuck with me considering how much I enjoyed the record. Imagine my surprise when the band’s new record, Unorthodox Equilibrium comes with a gorgeous cover with a bunch of symbolism that I probably have no business trying to figure out. It is this type of alignment which makes great music shine when a pleasing album cover and competent death metal dances under arcane mysticism.
Wederganger – Halfvergaan Ontwaakt [Netherlands, Black] (2015)
StandardLet us remember that Werderganger means “one who walks again” which is a reference to the undead as well as amazing beyond words. I only get excited regarding band’s names when they are so apropos to the band’s music. I first heard Werderganger last year with the demo Gelderse Drek. At just 2 songs totaling 11 minutes, Gelderse Drek was a frustratingly interesting exploration of traditional black metal vocals contrasted with a melancholic baritone voice. My reccomendation for Gelderse Drek came with the plea that this band had to make more music lest I would uncoil mentally. Halfvergaan Ontwaakt has come in the night as a savior which may also be a further unraveling into darkness.
Pale Chalice – Negate the Infinite and Miraculous [US, Black] (2015)
StandardThere are a lot of things to process regarding Pale Chalice. First of all is the band’s love for a thesaurus when constructing album and song titles. Approaching the band’s debut Negate the Infinite and Miraculous could possibly come with an audible sigh looking through each of the song titles. This sort of density which comes attached to black metal can be exhilarating as much as it can be exhausting. The fact that Pale Chalice exceeds expectations, to the degree they do, is a marvel given they were already starting out out with a handicap. Negate the Infinite and Miraculous is a furious black metal exploration which approach the subject matter from various and dangerous angles.
One Master – Reclusive Blasphemy [US, Black] (2015)
StandardI knew this day would come. Back int he early years of Tape Wyrm I stumbled on the live release “Live in the House of Quiet.” I even ended the review with a lamentation reiterating that “it is sort of sad I never got to know One Master during a year with a full length but this live record is more than enough to keep scanning the radio waves for a program from the realms of the abyss.” This sort of thought is with me a lot when reviewing lesser known metal. I can not count the cumber of demos and EPs from bands who I wish would come back for a full length. One Master did come back, and it is fucking horrifying.
Kalmankantaja – Muinainen [Finland, DSBM] (2015)
StandardI mentioned my frustration at just discovering Kalmankantaja this year despite the fact this Finish depressive black metal band put out 4 records in 2014 with all of them being released from August to November of the same year. Here was a prolific heavy metal act, whose name means “Death Bringer,” that was releasing a billion records without my knowledge. I was furious. Perhaps it is more telling that he band does all their music in their native tongue and has album names which battle with the band name as to be which can more more confusing when spelled out. This was everything I desired in a black metal band.
Arche – Undercurrents [Finland, Funeral Doom] (2015)
StandardHooray. A band that is not on the Metal Archives so I have no idea what this is or how it is related to anything. It also appears that this Finnish funeral doom band has either just started or is hiding in the thick of obscurity. Undercurrents is probably the first EP from the Finnish three piece which makes the most use from the lack of members. All that is needed is a fresh view on doom and the weight of eternity at your side.
Brånd – Demo 2015 [Austria, Raw Black] (2015)
StandardWoah. My goodness. There are many things that weigh n the 2015 demo by Brånd. First of all is the realization that a raw black demo from austria made it way through so many obstacles to be appreciated by a modicum of people. Secondly come from the fact that Brånd’s music is cosmetically inaccessible from its photocopied cassette cover to its low fidelity which sounds like a swirling cloud of noise. If one is familiar with black metal as a style, it takes only a few second to realize more things which are happening beneath the surface. I still do not know how this demo made it so high on the Bandcamp list but I am guessing it has something to do with its veiled accessibility.
Nevoa – The Absence of Void [Portugal, Atmospheric Black] (2015)
StandardFor the most part, location and place of origin is only cosmetic when evaluating music. Sure it is interesting to highlight certain scenes and possible movements based on region and good records from places with other good records is something of note. I would be lying if I said that the fact that this atmospheric black metal record was rom Portugal did not give a reason for a second glance. This is not because Portugal is lacking in heavy metal bands rather that their metal bands seem to be operating at normal capacity with the majority still unheard. This country is about to explode.
Possession – 1585-1646 [Belgium, Black/Death] (2015)
StandardOh that’s cool. What is that? Is that a child being sacrificed by moonlight among a group of armored and robed deviants. Amazing. Is that a bell tolling over the sound of rumbling thunder for an intro? You had me at thunder. There are sometimes when an album cover can tell a story a thousand pages long. Possession’s 6 minute intro into their 24 minute EP comes with such tension and grand celebration that it is hard not to get excited when everything breaks into complete fucking panic.
Blaze of Perdition – Near Death Revelations [Poland, Black] (2015)
StandardWell, look at that. A black metal band from Poland who writes angular and dense music revolving around themes such as death and spirituality. It also looks like their album cover is a particularly artsy illustration which could probably come from an obscure occult manuscript. Well, it seems like Blaze of Perdition has everything in order and there is really nothing to worry about. These guys got everything covered.









