Nefast MCMLXXIX – Demo [Chile, Black] (2017)

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Self Released | 10-01-17

At this point, we can still consider this 2017 despite the fact the Bandcamp comes from a label rereleasing this demo in 2018. Rereleases are strange especially since you can already find this demo on the internet. Regardless, Oratorium is a label that seems to be gathering up Chilean acts for presentation and celebration. Nefast MCMLXXIX (It is 1979, I checked) is one of the newest addditions on the Oratorium roster and by hands of fire they seem to want to burn the world.

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Husk – Fangs [Italy, Black] (2018)

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Death Kvlt Productions | 2-5-18

within the deadzone of album releases, there are moments when future records are released almost in their entirety 2 months early. Welcome Husk, a one man black metal project probably from the UK but not entirely sure (Actually Italy). Fangs is limited to 15 copies and is scheduled to release in February of 2018. What you can hear now, however, is almost the entire demo. If it were not for Death Kvlt being a really cool up and coming label, I would have questions about why they were doing it this way.

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Eofor – Demo 15 [UK, Raw Black] (2017)

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Legion Blotan | 12-22-17

Good lord, I do not even know if I should be listening to this. No Metal Archives. No Facebook. IU am actually just guessing at the country as the only information seems to be repsresnation from a local faction called Legion Blotan which represents a slew of raw black and death acts. The things about anonymity is that there is an aesthetic adopted by bands by psudonymns and intentional erasure of information, then there are bands like Eofor who walk the line of existence.

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Vessel Of Iniquity – Vessel Of Iniquity [UK, Black / Noise] (2017)

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Xenoglossy Productions | 12-29-17

Something I always enjoyed about this time of the year was the complete lack of caring by labels and bands for end of the year lists. December is usually a dead zone for larger labels and bands as most of the year lists are being generated. there are some who do not care about frivolous cycles of release and there are others who will wait until the last hours of the year unleash terror.

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Erlkonig – Demo 2017 [US, Black] (2017)

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Self Released | 12-19-17

I saw Erlkonig this year at a local festival in the woods. The band is comprised of most of members of Genevieve plus a smattering of other local Baltimore metal musicians. I now feel weird since I not only know these guys but their music is really fantastic leading me to assure people Im not just talking up a band I know.

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Barshasketh / Outre – Sein / Zeit [New Zealand / Poland, Black] (2017)

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Third Eye Temple | 12-18-17

Before beginning, I want to acknowledge the cover art/layout for this split as being one of the coolest covers of the year. Though I am confused who did the cover since the Metal Archives has the personal sort of mixed up, the artwork looks similar to Fenomeno Design which did Barshasketh’s 2015 album. I know someone is responsible and it fits aesthetically with this split. Even if this is just a rearrangement of classical artwork, the colors and layout are phenomenal and is something I want on all covers of metal albums.

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Agonic Death – Under the Mark of the Devil [Chile, Death / Thrash] (2017)

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Self Released | 12-7-17

Let us be entirely honest and say this is not from 2017. Back in September of 2016, 100 tapes of Under the Mark of the Devil EP were released probably to a small group of people. In 2017, the band put out the Ep again with different art to the protest of no one. Actual release dates get murky when you deal on this level and for all intents and purposes, this death/thrash release can occupy two spaces.

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Gaping Maw – Their Sigil was Etched in the Face of the Stars [US, Electronics / Dark Ambient] (2017)

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Self Released | 12-09-17

I do not know if I am seeing more electronic based dark music or whether or not I am drawn to it like opium smoke. Gaping Maw is a reconfiguration of an already obscure industrial black/sludge act called Witches Heart. By the look of the Bandcamp discography page, Witches Heart seems to have wrangled an aesthetic and is employing it like alchemy. Gaping Maw is a new project, one that attempts to ritualize the electronic aspect of Witches heart and present a demo (?) of artificial sound and simulated nightmares.

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Wilt – Buried Amplification [US, Noise / Electronics] (2017)

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Self Released | 12-03-17

Before we begin, let us state for the record this release is technically 2010. From the Bandcamp: “Original cassette only available at the Heavy Focus festival in April 2010. Limited to 5 hand numbered copies.” The one video from Heavy Focus Festival is so bizarre and flabbergasting, the whole thing sort of makes sense. Buried Amplification is at this moment, a record that is for a small audience traveling to an intimate place miles below whatever graveyard we entered.

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Skrik – I [Russia, Black / Hardcore] (2017)

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Self Released | 9-14-17

No Metal Archives Page. No Facebook page. No additional information about this project. Fuck it, I can call this whatever I want since no one seems to be correcting me. With the additional picture of two figures in non metal looking raincoats, the first (?) demo (?) from Skrik poses a lot of questions which are answered in counterattacks.

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