Even though it is has only been a year since the release of Muinainen, it still feels like ages since Kalmankantaja put out a release. This feeling is due to the fact that in 2014, the Finnish one piece released four full lengths which were all pretty decent and racked with horror. Let us not forget the five splits and one EP also released in 2015. Perhaps 2016 is the year for ten demos from a a band that does not seem to be running out of grief to spill onto a record.
Khanus – Rites of Fire [Finland, Death / Avant] (2016)
StandardI maybe way off base but this is fucking weird. Wait, that is not way off base. This is fucking weird. I hesitate stepping into this because this is so weird that it is bordering on exhilarating and terrifying. Khanus is from Finland and that is about the extent of my own knowledge as all searching on the internet brings people to the Bandcamp page. As of writing this review, there is only a Facebook and Bandcamp associated with the band. Sure this lack of inforamtion is not a stretch in terms of underground metal but by just listening to this short EP, it sounds like the band and has the world to say.
Funerary Descent – Winds Of Dissonance [US, Black / Doom] (2016)
StandardListen to the howls and grief which ripples in sheets of frigid wind. Funerary Descent is from Baltimore Maryland which has been somewhat of an interest for me as I live close and am always interested in ground level heavy metal which I could possibly go travel and see in a small club. The black / doom combination is also something of note as it is note a style which has been explored. Funerary Descent took a little bit to release their second demo with their first one in 2013. By how effective Winds of Dissonance sounds, I only hope for a speedy production for another release. Far be it from me to tell a band what to do but this sound could bum a lot more people out with the right timing and luck. I know I will be here crawling along this swamp floor awaiting slow cold death.
Hairst – Bròn [Scotland, Black / Ambient] (2016)
StandardSometimes hitting an aesthetic is a wonderful thing. Hairst is a Scottish one man black metal act whose demos and EPs are being celebrated by the very few. All of the covers for this artist are black and white or lightly destaturated. The music is a shrilly approach to making bedroom black metal complete with atmospheric and battle effects wrapped around each of the songs. There is even an acoustic and ambient interlude/intro hiding in the very short EP. If that sort of thing does not interest you, then there are other things you can do with your time. If you enjoy everything I just said and wouldn’t mind the music to be interesting and exciting, then Hairst could be the coolest thing today.
Obduktio – Obduktio [Finland, Death] (2016)
StandardLook at that cover. Its so gross. I usually am turned off by covers with such a disregard for color scheme but Obduktio seems different. I could say the same thing about silly sound clips before songs but again, this death metal act is a unique case. By halfway through this release, you are going to just have to go with things becasue soon we will all be on the ceiling. Obduktio means “a dissection performed on a cadaver” in their native tongue and by the sound of their craft, this 4 piece is going batshit with their autopsy.
决裂 (Rupture) – Death to Peace [China, Death / Thrash] (2014) [Reissue]
StandardThe Compilation/Reissue section of this site is important to lesser known heavy to the point that I feel bad for not reviewing more off year releases. This goes especially true for albums that saw a very limited release in their initial year and are now seeing another limited release by a marginally larger label. If you know this sites visual aesthetic by now, this album with bright reds and a cartoonish looking cover is not something that is normally seen. there has to be something special abut a 2014 brightly covered album to break the continuing set.
Nyciene – Nyciene [US, Black] (2015)
StandardI am introducing a new tag call 2015/2016 which indicates a cusp period of time where music released in the late part of the previous year could be eligible for discussion in the current year and its relation to the year. December 24th is a hell of a time to release a record and while limiting discussions of an album because of a few days is sort of silly, the year end divide does negate a lot of records in most lists. Defiled Light even lists this release as apart of January as it is being re-released a few months later. Regardless, it is time to doscuss many things including a wonderful new black metal act as well as a formidable black metal label.
Sacrocurse – Destroying Chapels [Mexicio, Black/Death] (2016)
StandardIn my various years of reviewing heavy metal records, few times have I ever been unnerved like I was when hearing the opening recorded shrills of Sacrocurse’s Destroying Chapels. The shlocky prerecorded screams of victims quickly drops into a brief 13 minute EP of madness and despair. Sarcocurse is being sponsored by Iron Bonehead for this EP but seems to be supported by Hells Headbanger for others. With those two in their corner, there is nothing but profane blasphemy in their future.
Flesh of the Stars – Hosanna [US, Stoner Doom] (2016)
StandardI do not cover a lot of doom. I think I cover even less stoner doom. This is not becasue I feel the style is without merit rather the imagery does not grab me as much as black and death metal. It takes a certain angle on stoner doom to grab not just me but anyone that isn’t specifically looking for that style. I want to pay attention to more doom this year as I feel there are some great bands hiding behind dark columns of smoke. If 2016 is going as well as Flesh of the Stars second record, I may be more persuaded to stay.
Holyarrow – Oath of Allegiance [China, Black] (2016)
StandardIt is difficult to discuss Holyarrow or at least partially be intrigued by Holyarrow without mentioning that the project is a Chinese one man outfit. Regional identity does play a part in initial impressions especially when the region is not know for its extreme metal exports. China has already been somewhat discussed with black metal with the very excellent Pest Productions and their varied discography. China has also been in discussion to identity when bands misrepresent themselves for ulterior motives. I believe we can be genuine in saying that Holyarrow is from China and plays black metal and if that is not the case, I going to quit writing metal articles and focus on Magic the Gathering content.









